La novia vestía de negro

The Bride Wore Black is, for my money, Truffaut's best film! Jeanne Moreau is pitch perfect as the shattered bride, who will stop at nothing to punish the men responsible for her husband's death. She is fully authentic, as she tracks down and dispenses justice to those responsible, with a cold and icy single mindedness, that would make a shark shudder!! This is a must see for all Truffaut fans, one that still remains vivid to me! 9 out of 10!

After attempting to commit suicide, the widow Julie Kohler (Jeanne Moreau) tells her mother that she will leave town. However, she stays and hunts down and executes the five men that accidentally killed her beloved husband David on the stairs of the church immediately after their wedding ceremony.

"La Mariée Était en Noir" is a simple but excellent thriller. The geniality of François Truffault develops the tragedy of the lead character Julie Kohler with only few flashbacks. Jeanne Moreau is amazing, in the role of a woman that sees her world falling apart with the stupid murder of her beloved husband, and is driven by revenge to stay alive. The conclusion with the camera focusing the security guard is fantastic. The famous "cross of legs" of Catherine Tramell in "Basic Instinct" was probably inspired in the shy one of Julie Kohler in the police department. "The Bride" of "Kill Bill" is also inspired in this classic French movie. My vote is eight.

Title (Brazil): "A Noiva Estava de Preto" ("The Bride Was In Black")

Note: on 06 December 2010, I saw this film again on DVD.

Bride Wore Black, The (1968)

*** (out of 4)

Truffaut's homage to Hitchcock deals with a mysterious woman (Jeanne Moreau) who, after a failed suicide, decides to track down and kill the five men responsible for her husband's death on their wedding day. Needless to say, this film was pretty much remade by Quentin Tarantino in the two KILL BILL films but you can see the films influence go even further with various exploitation movies including Jess Franco's SHE KILLED IN ECSTACY as well as the notorious I SPIT ON YOUR GRAVE. I think this film works very well as a homage but doesn't work too good on its own. What I was shocked to find is that there's very little emotion of any kind here. There's really no drama, no one to really care for, no suspense and very little mystery. I'm really not sure what the point of the film was except perhaps for Truffaut to show his appreciation to Hitchcock and try to copy a film like the mystery master would have made. The movie has some very good stuff in it but again, I'm sure it could have been better had a few things been changed. The five murders are pretty much like separate short films and this is something I liked. I like how all five murders appear just like their own movies but this does lead to one of my complaints, which is the running time. It really seemed like the movie was padded with needless scenes and stuff that could have been handled in less time. I found all the murders to be quite fun in their own right and that includes the ending, which really worked even though I've read it was different than what was in the novel. Another major plus is the performance by Moreau who manages to be very believable in the role. I thought she came off perfect as the quiet assassin even though you could look into her eyes and see the pain she's feeling for her dead husband. The supporting players, mainly the five men, are quite good as well, although none of them really stick out as being great. The Bernard Hermann score does a good job at reminding us of his previous work with Hitchcock and there are plenty of nice references to the master's films.

Interesting take on Hitchcock territory, although it lacks the suspense and capacity to involve the viewer as The Master's films always did. The true wonder here is Jeanne Moreau, as cool as a cucumber, going about her revenge business with clockwork accuracy, exuding class and talent equivalent to five of today's stars. Bernard Herrman's passionate score seems slightly out of place against the film's emotional detachment, and most of the time things fall just a little bit too perfectly in place, but overall, this is a satisfying film, of interest to genre fans.

At a party you engage the fiancé, on the balcony you let him have his say, as the breeze catches your scarf, he tries to catch on your behalf, and then you leave, after you've helped him on his way. You invite, a gentleman, to a recital, at the end you make a plan to go where he dwells, enjoy a glass or two of drink, then clean receptacles in sink, as you leave it looks as if he's lost his vitals. Helping out when mum's away, it just seems right, businessmen don't find in kitchens, much delight, though that's not the only place, there's a less visited space, that you make cosier, sealed up, and quite air tight. You like to model for an artist as his muse, you overwhelm him with the picture you infuse, it's like a bolt from Cupid's arrow, has just settled in his marrow, as the lights go out, you may have blown his fuse. Serving lunch can be rewarding in its ways, helping out the less well-off with lengthy stays, and you'll always have a stab, to help your own mental rehab, to end the misery that haunts all of your days.

Jeanne Moreau is always outstanding!