CALIFICACIÓN DE IMDb
4.2/10
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TU CALIFICACIÓN
Agrega una trama en tu idiomaSomeone, or something, is on an indiscriminate killing and mutilation spree during night-time. Frustrated by the clueless police, the father of the first victim is looking for answers, no ma... Leer todoSomeone, or something, is on an indiscriminate killing and mutilation spree during night-time. Frustrated by the clueless police, the father of the first victim is looking for answers, no matter how far fetched they are.Someone, or something, is on an indiscriminate killing and mutilation spree during night-time. Frustrated by the clueless police, the father of the first victim is looking for answers, no matter how far fetched they are.
- Dirección
- Guionista
- Elenco
- Premios
- 1 nominación en total
Warren J. Kemmerling
- Police Captain Speer
- (as Warren Kemmerling)
Bill Derringer
- Herman Burmeister
- (as William Derringer)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
"It is also a certainty that not all alien encounters will be friendly." A killer is viciously murdering random people in LA, when his daughter becomes a victim a writer teams up with a female reporter (like they so often do) to solve the case adjacent to the (in his opinion) inept police. The killer is nicknamed "The Mangler" and turns out to be a hulking alien creature that looks part man/ part werewolf. This aspect of the plot is very poorly done, how did it get here and why would a lone alien be acting like a serial killer on the back streets of LA? It also has laser eyes which look incredibly cheap and dated. Apart from one decapitation the kills are disappointing, annoyingly a voice whispers words such as "The Dark" in the build up to each one. Between these kills the film often drags, the cast is pretty decent but overall The Dark was a wasted opportunity. The trailer looks quite good but sadly this science fiction/horror is a mess. One scene has a protest going on and it looks like the film makers just roped in the nearest people (non-actors) for it. Look out for a pre-"Miami Vice" Philip Michael Thomas in a small role as a hoodlum. One of my horror movie reference books calls this movie "absolute junk", personally I think that's a bit harsh but at the same time its current IMDb score of 4.2/10 is spot on.
The first smartest being Texas Chainsaw Massacre. Contrary to what other commenters say, this was not supposed to be a quasi sci-fi horror entry until AFTER initial screenings were sour. Then the producers decided to cash in on the ALIEN bonanza by adding prologue and epilogue and the laser-beam eye blasts. Devane was excited thinking he'd be working with Hooper, but with Hooper's leaving, he barely walks through the motions, Cathy Lee is only a little better. Wynn and Jaekal do well to hold things together, and John Bloom is perfectly cast once again as the lumbering creature. The best thing to be said about this is that it looks, sounds and feels like a 1970s ABC TV movie of the week, and why not? Just look at who wrote it and what else he has written. If you watch it thinking that it should have been made for TV, it's more enjoyable because your expectations might not be too high, and it comes off as fairly average. Actually, replace Devane with Darren McGavin, Wynn with Simon Oakland, make KFVI a newspaper, keep Richard Jaekal as Kolchak's nemesis, add a lot of Kolchak wit and cut it down to 50 minutes, and it's a good Night Stalker teleplay. Of course, don't forget the funky horns that announce Kolchak on the go.
THE DARK (aka: THE MUTILATOR) is a wonderfully bizarre movie about a serial-killing alien (John Bloom) that can decapitate or obliterate its human prey with one blazing glance. Writer Roy Warner (William Devane) is on the creature's trail after it kills his daughter. He teams up with TV personality Zoe Owens (Cathy Lee Crosby) in this endeavor.
This movie is highly rewatchable, and is even better the second time around! Director John "Bud" Cardos piles on the cheeeze, yet manages to make it work. There are some truly effective, creepy sequences, especially the wham-bam finale, when the extraterrestrial terror faces off against the police force.
Devane and Crosby are a good pair, and Keenan Wynn is his usual crusty self as Owens' crusty boss. Watch for Richard Jaeckel as the top cop on the case. Casey Kasem is the pathologist! Special mention must be made of Jacquelyn Hyde as mystical medium De Renzy. Her encounter with the monster -in her living room!- is a must-see!
Don't blink, or you'll miss Phillip Michael Thomas in his microscopic role...
This movie is highly rewatchable, and is even better the second time around! Director John "Bud" Cardos piles on the cheeeze, yet manages to make it work. There are some truly effective, creepy sequences, especially the wham-bam finale, when the extraterrestrial terror faces off against the police force.
Devane and Crosby are a good pair, and Keenan Wynn is his usual crusty self as Owens' crusty boss. Watch for Richard Jaeckel as the top cop on the case. Casey Kasem is the pathologist! Special mention must be made of Jacquelyn Hyde as mystical medium De Renzy. Her encounter with the monster -in her living room!- is a must-see!
Don't blink, or you'll miss Phillip Michael Thomas in his microscopic role...
