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Luther

  • 1974
  • PG
  • 1h 52min
CALIFICACIÓN DE IMDb
6.4/10
531
TU CALIFICACIÓN
Stacy Keach in Luther (1974)
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1 video
7 fotos
BiographyDrama

A principios del siglo XVI, el idealista monje alemán Martín Lutero, disgustado por el materialismo en la iglesia, inicia el diálogo que conducirá a la Reforma Protestante.A principios del siglo XVI, el idealista monje alemán Martín Lutero, disgustado por el materialismo en la iglesia, inicia el diálogo que conducirá a la Reforma Protestante.A principios del siglo XVI, el idealista monje alemán Martín Lutero, disgustado por el materialismo en la iglesia, inicia el diálogo que conducirá a la Reforma Protestante.

  • Dirección
    • Guy Green
  • Guionistas
    • John Osborne
    • Edward Anhalt
  • Elenco
    • Peter Cellier
    • Leonard Rossiter
    • Stacy Keach
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.4/10
    531
    TU CALIFICACIÓN
    • Dirección
      • Guy Green
    • Guionistas
      • John Osborne
      • Edward Anhalt
    • Elenco
      • Peter Cellier
      • Leonard Rossiter
      • Stacy Keach
    • 10Opiniones de los usuarios
    • 14Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Videos1

    Official Trailer
    Trailer 2:30
    Official Trailer

    Fotos6

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    Elenco principal16

    Editar
    Peter Cellier
    Peter Cellier
    • Prior
    Leonard Rossiter
    Leonard Rossiter
    • Brother Weinand
    Stacy Keach
    Stacy Keach
    • Martin Luther
    Patrick Magee
    Patrick Magee
    • Luther's Father
    Thomas Heathcote
    Thomas Heathcote
    • Friend
    Julian Glover
    Julian Glover
    • Knight
    Matthew Guinness
    Matthew Guinness
    • Reading Monk
    Hugh Griffith
    Hugh Griffith
    • John Tetzel
    Maurice Denham
    Maurice Denham
    • Johann von Staupitz Vicar General
    Alan Badel
    Alan Badel
    • Cardinal Cajetan de Vio
    Robert Stephens
    Robert Stephens
    • Johann von Eck
    Bruce Carstairs
    • Duke Frederick Elector of Saxony
    Malcolm Stoddard
    Malcolm Stoddard
    • Emperor Charles the Fifth
    Judi Dench
    Judi Dench
    • Luther's Wife
    Tom Baker
    Tom Baker
    • Pope Leo X
    • (sin créditos)
    Peter Kenvyn
    • Praying Monk
    • (sin créditos)
    • Dirección
      • Guy Green
    • Guionistas
      • John Osborne
      • Edward Anhalt
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios10

    6.4531
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    Opiniones destacadas

    3mossgrymk

    luther

    Movies don't come duller than this stiff filmed stage play that revolves around the sexy topic of the Reformation, to the accompaniment of the always pulse beating Gregorian chant.
    7Zriter59

    Finney versus Keach

    Albert Finney created the role of Luther, which he played in both London and New York between 1961 and 1964. Every review of Finney's performance that I have seen was positive. So I can't help wishing that he had played the part on film.

    I believe Stacy Keach is one of the best American actors, but he seems to struggle with this role, at least during the early scenes, in which he uses, bizarrely, a pseudo-Irish accent. Later on, however, Keach digs more deeply into the role; and his performance is ultimately impressive, even moving.

    The play seems a little dated, particularly regarding its neo-Brechtian touches over Luther's diatribe against the peasants. But given Keach's work and that of the splendid supporting actors (especially Robert Stephens, Judi Dench, Patrick Magee, Alan Badel), the film remains well worth seeing.

    "Luther" was part of the American Film Theatre series, in which certain plays were adapted for film and exhibited in some 500 US theatres on a subscription basis --
    6boblipton

    The Seen Luther Vs. The Unseen Pope

    The TCM showing of LUTHER was preceded by a discussion of Ely Landau's efforts to make the American Film Theater as a subscription effort to bring the best of the stage to a wider audience. There's no doubt about the excellence of this production, with some fine performers -- all British except for Stacy Keach in the title role -- under the direction of the able Guy Green. Yet I find the entire series, and this in particular possessed of an artificiality that renders it less compelling than it might have been. Despite the gracefully moving camera, it remains a stage play removed from its own environment, a dying fish flopping on the sand.

