Los cazafantasmas

For it's time, Ghostbusters would have to be a classic. Visiting such realms as the supernatural, is sure not meant to be funny, but this film does stretch that rule a little. Thankfully it does, as it allows those among us (like me), who do not believe in ghost and goblins, to sit back, relax and enjoy the funny antics of these ghost-busting heroes. Although it might be a little dated in the new millennium, 'Ghostbusters' is still one of the 'great comedies of the 1980's' in my view.

When the University downsizes the parapsychology department, Doctors Venkman, Stantz and Spengler make the leap from scientists to Ghostbusters, investigators and exterminators of paranormal pests! When the bewitching Dana Barrett discovers her refrigerator has become a portal into the spiritual dimension, our heroes come face to face with an ancient evil force with plans to raise hell in Manhattan.

When reviewing a movie, I try to be as fair as I can be. However I feel that by only viewing a movie once, we can not comprehend or appreciate the work that has gone into it, as a lot of work goes into bringing a movie to 'life'. For me that is no more apparent than with this classic hit. The time spent doing the script, special effects, production designs all have their merit and make this movie great. It is not just actors doing their job, as that is only one small part of the movie.

Most of 'Ghostbusters' success must be given to director Ivan Reitman. He did a fabulous job directing the Ghostbusters. I am certain that he left no stone unturned when it came to getting this film right and I am so glad he did. What also made this film more unique was that two of its stars wrote one very very good script. I am of course talking about Dan Akroyd and Harold Ramis. Their originality and comedy on paper, made watching this film a real joy. It is not often that stars write good scripts, but this time these guys got it right.

The cast that this film has was amazing to say the least. The four Ghostbuster characters were all different, which made them great to watch. I love the way that director Reitman summed up the Ghostbusters. He said of the three main guys that, Bill Murray was the 'mouth' or the smart ass of the film, while Dana Barrett says of Dr Venkman, ' you're more like a game-show host' and I have to agree with that, Dan Akroyd was the 'hands', meaning the person who was very hands-on when came to the ghostbusting, and finally Harold Ramis was the 'Brains' or the smartest one of Ghostbusters. Add in the cheery Ernie Hudson, who played Winston Zeddemore, making them the perfect team.

However, the Ghostbusters are a little different when it comes to doing their job. They have funny facilities, which only they could invent, a car that is as wild and conspicuous as its owners are, while the tools that they use to trap there supernatural phenomenon are weird and crazy. I love the traps, 'nuclear accelerators' and other bits and pieces they simply refer to as 'toys', when they are anything but that.

Then take into consideration the other great roles in this film, as without them this film would not be as good. Sigourney Weaver was very 'spiritual' when came to being the normally delightful Dana Barrett. I really enjoyed the onscreen chemistry between her and Bill Murray. Rick Moranis played the moronic '' as only he can. I always think of him as the man from 'Little shop of horrors', but there is no doubting his acting talents. Add in the very 'unusual' and eccentric Receptionist Janine, who was amusingly portrayed by Annie Potts. I love it when she screams 'we got one'. Yet I still say my favourite character in the Ghostbusters, over the silly Venkman (who is second), is the funny ghost Slimer. While Murray is as insane as the ghosts were in this movie, Slimer steals the show in my view. He is wild, 'slimes' people and makes the Ghostbusters all the funnier. Whoever invented Slimer is a genius!

There are some very funny scenes and lines in this movie. I love how we are introduced to the first ghost in the movie, who is part of the library in New York, then the mayhem and chaos we see slimmer cause in the Hotel is classic cinematography. The Venkman line at the end of the scene is priceless as he says 'we came, we saw, we kicked its ass!' Throw in scenes with the monsters that run around New York terrorising people, the unlocking of ghosts by the Environmental Protection jerk and the Marshmallow Man are all hilarious parts to a movie that is full on from start to the finish.

I wish I had been old enough to see the opening of 'Ghostbusters' in the cinema, as I am sure it would have had a huge cinema release. When I remember the Ghostbusters two things come to mind. One is the hypnotic tune 'Ghostbusters' written and performed by Ray Parker Jnr., and two is that my mother and one of her friends said that they banned their children from viewing such rot. I certainly missed out on seeing many great facets of what the Ghostbusters spawned, such as two ingenious cartoons. I sort of understand what they were on about, but I would have preferred being allowed to watch it and then just forget about it. This film has a lot to like about, it is funny, crazy and a little bit different. If you are yet to see what the great fuss is about the 'Ghostbusters', then please do yourself a favour and pick up a copy today. Yes, they are ready to believe you!

