La muerte no tiene sexo

I do readily concede that I know close to squat about Director Massimo Dallamano, having only watched his poliziotto entitled COLT 38 SPECIAL SQUAD, which made chases and gory action its main menu.

By comparison, A BLACK VEIL FOR LISA pays a shade more attention to character building. The ever reliable British actor John Mills plays Hamburg-based Interpol Inspector Franz Bulon who, in spite of his undeniable professionalism, prioritizes keeping an eye on his often absent from home wife, the stunningly dishy, fine-featured Luciana Paluzzi who had come to international notice three years earlier in THUNDERBALL, with Connery's James Bond handing her slippers to cover her nudity.

In BLACK VEIL FOR LISA, Paluzzi displays fabulous nudity and not just to cuckolded hubby Mills, who she also deceives by passing classified info to a Porsche-driving villain who deals in tulips and murder, in addition to bedding him and handsome hitman Max, smugly played by Robert Hoffmann.

Competent cinematography from Angelo Lotti, reasonably deft screenplay from Belli and Petrilli, with interesting nuances adding to Paluzzi's sensual survival instinct and sexiness, allowing her to completely steal the show.

The ending could and should have been more credibly done, difficult to believe that a police inspector and a habitual hitman should put up such innocuous personal defense.

As a footnote, a word of appreciation for the presence of great, very classy German car models of the 1960s: Mercedes Benz, Porsche, Opel, Volkswagen all there.

Enjoyable police thriller 8/10.

"A Black Veil for Lisa" is a decent mystery/thriller with a lot of mysterious murders and combining the elements of intrigue with drama , shocking scenes , jealousy , plot twists and a pretty unexpected, unpredictable conclusion . Atmospheric and oddball Giallo with chilling frames , twisted scenes , taking place cruel killing s , and confusion around a really jealous hubby . This is pretty entertaining stuff deals with a commissioner , Inspector Franz Bulon (John Mills) , a tough narcotics detective who's attempting to find out a series of grisly murders , while bring down a major drug syndicate in Hamburgo town . But Bulon results to be also a possessive husband who hires a murderer (Robert Hoffmann) to kill his unfaithful wife Lisa (Luciana Paluzzi) , but the hunter and the hunted soon begin an affair . However, every time Bulon gets close to a potential informant , the said person has a nasty knack of turning up dead . Bulon's superiors are concerned that his mind doesn't seem to be on the job due to he is being thwarted at every turn . And to a high degree they're alright , that's why Bulon is so preoccupied with keeping tabs on his spouse that he isn't keeping on top of the rest of his work . He also believes that she is having an affair , and is plagued by thoughts of her with other men . He also suspects his spouse Lisa of sabotaging a big narcotics case he's working on . White veils for angels...

An attractive Giallo that focuses on police procedure with usual investigation over the usual murder-mystery antics as well as the dramatic events about a jealous husband . A mystery/thriller in which the starring leading to the edge of sanity and extreme violence , resulting in unpredictable consequences , including spine-tingling intrigue , thrilling events with plenty of shocks , deliciously twisted happenings and brief touches of erotism with brief nudism . Suspenseful and interesting screenplay with mysterious events written by Giuseppe Belli , Vittoriano Petrilli and Massimo Dallamano himself . Although there are various incidents that defy belief , filmmaker Dallamano does a competent work of keeping pace and tension cranked up . Makes for some pretty intriguing and suspenseful moments that somewhat make up for the weak climax . Good film with Giallli overtones and surprising intrigue being well proceeded here and there , along with an unbearably tense in charge of the three adequate protagonists giving top-notch interpretations . Stars the veteran John Mills who gives a terrific acting as the obsessed , abussive usband , the handsome Robert Hoffmann as a tough hit-man , he also starred another good Giallo : Naked Girl Murdered in the Park (1972) and the extremely gorgeous Luzziana Paluzzi of Thunderball. Being an Italy/West Germany co-production shows up secondary actors from both countries , such as Renata Kashe , Carlo Hintermann , Tullio Altamura , Enzo Fiermonte , Jimmy il Fenomeno , among others .

