Cuando un barco mercante espacial percibe una transmisión desconocida como una llamada de socorro, un miembro de la tripulación es atacado por una misteriosa forma de vida. Pronto se dan cue... Leer todoCuando un barco mercante espacial percibe una transmisión desconocida como una llamada de socorro, un miembro de la tripulación es atacado por una misteriosa forma de vida. Pronto se dan cuenta de que su ciclo vital acaba de comenzar.Cuando un barco mercante espacial percibe una transmisión desconocida como una llamada de socorro, un miembro de la tripulación es atacado por una misteriosa forma de vida. Pronto se dan cuenta de que su ciclo vital acaba de comenzar.
- Dirección
- Escritura
- Estrellas
- Ganó 1 premio Óscar
- 19 premios ganados y 22 nominaciones en total
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- Producción, taquilla y más en IMDbPro
Resumen
Opiniones destacadas
"Alien" is not just the monster, it's the atmosphere and the way you feel!
What makes Alien so great is the constant feel of uneasiness. Right from the beginning you have a feeling that something is wrong. The crew is not particularly friendly towards each other, and you truly feel all the in-group tension. The ship itself is a huge worn out industrial-style maze of halls and corridors, and it feels more like a prison than a place to live. It is as if not only the alien but also the ship itself is against the humans. The Alien itself is the scariest monster in history because it is a ruthless, soul-less parasite completely devoid of any human or civilized traits. The design of the monster is a stroke of genius. Sure it has a humanoid form, but it has no facial traits or anything else which could give away emotions or intentions. Its actions reveals no weaknesses nor civilized intelligence. The Alien is more or less the opposite of everything human and civilized, plus the creature is more well-adapted to the inhumane interior of the ship than the humans who build it. To sum up, you then have a setting where the humans are caught in a web of in-group tensions, an inhospitable ship and the perfect killer which thrives in the ships intestines. You almost get the feel that the humans are the ones who are alienated to each other and to their own ship.
Ridley Scott tells the story with a perfectly synchronized blend of visuals and sounds.
The actors do a superb job, portraying their characters in a subtle but very realistic way. The seven man crew is not a bunch of Hollywood heroes. They are ordinary people with strengths and weaknesses, likes and dislikes. In this way they all seem so fragile when confronted with the enemy.
As mentioned the ship is very claustrophobic and Ridley Scott adds to the eeriness by using camera movement, lights and shadows in an effective way. The living quarters are bright and should be comfortable to the crew, but there is something sterile about it all. The rest of the ship is basically a huge basement.
The music by Jerry Goldsmith underlines the eeriness so well, and the movie wouldn't have worked without his score. Combined with the sounds of the ship it all adds to the uneasiness.
This is not a story about heroic people who boldly teams up against evil. It's a story about ordinary people facing true fear, which is the fear without a face. The fear we can't understand and can't negotiate with, because its only goal is to survive on the expense of us. It's a story where some people bravely fight back whilst others are destroyed by the terror. It's a story where people a killed in a completely random way. There is no higher-order justice behind who gets to live and who dies. All seven characters are just part of a race where the fittest - not necessarily the most righteous - will prevail, and all seven characters start the race on an equal footing. None of them are true heroes, and none of them are true villains.
All the above makes Alien so great as a horror movie. The terror isn't just the Alien itself, it's the entire atmosphere which gets so effectively under your skin, that you just can't shrug it off after the end credits like you can with so many other Hollywood horror movies. The title "Alien" doesn't just refer to the monster, it is the theme of the movie and it is the feeling you have during and after the movie. 9/10
The facehugger scared me as a kid and i still find em creepy.
I first saw this in the late 80s on a vhs n as a kid i found it to be a bit slow but was shaken by the chestburster scene.
The facehugger terrified me as a kid.
Revisited all the four parts in the early 2k on dvds which i own.
Revisited this part again few days back as i am on Alien movie marathon n very impatient to check out Prometheus n Covenant.
