Opiniones de Metacritic

After I saw it I felt more alive, I felt I understood more about people, I felt somehow wiser. It's that good a movie.

Altman's great kaleidoscopic ensemble comedy-drama about a frenzied few days in country music's capital, with an unlikely, quirky, explosive crowd of musicians, hangers-on and politicos all converging on a fateful concert crossroads.

There is so much in this film that it cannot all be absorbed in one viewing. Nashville demands to be seen repeatedly, if only so that the movie-goer can recognize previously missed elements. This repeatability is one of the traits of a masterpiece, and, regardless of the criteria applied, Nashville surely must be considered as a modern classic – a motion picture whose scope and influence extend far beyond what is displayed on screen during its 160-minute running time.

A masterpiece.

With its astonishing display of directorial control and rich thematic textures, Nashville is an undisputed masterpiece. Add to that the biting comedy and knockout musical sequences and it’s certainly tempting to make the claim for Altman’s all-star gem being the best American film of the 1970s.

Spacious, shrewdly detailed and conceived with compassion and wit, it unfurls at an unhurried walking pace, spreading itself across a very American urban landscape.

The funniest epic vision of America ever to reach the screen.

More than in any previous Altman movie, we are made to feel the pathos and vulnerability of those impoverished souls he draws so well.

A technical masterpiece replete with self-consciously allegorical overtones rising to a politically simpleminded din. A rare and puzzling movie: beautiful and cruel, passionate but strangely shallow.

A couple of sequences in the middle of the movie just mark time, but usually everything works, to make Nashville the most original, provocative high‐spirited film Mr. Altman has yet given.