CALIFICACIÓN DE IMDb
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La historia de tres mujeres en Moscú, desde su juventud hasta su madurez.La historia de tres mujeres en Moscú, desde su juventud hasta su madurez.La historia de tres mujeres en Moscú, desde su juventud hasta su madurez.
- Dirección
- Guionistas
- Elenco
- Ganó 1 premio Óscar
- 3 premios ganados y 1 nominación en total
Vladlen Paulus
- Pyotr Lednev
- (as V. Paulus)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
10akoumare
This was one of the last movies I have seen before leaving Russia. I am watching it every time with a lot of pleasure. It is funny, and touching to tears some moments. It is also very realistic, as many women in Russia went through the same problems as the three girls, and it touches most of people in Russia. It is also showing that it is never late to restart and suceed in your life, and in spite of difficulties it is possible to reach your goal and success (whatever it means for you).
If you try to understand the meaning of Soviet mode of life (especially place of woman in Soviet society), this film represents the best one you can find for this purpose. The destinies of three women are depicted in clear and awesome way, and the most important you can see is that whatever happens in life, try to be optimist and to do everything not to give up living and being happy.
Being of Russian descent and a first generation Australian, I first saw this film in the original Russian a year or two after it came out. At the time I thought it was one of the funniest things I had seen in a long long time. I saw it again when our World Movie channel broadcast it and I laughed just as hard and just as long. To understand the comedy in what appears to be a story of feminist angst you need to be Russian. There is no other way to see it. We don't see that the supposed conflict between between the heroine and her lover is that she is a manager and he is not. It's much more primal than that. It is because she EARNS more than he does. Women held managerial positions in the USSR since they first began driving tanks and tractors during the second world war. Most of us are brought up to believe that we can do just about anything, and a lot of the time we have to. So please, if you see this film, remember to laugh. Remember that Yes, Russians aren't happy unless they're miserable but the story of this film is also about the joy of rebuilding lives and relationships for both men and women and about the triumph of the human spirit over seemingly impossible odds.
This is a tribute to the Soviet era some people in Ukraine still consider to be the best years of their lives.I saw the movie in my child years, but didn't pay much attention to it. Now, when I study film history and techniques, the movie revealed to me some dark sides. "Moskva sliezam nie verit", I guess, tells a story of a humble Soviet woman in pursuit for happiness with a beloved man. This woman does not care about feminism. True love of a man-"stronghold", a man who is ready to comfort her any time she needs--that is what she is searching for in life. The movie shows some cloudy moments in the way to happiness three female friends go along. And the movie ends up where it should--an "island of placid" I watch it in original. Have to say, many phrases from the movie are cited in Ukrainian and Russian-speaking communities these days.
Culturally interesting since this occurs in a Communist country that US propaganda gave little insight on the values and realities of the people. We see idealistic poets who say the older generation made mistakes, women promoted to executive positions, a film produced by the State yet approaching sexual themes, Western idolization, the drudgery of repetitive industrial work, and class distinctions between the haves and have-nots.
Also of interest is the protagonist's view of herself. Without revealing plot twists, it is suffice to say that a woman is socially seen as submissive to the man. This is a shock to Western sensibilities of women's equality, especially as we see her ordeals as a result of a man's selfishness and dominance. What is revealing is that she, herself does not rebel against the System. She works within the parameters, creates her own success, and becomes transformed.
Being Western, I found myself questioning whether she had truly achieved something. The crown of achievement, we are taught, is independence, equality. Whereas she achieved that in a career and in her lifestyle, in her heart, she yearned for a man, to be the little wife, and to submit herself to a patriarchal marriage. But, in the end, who are we to judge another's happiness?
Also of interest is the protagonist's view of herself. Without revealing plot twists, it is suffice to say that a woman is socially seen as submissive to the man. This is a shock to Western sensibilities of women's equality, especially as we see her ordeals as a result of a man's selfishness and dominance. What is revealing is that she, herself does not rebel against the System. She works within the parameters, creates her own success, and becomes transformed.
Being Western, I found myself questioning whether she had truly achieved something. The crown of achievement, we are taught, is independence, equality. Whereas she achieved that in a career and in her lifestyle, in her heart, she yearned for a man, to be the little wife, and to submit herself to a patriarchal marriage. But, in the end, who are we to judge another's happiness?
¿Sabías que…?
- TriviaOne of four Russian films ever to win Academy Award for Best Foreign Language Film. The other are La guerra y la paz (1965), Dersu Uzala (1975) and Utomlennye solntsem (1994).
- ErroresWhen Lyudmila and her friend approach the office building she is wearing a pair of white shoes. Once inside the building the shoes color changes to black.
- Citas
Lyudmila Gurina: Don't cry.
Lyudmila Gurina: You know what Moscow thinks of tears.
Lyudmila Gurina: We shouldn't be sitting around, we should do something.
- ConexionesFeatured in Lyubov i golubi (1985)
- Bandas sonorasAleksandra, Aleksandra
Written by Sergey Nikitin and Dmitry Suharev and Yuri Vizbor
Performed by Tatyana Nikitina and Sergey Nikitin
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- También se conoce como
- Moscow Does Not Believe in Tears
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 900,000 (estimado)
- Total a nivel mundial
- USD 217
- Tiempo de ejecución
- 2h 30min(150 min)
- Relación de aspecto
- 1.37 : 1
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