I feel that this part is inspired by Bava's Planet of the Vampires.
The ruins with the skeletal remains, the design and shots of the ship itself does have the deja vu effect.
This one is atmospheric n dark, gory at times, it has enuff stuff for sci fi fans, it also has slasher n war like tone.
But the best thing is the feminist tone where in this part the women are not being cast as the helpless victims.
A Timeless Science Fiction Masterpiece
I feel it's especially hard for science fiction films to stand the test of time - which is kind of inherent to the genre I suppose - and 'Alien' simply remains an outstanding achievement in that regard. It's a testament to the talent of everyone involved, but especially to the vision of director Ridley Scott. The film was crafted with so much love for every little detail, and the designs by Moebius, Chris Foss - and in particular the Lovecraftian horrors unleashed by Swiss surrealist H.R. Giger - are among the best and most iconic in any science fiction film. This isn't just an outstanding, timeless piece of entertainment: it's a work of art. 10 Stars out of 10.
Favorite films: IMDb.com/list/mkjOKvqlSBs/
Lesser-Known Masterpieces: imdb.com/list/ls070242495/
My favourite tagline for a movie
Probably my favorite movie ever.
It feels a bit like Blade Runner, with its borderline avant-garde use of quiet moments. However, unlike Blade Runner (which is just as strong a film) this movie uses its nebulous setting and ominous set design, music, lighting, and sound design to instill a deep, troubling fear in the audience.
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- TriviaAccording to Yaphet Kotto, Sir Ridley Scott told him to annoy Sigourney Weaver off-camera, so that there would be genuine tension between their characters. Kotto regretted this, because he really liked Weaver.
- Errores(at around 1h 35 mins) A crewman with a black panel of some kind is visible through the smoke as Ripley runs through the corridors at the end of the film.
- Citas
Ripley: Ash, can you hear me?
[slams her hands down on the table]
Ripley: Ash?
Ash: [awakens and starts speaking in an electronic and distorted voice] Yes, I can hear you.
Ripley: What was your special order?
Ash: You read it. I thought it was clear.
Ripley: What was it?
Ash: Bring back life form. Priority One. All other priorities rescinded.
Parker: The damn company. What about our lives, you son of a bitch?
Ash: I repeat, all other priorities are rescinded.
Ripley: How do we kill it, Ash? There's gotta be a way of killing it. How? How do we do it?
Ash: You can't.
Parker: That's bullshit.
Ash: You still don't understand what you're dealing with, do you? The perfect organism. Its structural perfection is matched only by its hostility.
Lambert: You admire it.
Ash: I admire its purity. A survivor... unclouded by conscience, remorse, or delusions of morality.
Parker: Look, I am... I've heard enough of this, and I'm asking you to pull the plug.
[Ripley goes to disconnect Ash, who interrupts]
Ash: Last word.
Ripley: What?
Ash: I can't lie to you about your chances, but... you have my sympathies.
- Créditos curiososThe title of the movie is slowly created one line at a time at the top of the screen during the opening credits, starting out with the I, then the slash in A and the backslash in N, and then the vertical lines in L and E (so it looks like / I I I \). After that, the ensuing lines of each letter are added slowly one at a time until the title is fully visible.
- Versiones alternativasThe 2003 DVD release plasters the 1979 version of the 20th Century Fox logo with the 1980's version.
- ConexionesEdited into Viaje a las estrellas: La nueva generación: Datalore (1988)
Selecciones populares
Greatest Character Actors of All Time
Greatest Character Actors of All Time
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idioma
- También se conoce como
- Alien
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 11,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 84,206,106
- Fin de semana de estreno en EE. UU. y Canadá
- USD 3,527,881
- 28 may 1979
- Total a nivel mundial
- USD 109,501,712
- Tiempo de ejecución
- 1h 57min(117 min)
- Color
- Relación de aspecto
- 2.39 : 1







