Aloha Bobby and Rose

I caught the last 10-15 minutes of this movie on its network premiere back in 77--- its haunted me all this time, now the DVD is out and I enjoyed it on a number of different levels--This is one of those heart- string pullers that does a great job of encapsulating the mid-70s LA car-youth culture and all those now scarce, classic neon signs! The plot and character development are transparent which gives the whole thing a strange, ethereal vibe heightened by the then hip rock and roll soundtrack. Its almost one long Elton John video in a way. Bobby and Rose are sensitively played, and if the acting and dialog aren't always the best well so what, the actors have heart and are good to look at and don't disturb the zen experience a movie like this can bring about. Mid 70s LA is ancient history and "Aloha, Bobby and Rose" serves as a surprisingly good time capsule for that era. The couple are doomed from the start and this film is depressing for the most part. A lot like "Midnight Cowboy" in many respects, tho not as good. Still AB@R is a cult classic and I think a lot of young folks would enjoy it.

Highly watchable mid 70s car culture film. I first saw it on release when Paul Le Mat was familiar to younger audiences from his role as fading hot rodder John Milner in George Lucas "American Graffiti".

Not an existential roadie like Monte Hellman's "Two Lane Blacktop". Aloha is a conventionally plotted 'kids on the run' affair. However, the cinematography is excellent with vibrant pop cultural references such as Hollywood billboard signage featuring Ringo Starr and Elton John tours and albums of the time. There is also a poignant quality to several scenes including Roses mothers Tequila sodden reminiscing, and, a road bound Lincoln Continental driving childless couple who offer support to the young outlaws.

Gritty details of the unromantic side of Californian life for working people ad unexpected depth to a teen genre picture.

We saw this film four or five times, always as the second film of a double program. It was one of our "film-culte". Not a masterpiece at all, just a little film, really simple, with no stars... but it has something, don't know what... It's one of these films you'll remember for the rest of your life and you don't really know why! The songs of Elton John, "Benny and the Jets" and "Your Song" are exactly where they were made for. I saw for the last time about 20 years ago but I know I'll see it again one day. I'm not sure this kind of film exists anymore.

Bobby and Rose are each leading dead-end lives in Los Angeles. He works in a gas station, she is a young stay-at-home mom. They team up and decide to live out a few fantasies, the major one being a carefree journey to Hawaii. Their goal is never reached. Bobby and Rose wander aimlessly around southern California and the Mexican border, making casual acquaintances and encountering casual violence. The dream starts to go wrong almost from the very start, and the young lovers are left with something less than an idyll.

This is a road movie in the great American tradition, a poetic kaleidoscope of images of Americana - radio music merging with advertising hoardings and neon signs in a dreamy, meaningless pot-pourri of LA, a sort of Metro-Goldwyn-melange. For all the colour and style, appearance and reality are at odds. Rose has her fantasy, but her reality is that she has committed herself to a two-bit punk. Under the surface of the stream of images, we see the jagged edges of society's faultlines ... auto wrecks and liquor store hold-ups.

Bobby inhabits a live-now-pay-later youth fantasy of pool games against chicano hoods, hotrod races and getting chased by the cops. The trouble is, Bobby is running on empty and the fantasy cannot last.

On their travels, Bobby and Rose meet a Texan couple, the irrepressible Buford (if only we could have seen more of him!) and the dim but good-natured Donna Sue, played by Tim McIntire and Leigh French. Buford is an amusing drinking-buddy whose presence in any bar guarantees at least one outrageous incident, and Donna Sue is all heart, but their relentless cheerfulness becomes claustrophobic, especially for Rose.

Paul Le Mat as Bobby is appropriately good-looking and vacuous. Diane Hull invests Rose with a little more substance. The story of their spontaneous elopement is, in truth, the tale of Rose's tragedy.

Verdict - Serviceable road movie which makes effective use of contemporary soundtrack.

This film is nothing more than a cheap melodramatic piece of crap, and I love it. The moving story of a young couple on the run. I was young and the worlds biggest Elton John fan when I saw it. I had the whole world before me, I was going out with a beautiful girl, (Named Sue) and I'm not sure if everyone can understand how great it is to listen to "Daniel" while your girlfriend rests on your arm in the soft twilights of the movie theatre.. but I hope they can. I would buy this film if I could find it, and happily agonize through it again, and again... It is a very romantic film in a very basil form... It works for old fogies like me, and teenagers. They won't recongnize all the music, but that won't matter. A great movie for a quiet evening with someone that you care about.