It contains an atmospheric and evocative musical score in the Sixties style from Giovanni Fusco , Richard Markowitz , Gianfranco Reverberi , adding the catching song Melodie de Lisa Words and music by Alan Gordon and Gary Bonner . Here stands out the colorful and brilliant cinematography by Angelo Lotti with a well remastered copy .The motion picture was competently written and directed by Massimo Dallamano or ¨Max Dillman¨ who previously photographed ¨Fistful of dollars¨and ¨For a fistful dollars more. Dallamano managed to make a fluid , witty and agreeable Giallo . He also proved his experience in thriller and other Giallo movies , such as : "What Have You Done to Solange?" , "The Cursed Medallion" ,¨Portrait of Dorian Gray ¨ ,"Colt 38 Special Squad" , "Mafia Junction" , "What Have They Done to Your Daughters?" or "The Coed Murders" , among others . Rating 6.5/10. Well worth watching . The flick will appeal to Gialli fans.

Builds up to a predictable finale.

First, this film lacks important giallo qualities. Most importantly, there is no mystery about who the killer is. It's a relatively bloodless film with little cat-and-mouse/stalking shenanigans to speak of.

On the plus side, there are some good characters here. They are well-written and well-acted. However, after the build up of suspense around tulips and around the police report in the envelope, there is no payoff. Things play out to their natural conclusion. There are no surprises to be had here.

Not the wildest of gialli, if indeed, it really does qualify as one, but a most competent and engaging mystery. John Mills is surprisingly good as the ageing husband to the flirty Bond girl, Luciana Paluzzi and although the bad boy seems far too glamorous for the role, Robert Hoffman does well. Decent script, which always helps and what starts simply enough becomes far more involved as we progress. Indeed we quickly learn who the killer is but not why or just how many are involved. That Mills plays as an Englishman gives this a certain slant that helps make the film different from others of the time and though the music is somewhat flat, seems fitting enough for the drab location. I don't know where this was shot but it doesn't look like Italy so is perhaps Germany or even Austria. No stunning set pieces and the flashes of nudity seem added and likely to not be Paluzzi.

A Black Veil for Lisa is one of the earlier films in the Giallo cycle, and has taken much of its influence from the film noir style of film-making. Directed by Massimo Dallamano, the man behind the unofficial 'Schoolgirls in Peril' trilogy, the film is often seen as trash; but personally, I couldn't disagree more. With this movie, Dallamano takes us on a roller-coaster of emotion and the director does an excellent job of setting out the characters, their situations and motives; which is a great benefit to a film that is very much character driven. The twisted plot emerges from the character's flaws, and follows the themes of jealousy, love and revenge. We follow Inspector Bulov; a man on the case of a murderer that is leaving a trail of bodies in his wake. He polices the streets and also his wife; the buxom and beautiful Lisa. Our leading man has a few years on his beautiful other half, and this combined with her character has lead him to relentlessly follow her every move, even to the point where it interferes with his work. And to say any more about the plot, would spoil the film!

A Black Veil for Lisa benefits from a trio of great central performances. John Mills gives it his all in the lead role, which sees him looking and acting the part of the jealous husband brilliantly. Mills also brings a distinct British style to the picture, which lends it a classy feel which is unlike other Giallo films. The title role is taken by former Bond girl Luciana Paluzzi, and while she isn't given too much time to shine acting wise; she looks the part and brilliantly offsets Mills' leading performance. Robert Hoffmann rounds off the central cast in the role of the murderer, and while he looks a bit too polished to viciously commit murder, his good looks serve him well after the first twist has been dealt out. This Giallo is unlike others in that there is no mystery surrounding the identity of the murderer; and the focus of the movie is always on the relationship between the central characters. The order of priority regarding this is shown brilliantly by the dubious way that the identity of the killer is revealed; it's not very realistic, but it does relate to the character - and this film is all about its characters. Overall, A Black Veil for Lisa is a great Giallo and one that I hope gets a decent DVD release soon so more people will be able to see it!