Descalzos en el parque

I got so excited that Robert Redford did a romantic comedy film with Jane Fonda. Barefoot in the Park was indeed very funny and very entertaining. The story was simple. All the matters with the characters slowly rise. We can see that Corie Bratter (Jane Fonda), from being lovely and cheerful goes arguing and hating his conservative, spoilsport husband Paul Bratter. It was really funny. Robert Redford amuses me the most. He had that accentuated aura that reminded me of "The Sting" and his role in "Butch Cassidy and Sudance Kid". Jane Fonda was particularly witty too in her character. The latest humorous movie I watched about her was "Monster in Law". It took me a little time recognize her character in Barefoot in the Park, because honestly I haven't watch too much yet of her old movies. I must admit however that the first part of the film wasn't too much captivating. It got me bored a little. But when I saw finally Corie arguing with Paul because of their differences and incompatible attitudes, it got me the extreme laughs ever. Truly this is one cute, comically entertaining film of the old times I've ever seen. Highly recommend it.

I must have seen it five times. What a delightful movie, so gentle, so understanding of human nature, so devoid of vulgarity or hard edges. Neil Simon is a jewel. He has single-handedly rescued American cinema from total mediocrity since the mid-sixties. Yes, he has had some weak scripts, but when he's bad, he is never terribly bad. I am glad that as good a writer is so successful. The cream does rise to the top, - once in a million years. Seeing this movie should be mandatory for any couple considering divorce. It shows how silly fights are. Too bad it didn't save Simon's own marriage.

Boyer is priceless as an eccentric bohemian. Everyone is inspired by the script and delivers his or his best performance. Simon makes happiness seem possible, because he knows where it's hiding.

This is just one of those movies that can make you feel better if you've had a bad day. Honestly, it's charming, funny, light and I don't know, just the right amount of comedy and romance. Redford and Fonda are perfect together. This is a truly great comedic performance by Jane Fonda, she's amazing in this movie. Then again I am a stickler for her lighter, funnier work from the 60s. But this one stands out as being genuinely funny and well made. I love all the funny little details, like the tuna fish cans, Robert Redford's comment about "a big cat with a can opener", Jane Fonda's mother, Jane Fonda doing a "Cambodian fertility dance", etc. It is all just too classic for words. Buy this movie if you love 60s cinema and/or its two stars, it's too good.

You won't roll on the floor laughing but you won't be sorry you spent 90 minutes with the characters on-screen. Very light and easy to take, brought to a nice level of fun by some very talented actors. Mildred Natwick earned her Oscar nomination; I wonder why Charles Boyer didn't get one, too. Fonda & Redford are both so young its hard to remember they were ever that age.

I lived in a walk-up apartment in Manhattan (fifth floor!)and had to quit smoking so I wouldn't have to have an oxygen tank installed on each floor in order to just make it home every night. I enjoyed reading the 'trivia' section about this movie and find it very interesting that the French version had to change the running joke to the 9th floor; since they are also infamous for smoking, one wonders why elevators were not more popular.

This film version of one of Neil Simon's early Broadway hits coasts on the likability of its cast and a lot of classic Simon banter. The gossamer-thin plot, about newlyweds who find out they don't know each other as well as they thought, is only a framework to hang a bunch of running gags about drafty New York flats, endless stairs, oddball neighbors and the like.

Laughs are plentiful, although as in the rest of Simon's work, one is acutely aware that nobody is so quick with the one-liners in real life.

Boy, were they young back then! Robert Redford underplays charmingly as Paul Bratter, up-and-coming lawyer and all-round stick-in-the-mud; Jane Fonda is his new bride Corie, sexy, fun-loving and relentlessly cute to the borderline of annoyance. When you find her schtick getting a little hard to take, concentrate instead on veteran character actors Charles Boyer and Mildred Natwick, who lend spirit and class to their comedic roles.

Perhaps the direction by Gene Saks is a tad stagebound (he directed the Broadway version), and the cinematography a bit muddy, but Neal Hefti contributes another sprightly score that does a lot to compensate. Overall, an undemanding, undeniable pleasure.