Years ago while watching this picture on TV for the first time, I figured about half way through 'Hey, this ain't a sci-fi alien-on-the-rampage flick! It's an occult zombie movie hastily re-edited in a fever of post-production panic to cash in on the popularity of the same year's Alien'. Phew. What a literal thinker I was. Looking at IMDB's 'trivia' section, I see I was right. Wasn't I clever way back then? No. It really IS that obvious.
Disjointed, silly B movie. Not without some pleasures though. Keenan Wynn's fearful walk through a darkened underground car park worked for me, and there are a few unintended laughs here and there eg. William Devane's rather strange reaction to the sight of his dead daughter lying on a mortuary slab: he burps, and somewhat skittishly too. I wonder what Lee Strasberg would have thought of that. Perhaps William was expressing his heartfelt feelings toward the movie he found himself in. Actors get up to these tricks, you know.
And then there's Casey Kasem's police pathologist who is asked by a cop what colour the murderer's (still assumed to be human) skin is. Shaggy Kasem's reply of 'It's grey' is pleasantly creepy and recalls similar moments from Kolchak: The Night Stalker. In fact, Carl Kolchak's shadow looms large over this picture, even down to the unexpectedly spectacular denouement featuring a growling monster throwing cops bodily in all directions. VERY Kolchak.
Actually, damn it, I recommend this movie. It's enjoyable trash if you're in the right mood. But be warned - thanks to/in spite of post-production re-cutting (complete with inept Ed Wood type voice-over to fill in the plot holes) IT MAKES NO SENSE WHATSOEVER. Might be part of it's idiotic charm.
Disjointed, silly B movie. Not without some pleasures though. Keenan Wynn's fearful walk through a darkened underground car park worked for me, and there are a few unintended laughs here and there eg. William Devane's rather strange reaction to the sight of his dead daughter lying on a mortuary slab: he burps, and somewhat skittishly too. I wonder what Lee Strasberg would have thought of that. Perhaps William was expressing his heartfelt feelings toward the movie he found himself in. Actors get up to these tricks, you know.
And then there's Casey Kasem's police pathologist who is asked by a cop what colour the murderer's (still assumed to be human) skin is. Shaggy Kasem's reply of 'It's grey' is pleasantly creepy and recalls similar moments from Kolchak: The Night Stalker. In fact, Carl Kolchak's shadow looms large over this picture, even down to the unexpectedly spectacular denouement featuring a growling monster throwing cops bodily in all directions. VERY Kolchak.
Actually, damn it, I recommend this movie. It's enjoyable trash if you're in the right mood. But be warned - thanks to/in spite of post-production re-cutting (complete with inept Ed Wood type voice-over to fill in the plot holes) IT MAKES NO SENSE WHATSOEVER. Might be part of it's idiotic charm.
There's a creature. It kills people. Then the film ends.
Yup.
This is one of those movies that makes absolutely no impression on the mind. People talk to each other, occasionally there's a killing of some sort, people talk some more, then it all wraps up without the slightest interesting event occurring. William Devane is wasted in his role, he's excellent at playing sinister characters in other contexts, but here he's squandered.
I'm honestly unsure why this movie exists. It might be the biggest "sci-fi horror" film that doesn't have a single reason to exist. It says nothing. Nothing happens. It accomplishes nothing. Nothing nothing nothing.
The end.
Yup.
This is one of those movies that makes absolutely no impression on the mind. People talk to each other, occasionally there's a killing of some sort, people talk some more, then it all wraps up without the slightest interesting event occurring. William Devane is wasted in his role, he's excellent at playing sinister characters in other contexts, but here he's squandered.
I'm honestly unsure why this movie exists. It might be the biggest "sci-fi horror" film that doesn't have a single reason to exist. It says nothing. Nothing happens. It accomplishes nothing. Nothing nothing nothing.
The end.
¿Sabías que…?
- TriviaFrom the screenplay stage and all the way through to production, La oscuridad (1979)'s antagonist was an abused, autistic child who had been locked in an attic for his entire life. In the original script, his house burned down, allowing him to escape and take vengeance on the outside world. Toward the end of the shoot, the film's producers decided to capitalize on the success of Alien, el octavo pasajero (1979) and demanded extensive re-shoots to change the killer into an extra-terrestrial.
- ErroresThe murders occur in Santa Monica. Yet the police are driving black & white Los Angeles police cars, bearing L.A.'s "Protect and Serve" motto. They should be driving Santa Monica police cars, which at the time were blue & white.
- Citas
Sherman Moss: I'm not afraid of the dark; I'm afraid of what's in it.
- ConexionesEdited into The Dark (2018)
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- Presupuesto
- USD 2,700,000 (estimado)
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By what name was La oscuridad (1979) officially released in India in English?
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