CALIFICACIÓN DE IMDb
6.4/10
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TU CALIFICACIÓN
Agrega una trama en tu idiomaThree movie genres of the 1930s--boxing films, World War I aviation dramas, and backstage Broadway musicals--are satirized using the same cast.Three movie genres of the 1930s--boxing films, World War I aviation dramas, and backstage Broadway musicals--are satirized using the same cast.Three movie genres of the 1930s--boxing films, World War I aviation dramas, and backstage Broadway musicals--are satirized using the same cast.
- Premios
- 3 premios ganados y 10 nominaciones en total
Peter Stader
- Barney Keegle (segment "Dynamite Hands")
- (as Peter T. Stader)
Jimmy Lennon Sr.
- The Announcer (segment "Dynamite Hands")
- (as James Lennon)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- TriviaIn the original theatrical release, "Dynamite Hands" which was filmed in color, was printed in black and white. The home video version uses the original color footage. Contrary to rumors, the video version was not colorized.
- ErroresAssuming Baxter's Beauties of 1933 had actually been shot in 1933, it would have used two-strip Technicolor, also known as Red Technicolor because it is particularly good at photographing the red spectrum. This is shot in the three-strip process, or Blue Technicolor, which would not be introduced until 1935. Additionally, most musicals would not be shot completely in color until the 1940s.
- Citas
Joey Popchik: When a man says what's right, what's good, what's real, and what's true, then his mouth is ten feet tall.
- Créditos curiososThe cast list in the closing credits is divided into two sections with headings Dynamite Hands and Baxter's Beauties of 1933.
- Versiones alternativasIn the theatrical and pay-tv release, the first half of "Movie, Movie" is in black and white, while both halves are often shown in color in commercial TV.
- Bandas sonorasOverture to Baxter's Beauties of 1933
Music by Ralph Burns and Buster Davis
Performed by Ralph Burns and the Orchestra
Opinión destacada
A quick glance at the user comments will tell you that this film is worth seeing. I'm neither a musical fanatic nor a boxing enthusiast, but the numbers, performances and nuances were entrancing.
Somehow, Donen found the perfect blend for the self-reflexive genre picture, a combination that is exceedingly difficult for modern filmmakers to get a handle on. The viewer is watching a spoof yet all of the elements are still real. We feel for the pitifully archetypal characters because it seems that they realize their fate as symbols. George C. Scott's glances of reaction, just askew of breaking the third wall, depict someone who is aware of his limited fate, but still experiences with all of his emotions every situation as if he doesn't know it's coming. In this way, the actors, as in the Brechtian mode of theater, are somewhat like audience members themselves. They know the story and the ending, but they can't help suspending their disbelief, just for fun.
The musical numbers work in the same way. They are spoofs, fulfilling specific purposes and making all the proper illusions, yet are thoroughly enjoyable as musical numbers.
"Movie Movie" isn't necessarily a great movie, but it gives the illusion of greatness in its sincerity. In a medium where the audience often feels that they are the butt of a joke only the director knows the setup to, "Movie Movie" puts across the feeling that the director genuinely enjoys movies and expects everyone involved to derive the same pleasure from them.
Somehow, Donen found the perfect blend for the self-reflexive genre picture, a combination that is exceedingly difficult for modern filmmakers to get a handle on. The viewer is watching a spoof yet all of the elements are still real. We feel for the pitifully archetypal characters because it seems that they realize their fate as symbols. George C. Scott's glances of reaction, just askew of breaking the third wall, depict someone who is aware of his limited fate, but still experiences with all of his emotions every situation as if he doesn't know it's coming. In this way, the actors, as in the Brechtian mode of theater, are somewhat like audience members themselves. They know the story and the ending, but they can't help suspending their disbelief, just for fun.
The musical numbers work in the same way. They are spoofs, fulfilling specific purposes and making all the proper illusions, yet are thoroughly enjoyable as musical numbers.
"Movie Movie" isn't necessarily a great movie, but it gives the illusion of greatness in its sincerity. In a medium where the audience often feels that they are the butt of a joke only the director knows the setup to, "Movie Movie" puts across the feeling that the director genuinely enjoys movies and expects everyone involved to derive the same pleasure from them.
- kellybob
- 18 mar 2002
- Enlace permanente
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Detalles
- Fecha de lanzamiento
- Países de origen
- Idioma
- También se conoce como
- Double Feature
- Locaciones de filmación
- Productora
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 6,000,000 (estimado)
- Tiempo de ejecución1 hora 45 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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By what name was Movie Movie (1978) officially released in India in English?
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