The Last of the Cowboys

Any henry fonda film is worth a look ...gary sandy shows what a real moron acts like when put on the big screen and embarrasses himself ... the women were delightful, and daina house was especially beautiful and bountiful ... loved eileen brennan too

The story line is dull at the beginning. Yet it evolves wonderfully. The characters are wonderful. Robert Englund, Susan Sarandon and Henry Fonda are great together. The story takes place in a simpler time with simpler people. The scenery in the movie is gorgeous. Takes place over the road. You get to see many different places. There's funny parts that will make you laugh out loud and sad parts that may make you cry. It's a really peaceful movie. Although the ending is terrible as it leaves the story open and ends the story swiftly and tragically. The watcher is left to wonder what exactly happened to the characters.

It has to be said that this is a pretty terrible film. Nevertheless I watched it again recently and quite enjoyed it so I feel I ought to say something positive. First of all you would think that a film with a cast which includes Henry Fonda, Eileen Brennan, Dub Taylor and Susan Sarandon should have something going for it. The tone of the overall film is of a rather cartoonish comedy but the early scenes hint at something more substantial. Henry Fonda as Elegant John is ill and probably dying and the cross country drive he undertakes is his way of defying death. Yet this theme is never explored any further. Elegant John's reminiscences about meeting Eleanor Roosevelt in the Depression era clearly evoke Henry Fonda's role in John Ford's film "The Grapes of Wrath". Indeed when Elegant John picks up Beebo this exactly parallels the opening scene of "The Grapes of Wrath" when Tom Joad hitches a lift. None of this is played out in the rest of the film The women from the whorehouse are endearing and funny and if the film had stuck to playing out their adventures it might have been much more rewarding. But half way through the film something goes horribly wrong. Perhaps the filmmakers lost their nerve, ran short of funds or had the film cut to ribbons in editing but the latter part of the film bears no relation to what has gone before. The women virtually disappear without explanation. The irritating John Byner and Austin Pendleton characters appear and take over. This whole element of the film feels like a reshoot or reedit grafted on to the earlier picture. Pity. There is also, incidentally, a really excellent score by Craig Safan which deserved far better.

After being admitted to a hospital in California for a terminal illness, a truck driver named "Elegant John Howard" (Henry Fonda) has his big rig repossessed by the finance company. But rather than stay there and die he decides to retake his truck and drive it one last time on a trip across the country. On the way he picks up a hitchhiker near Cheyenne named "Beebo Crozier" (Robert Englund) who wants to go to Florida. Unfortunately, neither he nor Beebo have enough money to pay for the food and fuel necessary to get there. As luck would have it, however, while driving near Laramie, upon stopping to visit an old friend named "Penelope Pearson" (Eileen Brennan)-who happens to be the madam of a brothel--he discovers that she and six prostitutes desperately need to get to South Carolina. Needless to say, with their ability to make money, combined with his need to fund one last cross-country trek, both Elegant John and Penelope reach a business agreement of sorts to accomplish their respective goals. Now rather than reveal any more I will just say that this was an entertaining and light-hearted drama which kept me interested from start to finish. Admittedly, it is a bit dated but I thought it definitely managed to capture that particular period of time quite well. In any case, although this isn't the best "trucker film" ever made, I thought it was well worth the time spent and for that reason I have rated it accordingly. Slightly above average.

Elegant John (Henry Fonda) is a terminally ill truck driver who steals his old rig to make one last great cross country run, but this time has the law on his tail as who pursue his 18 wheeler across State lines. Along the way he picks up an odd assortment of hitch-hikers and passengers, including a band of evicted prostitutes, the madam (Eileen Brennan) being his old flame.

A rather odd film cheaply shot by a one time director John Leone that pre-figures the CB radio craze and such popular road movies as SMOKEY AND THE BANDIT (1977) and CONVOY (1978). This odd curio did become a cult favourite following the CB radio craze and with the emergence of the home video boom. A curious film for Fonda that one would suspect was not quite the film he thought it was going to be. Some of the band of followers, from the odd Robert Englund character to the band of prostitutes that includes Susan Sarandon; Sarandon was also a co-producer on the film.