The Hound of the Baskervilles

This film obviously takes its casting from the portrayals of Holmes and Watson by Rathbone and Bruce, rather than from the book. Richardson is smarmy, jovial and cheery, with none of Rathbone's cold precision and sharpness. Churchill is more idiotic as Watson than even Nigel Bruce could manage. An insipid and clueless Inspector LeStrade is added for no other reason, apparently, than the writer's feeling that a Holmes story needed him.

The sets looked good. Some of the additional characters are quite well done (with the exception of the butler and his wife, who sleepwalk through their lines.)

This film pales next to almost any of the other film adaptations of Hound. The best is the Rathbone/Bruce version. The Hammer films version gives us Peter Cushing as an excellent Holmes surrounded by those lovely Hammer sets.

The 1988 Jeremy Brett TV film suffers from being filmed on a TV budget, but gives us what is probably the most faithful rendition of Holmes and Watson, with Watson coming off as Holmes' strong right hand, rather than as a buffoon. Watch any and/or all of these, but only watch this version if you have run out of other versions to watch.

SHERLOCK HOLMES: THE HOUND OF THE BASKERVILLES has Ian Richardson in the role of the masterful mystery maven. Having loved both the Peter Cushing and Jeremy Brett renditions, I looked forward to this one. I was not disappointed, as Richardson is a fantastic Holmes! Donald Churchill is also quite good as Dr. Watson.

The story itself is well-realized, making the "curse" believable, along with all of the characters affected by it. The finale is especially enjoyable. Many familiar British faces added some fun to the murky moors. How could anyone not smile when Connie Booth (MONTY PYTHON'S FLYING CIRCUS, FAWLTY TOWERS) and Brian Blessed (THE BLACK ADDER) appear as Laura and Geoffrey Lyons? Then, there's Denholm Elliot and Ronald Lacey (both from RAIDERS OF THE LOST ARK) as Dr. Mortimer and Inspector Lestrade! Great stuff, this!...

Having watched the film I had to check the IDMB reviews..

and, Yes, I agree, overall an enjoyable film but am I the only one to notice that Martin Shaws performance has been dubbed? Listen and watch closely. Certainly not his voice, (even allowing for an American accent,) and the lip sync is slightly out on occasions.

However this only detracts slightly from the film.Ian Richardson certainly holds the whole thing together with a fine performance. The village scenes are possibly over populated but I get the feeling that the production is aimed also at the American market and therefore some aspects of English country life have been over emphasised to fall in line with the American view of our country.

The Hound of the Baskervilles is, of course, the Sherlock Holmes mystery where Holmes goes undercover for the whole middle part. He is always lurking just offstage, but in this 1983 production we especially miss, for an awful lot of the film, the marvelous voice and presence of Ian Richardson. If like me, you tracked down this mystery solely to get more of the virtuoso Richardson, whose acting highlighted the BBC House of Cards trilogy, this gap will disappoint you, although we are compensated by the great Denholm Elliott as the country doctor who comes to Baker Street to fetch Holmes. These are the acting highlights: Martin Shaw as the young American Baskerville heir seems to be thrusting his way through on sheer goodwill--he is likable enough that you wish that for his own sake, Sir Henry would heed the many warning signs, head back to London and take acting lessons. Meanwhile, stuck in small parts as the mansion's head servants are Eleanor Bron and Edward Judd --now there's a pair who could have made a great Holmes and Watson on their own. There is just enough good stuff here to carry you through—cinematographer Ronnie Taylor makes the scenes on the open moors in daytime epic in scope, and the night scenes amid the boggy, fog-shrouded moraine around the remote mansion are often scary. In the grand climax, a chase by black silhouettes against bottomless fog is staged and filmed with great skill. On the other hand, too often this "Hound" offers the standard Masterpiece Theatre stuff of lamplit Victorian parlours, tame-looking city streets and city folk hobnobbing with the rustic locals, and seems pretty generic considering the acting and storytelling talents elsewhere on display.

With is terrific production values, marvelously atmospheric sets and perfect casting (with just one weak link: Martin Shaw as Sir Henry Baskerville), this could have been a great mystery movie, but it does not fulfill one of the basic requirements of the genre: that you shouldn't be able to figure out the villain's identity before the movie reveals it to you. Even if you haven't read the novel or seen any of the other film versions of it (and I haven't), most of the plot twists can be seen well in advance. (**1/2)