Durante una misión de rescate en la selva amazónica, un profesor tropieza con una película perdida filmada por un equipo documental que desapareció.Durante una misión de rescate en la selva amazónica, un profesor tropieza con una película perdida filmada por un equipo documental que desapareció.Durante una misión de rescate en la selva amazónica, un profesor tropieza con una película perdida filmada por un equipo documental que desapareció.
- Dirección
- Escritura
- Estrellas
Luca Barbareschi
- Mark Tomaso
- (as Luca Giorgio Barbareschi)
Carl Gabriel Yorke
- Alan Yates
- (as Gabriel Yorke)
Lionello Pio Di Savoia
- 2nd Executive
- (as Pio Di Savoia)
Eva Bravo
- Adulteress
- (sin créditos)
Ruggero Deodato
- Man Sitting in NYU Campus
- (sin créditos)
Guillermo
- Felipe Ocaña
- (sin créditos)
Enrico Papa
- Pantheon Interviewer
- (sin créditos)
David Sage
- Alan's Father
- (sin créditos)
Kate Weiman
- 1st Executive
- (sin créditos)
- Dirección
- Escritura
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
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Opiniones destacadas
The Mother of all Cannibal Films
I am not going to sit here and type out the reasons why this is not only the best Cannibal film ever made, one of the best horror films ever made, and basically just a damn good film. If you're reading one of the thousands of Cannibal Holocaust reviews on here; chances are you've seen it, and know why it is such a masterly structured and excellently made film. And therefore you don't need me to tell you why it is.
Suffice to say that this film is simply stunning. The music, direction, camerawork, plot and atmosphere are practically faultless, and I recommend it to anyone who is a fan of horror, or a fan of well made, and clever films.
Suffice to say that this film is simply stunning. The music, direction, camerawork, plot and atmosphere are practically faultless, and I recommend it to anyone who is a fan of horror, or a fan of well made, and clever films.
Sympathy for the devil
Cannibal Holocaust was, first and foremost, a disgusting movie with more violence than I have ever seen. Despite this, it is also one of my favorite movies. It gives a feeling of Blair Witch done right, even though there are some very obviously contrived scenes in which nobody is holding the camera, but despite some small cosmetic problems this is the best horror movie I have ever seen.
Unlike most "shock" films, such as the Guinea Pig movies, Cannibal Holocaust has a very well written plot and a definite progression. The focus is still on making the audience ill, but we don't even see any violence until fairly late in the movie, so the emphasis on plot is much stronger. The story told is a deep one, showing the lengths at which people will go for some goal, the example given being fame and fortune. The theme is reflected in parallel story lines through the second half of the movie, as Alan and his crew go to more and more desperate lengths for fame, and the professor struggles against a big media company to suppress the release of their footage. Even in a "meta" sense, we see the theme appear once again in the lengths the director of Cannibal Holocaust itself went, going so far as to kill and butcher four animals on camera.
Unlike most "shock" films, such as the Guinea Pig movies, Cannibal Holocaust has a very well written plot and a definite progression. The focus is still on making the audience ill, but we don't even see any violence until fairly late in the movie, so the emphasis on plot is much stronger. The story told is a deep one, showing the lengths at which people will go for some goal, the example given being fame and fortune. The theme is reflected in parallel story lines through the second half of the movie, as Alan and his crew go to more and more desperate lengths for fame, and the professor struggles against a big media company to suppress the release of their footage. Even in a "meta" sense, we see the theme appear once again in the lengths the director of Cannibal Holocaust itself went, going so far as to kill and butcher four animals on camera.
Ethical concerns but a cult classic
This film is notorious for its intense scenes of graphic violence and real animal killings, it really aims to challenge us with the exploration into cultural imperialism and the depths of human depravity.
This film stands out from other horrors through its fearless exploration of ethical boundaries in film making, blurring the lines between reality and fiction. The story unfolds with such a raw and unflinching intensity that it really had me questioning the authenticity of the film especially knowing going in about the already existing animal ethical concerns. It does not hold back in its depiction of violence and brutality so a strong warning for those that cannot stand gore. Still however this remains a cult classic for anyone willing to explore such disturbing themes.
This film stands out from other horrors through its fearless exploration of ethical boundaries in film making, blurring the lines between reality and fiction. The story unfolds with such a raw and unflinching intensity that it really had me questioning the authenticity of the film especially knowing going in about the already existing animal ethical concerns. It does not hold back in its depiction of violence and brutality so a strong warning for those that cannot stand gore. Still however this remains a cult classic for anyone willing to explore such disturbing themes.
