Watership Down

Honestly, I didn't even know there was a movie until I was half way done with the book. I was absolutely LOVING the story and trials the rabbits were enduring. Then one day I was at a rental place looking for the Planet of the Apes movies (don't ask) and I saw the cover of Watership Down (movie)! I was very much tempted to renting it, but then I told myself NOT to rent it until you've finished the book. I sure am glad I waited!

When I closed the back cover to the book, it had taken my breath away in an instant! The storytelling was captivating, heartbreaking, very interesting, and best of all it was easy to read and follow along! (Some books just confuse me from page 1).

After that, I ran over to the movie rental place and rented the movie. When I watched it the first time, I was pretty much trying to capture the differences from the book, and there were plenty, but overall, it was much better than most book-to-movies. I watched it a second time, this time to enjoy the adventure of Hazel and Bigwig and the rest. That's when I noticed how wonderful the music went along with the feeling and tone. The third time I watched it, I closed my eyes and only listened to the music and dialogue and imagined the movie in my head. I must say I almost cried when Bright Eyes (main theme) played. Watership Down's musical score hits you in just the right place to give you Goosebumps!

When I returned the rental, I rushed to the Bookstore and bought Richard Adam's other book "The Plague Dogs", which in my opinion was a terrible book because it doesn't get interesting until the very last chapter...but that's a whole different story.

Overall of the overall, I give the movie a 8/10. The score would have been lower, but the music got to me and now I can't get it out of my head. Someday I'll buy it if it ever comes to DVD in the future.

I would never spoil the wonder that is "Watership Down". The book and the film are timeless classics. I think it is the greatest adaptation of a novel (any genre) ever made and one of the most under-rated movies of all-time. They managed to capture more of a long novel (nearly 500 fantastic pages) than most films can compile from a 200 page source work. The soundtrack is beautiful (I'll be getting one for a Christmas present--thanx for the info IMDb!!) and matches the mood of the scenes perfectly.

Viewers will recognize someone they know in nearly every rabbit and, with unbiased observation, probably see themselves. It is at once gripping and gentle, heart-rending and endearing. You will find yourself humming the tunes incessantly for months afterward. I recommend reading the book first (also try "Traveler" by Adams, another classic), then purchasing the film, then the soundtrack--wait, better yet, write your Congressman and demand a DVD release. I long for another wide-screen viewing (hint, hint)!

I have noticed multiple comments that state the movie is too violent for children (it is somewhat graphic--to it's credit). For very small children, I would whole-heartedly agree, however, I think it depends on the individual. I was lucky enough to have a Father who took me to see it at the theatre when I was a youngster (about 5) and it did not scar me or give me nightmares--rather I learned the importance of the symbiotic circle of existence and the reality and necessity of life and death. It is still a comfort to me in times of sadness. In addition, the movie is highly layered and something new can be gleaned with nearly every viewing.

I enjoyed it for years and only later realized many people had never even heard of it...I take every opportunity to recommend it and not once, not once, have I heard anything but thanks for the suggestion. Most of them end up owning the film. Both symbolic and blunt, "Watership Down" is a triumph of emotional proportions and is exemplary of what adaptations, animation, scoring and good film-making should be about. This wonderful adventure is an asset to any collection...10/10.

The first great animated film to come around in the entire history of motion pictures! It's not only original(shying away from the traditional "Disney" formula), but it's the first animated film to ponder the meaning of life itself! I was really moved by it! With "Disney" films, you know what to expect. This was like watching a Terrence Malick film; beautiful, subtle, spiritual, and important for our lives. The only difference is that it's animated with "cute & cuddly" cartoon characters. This is a film both adults and children alike will enjoy and learn from, because it is a social commentary on facism, and it is a spiritual film. It's spirituality lies in it's initial message, which is about facing death, and avoiding it as well. Not that you can avoid death, but that you can have a sense of self preservation, purpose, and a place in life. The most inspirational line of the movie is "All the world will be your enemy. And when they catch you, they will kill you. But first they have to catch you.". All of your life, you will continue to meet people who like you, and those that will attack you. Be strong, stand tall, "and your people will never be destroyed.". That is basically, in a few words, what the world and the meaning of life is really all about!

