Agrega una trama en tu idiomaDonna and Joel Gregory are researching a book about long dead Hollywood goddess Lorna Love. They are staying at Lorna's estate while interviewing old "friends" of Lorna. Joel, whose father h... Leer todoDonna and Joel Gregory are researching a book about long dead Hollywood goddess Lorna Love. They are staying at Lorna's estate while interviewing old "friends" of Lorna. Joel, whose father had a passionate affair with Lorna, becomes obsessed with Lorna. Donna must try to break th... Leer todoDonna and Joel Gregory are researching a book about long dead Hollywood goddess Lorna Love. They are staying at Lorna's estate while interviewing old "friends" of Lorna. Joel, whose father had a passionate affair with Lorna, becomes obsessed with Lorna. Donna must try to break the spell that has her marriage in trouble and their very lives in jeopardy.
- Dirección
- Guionista
- Elenco
- Lorna Love
- (as Mariana Hill)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Upon perusing her library, Joel discovers some tomes concerning witchcraft. Enter Mr. Conan Carroll (John Carradine), who attempts to shed some light on Lorna's... dark side. Let's just say that this could be Carradine's shortest role, ever! Diabolical chicanery unfolds. Will Joel and Donna survive long enough to write their book?
DEATH AT LOVE HOUSE is another made-for-TV horror / suspense film from the wondrous 1970's. The fiendish fun begins almost immediately, blending both supernatural and occult elements. No, there's not a large body count, or shambling ghouls, but there is a nice, haunting atmosphere of mystery. Wagner and Jackson are great, as are the cameo appearances by Dorothy Lamour and Joan Blondell!...
Robert Wagner and Kate Jackson play a married couple researching a book on a silent old film star, Lorna Love, and her affair with Wagner's father.
This is a little like The Shining in that the spirit of the house takes over Wagner like five minutes after their arrival.
The actress playing Lorna Love, Marianna Hill, looked like something out of Charlie's Angels, not a '20s film star. After hearing for the entire film how irresistible she was, I still didn't get it.
Campy TV movie.
Color cinematography is terrible. The images, grainy to begin with, seem blurred or out of focus, which conveys the impression that the producers used cheap film stock. Or maybe the transfer to DVD made the visuals look bad. Sound quality is even worse. For insertion of TV commercials, each plot sequence fades to black, which makes the plot choppy. And background music is your typical nondescript, off-the-shelf elevator music.
Probably the best element is the casting of several older actresses including animated Joan Blondell, and wonderful Sylvia Sidney, whose gruff voice and thick red lipstick give her a unique, one-of-a-kind image. As husband and wife, Robert Wagner and Kate Jackson have minimal chemistry together. Jackson tries hard, maybe a little too hard. Wagner seems bored.
This film looks and feels very 1970s. The story's underlying premise isn't bad at all. Indeed, pick any fairly young deceased Hollywood celebrity. With major changes in the film's plot, geared to realism, might we envision the film's premise about Lorna Love being applied to that deceased person?
¿Sabías que…?
- ErroresAt the very end of the movie, some removal guys are loading a giant painting into a very small van which clearly isn't going to be big enough.
- ConexionesReferenced in DashieXP: Ghetto Video Store! (2020)