Que la fête commence...

This banquet, unlike one of foodstuffs, can be savored again and again to discover its parts. A political tale, a moral tale, an aesthetic breadth that rewards repeated viewing. The casual brutality of the palace: children playing darts against a painting; nobles and servants tossing around a dead rat; and, of course, the walking latrine! As above, so below: brutish soldiers, "shanghai-ers" for the colonies, provincial nobles who live in squalid houses barely above hovels. Noiret, Rochefort, Marielle so perfectly embody their characters; wise yet inconstant Orleans, conscienceless striver Dubois, impetuous, foolish yet gentlemanly Pontcallac. It would be rewarding to view this en suite with Etore Scola's brilliant "La Nuit de Varennes" to bracket the themes.

This is one of my all time favorite movie and probably the best historical movie ever. One of the few movies featuring 3 of the best french actors (in leading roles): Philippe Noiret, Jean Richefort and Jean-Pierre Marielle. This movie is about how cynical France was ruled after the death of Louis XIV and while the new (Louis XV) was just a child. Don't expect a spectacular movie with great action and bloody violence (like Gladiator or Brave Heart). The pleasure with this movie is somewhere else: dialogs (brilliant), description of cynicism of the nobility and the actors performances (Jean Rochefort, playing L'Abbé Dubois, stoled the show).

This majestic movie reveals everything of that contrasting period after the reign of the "Roi Soleil". France was empty-blooded by the wars and de best thing the Régent of that moment could was to make peace with England. A Breton upraising supported by Spain was the worst case scenario. L'abbé Dubois is eager to become archbishop and everything he does, even the national politics is supported by his dream. We see the speculations about Missisipi and the first bank notes by the state. The Régent, Philippe Noiret, is a person who enjoys life and tries to avoid all problems. Against this, l'abbé Dubois and the nephew of the Régent seem to be the human beasts fueled by their ambition. The church is all powerful and the High Nobility without scruples. The state tries to populate la Louisiane by embarking prostitutes. The Régent seem to be the only good person of his time. This movie is a joy to watch again because of the sharp dialogue and the historical details.

This is a film that has haunted me for thirty years. I just re-viewed it on DVD and it was every bit as good as I remembered. I don't know why it doesn't show up in festivals and best-of-all-times list; it is on mine. It is satisfyingly densely textured and the acting is flawless. It is rich in every way-- historically fascinating as it shows the tugging at the fibers of France that would eventually (but not quite yet) culminate in revolution, the many nuances of class resentment from the top down -- tension between royalty and nobility, generals and (would-be) clergy, and provincial gentry and their peasantry.

Luxurious scenes and costumes and cinematography. Psychologically rich, terrific dialog, in the closely twined relationship between jaded nobility and ambitious bourgeois that plays out in a tug-of-war over the fate of Bretons. Philippe Noiret as the jaded regent is the ambiguous moral center, stoic yet decadent, embodying la patrie yet carving a private erotic niche apart from a world where his decision can tip the balance of European powers.

well, the film directed by auteur Bertrand Tavernier did win 3 awards at cesar, Tavernier who a former assistant to french crime master Jean Pierre Melville who died 2 years before the cesar award came out(1975)(so obviously unable to make his name into the cesar history) now could be touched in his grave since his prestigious student did it for him or in his name

well, the man who directed this decent film----Bertrand Tavernier, suddenly became a director after his master's death in 1973 and who I admit is a good director all the way , deserves his wins , but that doesn't mean the film is superior to those films made before 1975 when there were no awards to honor them. after all from today's point of view, 1975 is sorta the weakest year in all time french cinema, so we hope if cesar could have been launched much earlier than 1975

I also noticed that some people,Michel Blanc ,Christian Clavier,Thierry Lhermitte,Gérard Jugnot who later became very famous here were all under the direction of tavernier who i actually didn't consider a star maker at all before this time

could have won more cesars if Tavernier was a better student