'Watership Down' is a terrific adaptation of Richard Adams's novel. Like Orwell's 'Animal Farm', this isn't only a film for children but equally important for adults. The soundtrack is captivating and I loved the way Art Garfunkel's song was used. The characters are so richly written that the viewer immediately empathizes and identifies with them. They are brave, endearing, loyal and strong and this is all cleverly downplayed. Fiver and Hazel are the two heroes who are brilliantly voiced by Richard Briers and John Hurt. The overall voice acting is very well done.

Unlike most animated films, 'Watership Down' uses a lot of subtlety. Nothing is overdone. The music flows well, the pacing is smooth and the characters are real (rather than over the top). The animation is simplistic, created with watercolour and ink, giving it a gentle touch. It works effectively.

There story is cleverly layered and there's a lot of intriguing symbolism. The film never shies away from being brutally honest. It shows life the way it is: There's pain, there's death, there's suffering, there's determination and one needs to work hard to have the best of it, to survive. While many have complained that this is no movie for children, I think it depends more on the individual because this film is relevant for everyone. The violent scenes are a bit graphic and the sad scenes are moving but in the end it is uplifting.

There are very few novels that have been so fascinating on screen. 'Watership Down' is among them. It is a magnificently gripping adventurous tale. After 30 years it still remains a powerful story that strongly applies to today's world. I remember seeing it ages ago and then it was a must-have-on-DVD movie for me. I finally got the DVD and had the pleasure to watch revisit it today. A dazzling gem.

Being an Australian, it's rather difficult to sympathise with the plight of rabbits. Following their introduction to our continent in 1859, the European Rabbit population has multiplied at an absolutely phenomenal rate, destroying the natural environment and helping to drive numerous native marsupial species to extinction. They've survived countless attempts to eradicate their numbers, and are now largely resistant to both Myxomatosis and calicivirus. At home, I'm always sure to congratulate my pet dog, Cassie, whenever she trots into the backyard with a rabbit clutched between her teeth. You'll forgive me for launching into a tirade about a troublesome Australian pest, but I'm just trying to convey my general abhorrence towards the species. It would have taken a mighty piece of film-making to make me forget that I hate rabbits, and yet 'Watership Down (1978)' had me utterly engaged from the opening moments. Not only did I care about Hazel, Fiver and Bigwig, but I genuinely fell in love with them, and for 100 minutes I was completely absorbed in their strenuous but noble struggle for survival.

The film is based upon the 1972 novel of the same name by Richard Adams, and was both adapted and directed by Martin Rosen. What struck me most was how incredibly rich the story was, with Adams having created not only a wealth of multi-layered characters, but also an entire rabbit culture and mythology. 'Watership Down' opens with a fascinating Creation story, as the God-like deity Frith (symbolised by the Sun) creates planet Earth and every creature within it. In a double-edged blessing, Frith condemns the mischievous rabbit prince El-ahrairah to forever be hunted, but also to always have the skill and agility to survive: "All the world will be your enemy, Prince of a Thousand Enemies. And when they catch you, they will kill you. But first they must catch you." The events take place in the English countryside, with the title stemming from a hill at Ecchinswell in the county of Hampshire; despite my initial preconceptions, 'Watership Down' was certainly not the story of a sinking ocean liner!

Hazel the rabbit (voiced by John Hurt) may not be physically-imposing, but he is selfless, intelligent and mature, and this makes him a fine leader. His younger brother, Fiver (Richard Briers), is runtish and neurotic, yet he possesses a sort of mystic flair that means his peculiar "feelings" almost always prove significant. After Fiver foresees danger approaching their warren, a small group of rabbits – including the brutish but noble Bigwig (Michael Graham Cox) – flee their home in search of a safer locale. Their journey is certainly not a walk in the park, and allow me to be the one millionth reviewer to warn parents that many scenes in this film are not suitable for young children. As the group trudge across the English countryside, they are greeted with an assortment of creatures who would be more than happy to make a dinner out of them, including hawks, dogs, cats and humans. However, the rabbits' greatest obstacle before happiness is the nasty, tyrannical Chief-Rabbit, General Woundwort (Harry Andrews), a bloated, domineering lump of a villain who is both reminiscent of George Orwell's Napolean and, oddly enough, Orson Welles' Police Captain Hank Quinlan.