A foul masterpiece and a trial of willpower
One must keep an open mind when viewing Deodato's infamous cannibal film, Cannibal holocaust. While the feature is shot beautifully and has a truly mesmerizing score by Riz Ortolani, its hard to break past the aspects that made this film so controversial to begin with.
Yes, the film depicts the actual slaughter of jungle-dwelling creatures. Yes, traumatic horrors such as rape seem glorified as "just" forms of punishment. Its not easy to handle... and yet, that was the goal of the film.
Deodato did not set out to make a film for the masses. He created an underground feature for a very select crowd, but shot, edited, and scored it masterfully. Cannibal Holocaust is more of an experience than an actual film - and that's just what the makers of this feature planned.
If you can stomach it, watch it in disgust, shock, and reverence. It might be a monstrosity, but its one-of-a-kind.
Yes, the film depicts the actual slaughter of jungle-dwelling creatures. Yes, traumatic horrors such as rape seem glorified as "just" forms of punishment. Its not easy to handle... and yet, that was the goal of the film.
Deodato did not set out to make a film for the masses. He created an underground feature for a very select crowd, but shot, edited, and scored it masterfully. Cannibal Holocaust is more of an experience than an actual film - and that's just what the makers of this feature planned.
If you can stomach it, watch it in disgust, shock, and reverence. It might be a monstrosity, but its one-of-a-kind.
pre-Blair Witch cruelty
Yes, this film was banned and heavily censored in a few places for being disturbing. It does have some really well done gruesome scenes but the real censorship came from the cruelty to animals. Let's just say this film doesn't have "no animals were harmed during production" scrolling the end credits. The animal killings include a pig being shot in the head from close range, a muskrat being slit open for no reason, a giant turtle being split open in an overly long scene and a monkey getting his brains bashed in which required two takes so two monkeys were killed during production. These were real killings and not faked. A lot of the actors on the set protested this but the show went on. In fact, one of the lead actors feared for his life thinking this might be a "snuff" film and might meet the same fate. As much as this bothered people, is it really that different then buying meat in a supermarket? At least it made me think. The movie centers around "found footage" of a group of documentary filmmakers. The filmmakers are in South America searching for a tribe of flesh-eaters, hoping that this documentary will win them fame and fortune. The movie was marketed in a way that made viewers believe all the documentary footage shown in the movie was actual footage of a group that really went to South America to do a documentary. Some questionable acting gives it away. And you thought "The Blair Witch Project" was an original idea didn't you!?
¿Sabías que…?
- TriviaTen days after its premiere in Milan, the film was seized by the Italian courts and director Ruggero Deodato was arrested and charged with obscenity. He was later charged with murdering several actors on camera and faced life in prison. The cast had signed contracts requiring them to disappear for a year after shooting to maintain the illusion that they had died. Deodato contacted Luca Barbareschi and told him to contact the three other actors who played the missing film team. When the actors appeared in court, alive and well, the murder charges were dropped.
- ErroresWhen the Yanomamo guide is given muskrat flesh to eat, he never puts any inside in his mouth. Instead, he opens his mouth a few times near it to give the impression that he is eating.
- Citas
Professor Harold Monroe: I wonder who the real cannibals are.
- Créditos curiososThe Grindhouse Releasing (USA) and Siren Visual (Australia) DVDs/Blu-rays omit the United Artists Europa logo in favor of a text crawl regarding the film's violent content: "The following motion picture contains intense scenes of extreme violence and cruelty. As distributors of this film, we wish to state with absolute sincerity that by no means do we condone the artistic decisions employed by the makers of this film. However, as firm believers in the constitutional right of free speech, we do not believe in censorship. To quote Thomas Jefferson, 'it behooves every man who values the liberty of conscience for himself, to resist invasion of it in the case of others.' Therefore, we are presenting CANNIBAL HOLOCAUST for the first time in its uncut, uncensored original form, with all sequences photographed by the filmmakers, however offensive and repugnant, presented fully intact. What you will see will definitely shock and offend you. Nonetheless, it should be viewed as a disturbing historical document of a bygone era of extreme irresponsibility which no longer exists, and, hopefully, will never exist again. 'Those who cannot remember the past are condemned to repeat it.' - George Santayana"
- Versiones alternativasThe Grindhouse Releasing re-release, as well as the 2005 DVD, features a scrolling warning before the film from the company stating that the film is uncut and uncensored and while they do not support the "artistic decisions" of the film, they do support free speech. It also plays part of Riz Ortolani's music score in the background.
- ConexionesEdited into Through Eyes of the Dead (1999)
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Detalles
Taquilla
- Presupuesto
- USD 100,000 (estimado)
- Total a nivel mundial
- USD 477
- Tiempo de ejecución
- 1h 35min(95 min)
- Relación de aspecto
- 1.85 : 1
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