    That reaction may be informed by, as I have noted in other reviews, an absolute lack of understanding of faith. Yet I remain conflicted; truth is truth, facts are facts, and the truth or falsity of Luther's beliefs and arguments -- as well as those who face him in this straw man argument --are not affected by his humanity and foibles. While Luther's position may be seen as the struggle of a lone man against authority, his appeal to an authority other than the Pope, to the Bible, remains an appeal to authority. Why choose one over the other? Because you can justify your own position? The German princes who supported him did not do so out of any religious conviction, but to reduce the authority of the Pope and increase their own. Luther's reaction to those who interpreted the Bible other than he did is also intellectually dishonest.

    Yet none of these points are emphasized. Instead, we are to side with him because we see him, and not the Pope whom he defies. In the end, we are left believing the evidence of our own eyes and ears. Given a choice between believing someone we can see and someone we cannot, we can do no other.
    smorgano

    Sincere accurate portrayal of the birth of Protestant Christianity

    This movie is an excellent character study of the Augustinian monk, Martin Luther, and his pivotal role in the political, social, economic and religious revolt against the medieval Roman Catholic Church. This revolt, which historians later called the "Reformation", and the events that precipitated it are portrayed in an amazingly accurate fashion. To those more accustomed to contemporary "historical" movies that incorporate a fair amount of fiction in their plots, this movie may seem slow moving; fact is rarely as exciting as fiction. Nevertheless for those interested in a well-directed piece of authentic Church history with outstanding character development and exceptional acting, this is the movie to see.
    8bkoganbing

    He Betrayed His Revolution

    The first impression you might have is that there is no way that John Osbourne, the creator of the frustrated Jimmy Porter in Look Back In Anger, could possibly have reached back five centuries for the subject matter of another play. Osborne's best work Look Back In Anger is firmly rooted in the 20th century, dealing with the post empire Great Britain that he knew and was part of.

    Luther of course is about the founder of one large sect of Protestantism, Martin Luther of 16th century Germany which was a geographical expression, not a country at that time. Luther was an angry young man like Jimmy Porter who revolutionized theology in his time and issued the bluntest, most direct challenge to the supremacy of the Catholic Church and the Pope. He founded his church which became supreme in Northern Germany and the Scandinavian countries.

    But when the peasants started to revolt, Luther betrayed the revolution he started and urged that they be put down as severely as possible which they were. It's for this that John Osborne indicts him in his work. It is the biggest tragedy of Luther's career and the one in which the Catholics never stop heaping scorn on him, a lot of it justified.

    The film Martin Luther from the Fifties that starred Niall McGinniss and the recent Luther that starred Joseph Fiennes from this decade do not deal with part of the Luther story. We see a very flawed human being, torn by a most exquisite conscience and frightened about the forces he has unloosed. One of the church elders who admonishes him says that the peasants want the gold and silver of the church, not a new kind of faith and he's not completely wrong.

    Stacy Keach takes Albert Finney's place who originally created the role on Broadway where the play ran for 211 performances in 1963. Keach does a fine job in the part as does Judy Dench as Mrs. Luther, Patrick Magee as Luther's father and Hugh Griffith as one of his church superiors who lays the law down to him, unsuccessfully.

    No doubt we've not seen the last interpretation of this man's life. Martin Luther will be reinterpreted by historians and dramatists for centuries.

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    Argumento

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    • Trivia
      Sir John Gielgud was booked to play a major extended cameo, but dropped out.
    • Citas

      Martin Luther: I'm sure you must remember Abraham. Abraham was... he was an old man... a... very old man indeed, in fact, he was a hundred years old, when what was surely, what must have been a miracle happened, to a man of his years. A son was born to him. A son. Isaac he called him. And he loved Isaac. Well, he loved him with such intensity, one can only diminish it by description.

    • Conexiones
      Featured in A Banquet of Behavior with Stacy Keach (2018)

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    Detalles

    Editar
    • Fecha de lanzamiento
      • 13 de mayo de 1976 (Reino Unido)
    • Países de origen
      • Reino Unido
      • Canadá
      • Estados Unidos
    • Idioma
      • Inglés
    • También se conoce como
      • Лютер
    • Locaciones de filmación
      • Shepperton Studios, Shepperton, Surrey, Inglaterra, Reino Unido(Studio)
    • Productoras
      • The American Film Theatre
      • The Ely Landau Organization Inc.
      • American Express Films
    • Ver más créditos de la compañía en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 52 minutos
    • Mezcla de sonido
      • Mono
    • Relación de aspecto
      • 1.85 : 1

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