Descalzos en el parque

This is a superb comedy with a perfect dream of a script and the comedy is genuinely funny. It's one of those rare movies where you can get a real belly laugh. The plot has been very well described by others. Fonda is great and its a pity she did not do more farce because she is perfect and she gives it all shes got. Redford never looked sexier and its impossible not to fall head over heals in love with him. Charles Boyer is superb and the scene when he takes the young lovers and the mother to that incredible restaurant is hilarious. The real scene stealer is Mildred Natwick who is unforgettable. She will have you in stitches. Her under play is brilliant and its a performance I have never forgotten. Why she never got an Oscar for this is beyond me because its the most perfect performance. Natwick was one of America's finest actors and she is deeply missed. Whatever she did she did with distinction. Proof there are no small parts.What a classy lady! You will love this movie but you will never forget Natwick.

I'm no great fan of Neil Simon, but this neat adaption of his popular stage success BAREFOOT IN THE PARK brings a smile to my face--and it probably will yours too. The story is quite simple: newlyweds Robert Redford and Jane Fonda have moved into a New York apartment building peopled by eccentrics... and their own tiny apartment has hole in the skylight, no heat, and you have walk up five flights to get there. Redford, a rather stodgy conservative, takes a dim view of the whole thing; Fonda, who has an excessively happy-go-lucky disposition, thinks everything is great fun. Needless to say, they're soon going at it hammer and tongs.

This is a very contrived, sitcom-ish plot, but the cast carries it well. Although Redford has remained a great star for forty years, his films have been very hit or miss; here he is well cast, and he plays expertly. During this period of her career, Fonda was very much the perky girl-next-door with a slight sex-kitten spin, and she too is fun to watch. But the real winners here are Charles Boyer, as their eccentric neighbor, and particularly Mildred Natwick, as Fonda's mother. Natwick excelled at playing disconcerted matrons, and this is perhaps the best of the many fine, memorable variations of the type she offered during her long and very enjoyable career. BAREFOOT IN THE PARK won't go down in history as a great film, nor will change your point of view. But it is tremendously good fun, a film I've enjoyed every time time I've seen it--and that is a good many. Recommended; you'll enjoy it.

Gary F. Taylor, aka GFT, Amazon Reviewer

I must have seen it five times. What a delightful movie, so gentle, so understanding of human nature, so devoid of vulgarity or hard edges. Neil Simon is a jewel. He has single-handedly rescued American cinema from total mediocrity since the mid-sixties. Yes, he has had some weak scripts, but when he's bad, he is never terribly bad. I am glad that as good a writer is so successful. The cream does rise to the top, - once in a million years. Seeing this movie should be mandatory for any couple considering divorce. It shows how silly fights are. Too bad it didn't save Simon's own marriage.

Boyer is priceless as an eccentric bohemian. Everyone is inspired by the script and delivers his or his best performance. Simon makes happiness seem possible, because he knows where it's hiding.

Redford and Fonda should get a kissy-face Oscar for the most lingering lip-smackers on movie record.

The comedy's premise reminds me of one of those WWII madcaps, where wartime conditions prompt an unlikely couple into quick marriage and barebones apartment. The idea's rich in comedic material so no wonder it keeps coming back. On their honeymoon, stodgy lawyer husband (Redford) is overwhelmed by sexy free-spirited wife (Fonda). She can't get enough kissy-face or sex, while he struggles between lawyerly duties and a burgeoning libido. Meanwhile, she oozes over their cramped apartment, six long flights up, while he's too smothered over to object. Things bumble along until complications take their toll.

I love it when goofy neighbor Boyer takes the married couple and Fonda's straight-laced mother (Natwick) to a run-down Albanian eatery. It may be seedy on the outside but on the inside it's a vibrant bohemian paradise. Of course, Fonda and Boyer are in their element, real swingers, while the two conventional types can barely endure. In fact, Redford's quiet discomfort as he sits at the noisy round table amounts to a triumph of low-key expression. And catch it when the belly dancer smothers his unhappy face in her ample breasts. Edelman also scores as the drooping telephone guy. It's like, time and again, he's having to climb Mt. Everest with a heavy load. In fact, the movie milks that 6-long-flights-up, but still gets laughs from a sweaty cast. I can imagine what the auditions were like.

Anyway, the movie's first two-thirds is full of such inventive comedic moments that had me thinking "real classic". But then, much too abruptly, Fonda's sparkly role shifts and the prevailing mood goes with it. Same thing with Redford's conventional personality. That is, he goes from stodgy to goofy and she goes from ditzy to crabby. In short, they suddenly swap roles in unconvincing fashion, even for what is now a serio-comedy. In my book, the change over is too clumsily handled to maintain comedic momentum, and a potential classic is lost. Nonetheless, on balance, the movie's still lively entertainment, full of bright moments, and worth catching up with.

(In passing- I suspect the moral to the story, if such can be said, is that without some common ground even the best offbeat relationship can't last.)

Despite the electricity of "The Odd Couple" the emotional force of "Lost in Yonkers" and the Depression-era angst of "Brighton Beach Memoirs," this remains the best movie made of a Neil Simon play.

Like "The Odd Couple" it owes most of its enduring success to the chemistry between Jane Fonda and Robert Redford (reprising his role in the Broadway show) as the hapless newlyweds trying desperately to make it work. This is the movie that is responsible for most of the "mismatched" romantic comedies we've ever seen, including "Along Came Polly" and TV's "Dharma and Greg." It proves that flowery romantic prose isn't what makes a great love story, bold heroes and damsels in distress don't make a good love story. No, what makes a good love story are two people who, from start to finish, makes the audience go "Oh, God in heaven, please let them work it out!"

The brilliant dialogue of Mr. Simon, the charm of Mr. Boyer and the majestic backdrop of New York City make this a must-see for anyone who loves 1, comedy, 2, love stories or 3, Robert Redford because after this, he never really made another movie that was at all comparable.

Oh, I just remembered "Laughter on the 23rd Floor." I guess it's a tie for best Neil Simon movie.