El baile

A movie without any word, no dialogue, but you don't feel that something is missing. The music, the dance and choreography, replace any missing dialogue. You get a history of France as seen and heard from a dance-hall stage at certain points in time : 1936,1940,1944,1946,1956, 1968, & 1983. Special remarks for Marc Berman & Jean-Francois Perrier and for the man behind writing and acting Jean-Claude Penchenat - La "croix de feu". Real nice movie - a 9 mark.

This movie without any verbal dialogue enchants you from the very first moment. About twenty people meet one night at a dance-party... As they begin to dance, they (and the audience with them) live through the modern history of their country. The music naturally plays the central role in this film. The film is grotesque, funny, and moving at the same time, full of nice quotations from the cultural history of the 20th century. Absolutely great performances from the actors (all of them are more than good, but I would give Marc Berman the loudest applause)- they surely had fun doing this movie. This is a film to be purchased on video and watched again and again, with reasonable intervals - you can't really get fed up with it.

In "Le Bal" (1983) directed by Ettore Scola, the 50 year history of Europe happens in front of you in one ballroom somewhere in Paris where the same actors play the different characters that live through their dances From 1930s to the 1980s as the time passes by and politics, social behavior, and fashion change with each new epoch... For less than two hours we would go through the wars, peace, racial conflicts, student riots of 1968 while Ettore Scola's camera never leaves the ballroom. Dialogues and relationships are realized through the music and dancing only with no word spoken. Ironically, the film was nominated by the Academy for the Best Foreign Language movie award. It should have been nominated for the best Universal Language award - the language of music . The soundtrack features the works of such composers as Frederick Chopin, Irving Berlin, John Lennon, and Paul Mc Cartney. The original music was written by one of my favorite film composers, Vladimir Cosma. I saw "Le Bal" over twenty years ago and it has stayed with me over all these years as fantastic, one of its kind unforgettable film.

This movie is absolutely magical - taking place in a French ball room, it takes you through time. Year in year out, the music, the dances, the style and fashions change. We see the characters' hopes, fears and desires, we watch their interactions. We see how changes in the outside world affect them. Ettore Scola does this without letting his characters speak.The music, the cinematography, the dancing and interacting are the elements which let us experience the intensity of the voyage through time. Scola does not need language for this. However, this movie should not be mistaken for a kind of dancing medley. It is a keen observation of human behavior, accompanied with deep insight and empathy.

This film it is only with music, no words and tens of characters. The same artist makes 3,4,5 roles. Each time I see this movie, I cry and laugh, I get convinced that Scola is a genius. A brilliant script, a conception very original, and many surprises in most of the scenes. I highlighted Marc Berman, Nani Noël, the Penchenat and Anita Pichiarini. What Ettore Scola made with this film should be repeated with all mankind. It is the world united by ball dance, popular music and not with words. What count are the ideas. Here in Brasil, the DVD of "Le Bal" still sells very well and is one of the most expensives. I wish that "Thêàtre du Campagnol" ever and ever have a success. Congratulations to all technicians for this magnificent spectacle.