CMRS gives 'Ghostbusters': 5 (Brilliant Film)

Ghostbusters was an incredibly huge smash hit on its original release back in `84 and its not hard to see why - its a funny , exciting and imaginative thrill ride. There is a lot to like about ghostbusters , like bill Murrays constant and always funny wise cracks, the films constant shift from a light hearted comedy to intense ghost busting thriller and of course , the technically flawless attack of the marsh mallow man that is probably one of my favorite parts of this film.

In this day and age of computer generated fx wizardry the completely analogue special effects still look great ( especially the stay puft marsh mallow man , its rampage through the city looks incredibly real ! ) and the film it self is still better and more imaginative than a lot of event movies you will find in a cinema near you today .

And to top it all off Ghostbusters is one of the few films out there that actually had worthy TV spin off that was the "real Ghostbusters", a cartoon that i loved as a kid.

Ghostbusters is a film that truly deserves its iconic status.

The screen dwellers mark (out of 5 ) : * * * *

I have a small posse of favorite comedians. Somewhere towards the top of that list, along with Steve Martin, is Bill Murray. He's been around since the early 80s, getting his start on NBC's "Saturday Night Live" after Chevy Chase left for his own career in Hollywood. Murray worked live for a few years before -- like those prior to him him -- gradually making his way into the film world.

I like all of the comedians in "Ghostbusters," come to think of it. Dan Aykroyd is another great subtle comedian, with a great knack for writing as well as acting. It was Aykroyd, after all, who is primarily responsible for "The Blues Brothers." And Harold Ramis, who later became a director, with an impressive resume of such films as "Vacation," "Groundhog Day," and "Analyze This."

Then there's also Rick Moranis, a meek nerd character who is very underrated and very funny, a sort of Woody Allen Lite. He was Dark Helmet in "Spaceballs," Barney Coopersmith in "My Blue Heaven," and that wacky inventor in "Honey I Shrunk the Kids."

Yes, one could say that "Ghostbusters" is built on a firm base, scripted by Aykroyd, Ramis and Moranis (who is uncredited) and directed by Ivan Reitman ("Kindergarten Cop"). It's a clever little story with a simple premise and lots of laughs -- a band of failing friends unite to make a hoax ghost-busting company, but soon real ghosts do show up and they're in over their heads.

It starts in New York City. Peter Venkman (Murray), Raymond Stanz (Aykroyd), and Egon Spengler (Ramis) are three Columbia University scientists laid off after their grant expires with no results from the trio in return. Down to nothing, they cook up the brilliant (or crazy) idea to create a "ghost-busting" company.

But they immediately realize that it won't be as easy as it seems to get a little extra cash, because Dana Barrett (Sigourney Weaver) comes to the men looking for help. Her apartment is infested with strange happenings, and her next-door neighbor, Louis Tully (Rick Moranis), is having problems of his own.

They pretend to solve the situation and the men suddenly become a citywide phenomenon, attracting media attention and constant customers at their front door. They become so popular, in fact, that they are joined by Winston Zeddmore (Ernie Hudson), another down-on-his-luck city guy looking for a good-paying job.

However, Walter Peck, EPA (William Atherton) doesn't believe that the Ghostbusters are really ridding any ghosts at all, so he has them thrown in jail. But an ethreal baddie named Gozer (Slavitza Jovan) soon appears in Dana's apartment complex, and weird happenings occur, forcing Peck to free the Ghostbusters once and for all so that they can bust the ghost and send it back to where it came from.

Sounds corny, huh? It's meant to be. Everything about this movie is campy and goofy, and that is exactly what Ramis, Aykroyd and Moranis wanted when they collaborated. And it is very funny.

I don't know, there's something in me that loves "Saturday Night Live" humor. Sure, the show has its dry spots, but I love it. Many people I know don't find it all that funny, and not as consistent as something such as "The Simpsons," but I love to watch it, I love the humor, and I love the actors.

Part of that love, I suppose, is what makes me enjoy "Ghostbusters" (1984) so much. However, believe it or not, "Ghostbusters" is not quite as laugh-out-loud funny as you might expect. It is very funny, but it isn't always a howler. It's more of an intelligent comedy, which is odd, since it is made by a band of guys from "Saturday Night Live" and such backgrounds.

Murray steals every scene he is in. This, along with `Groundhog Day,' is the perfect vehicle for his comedic talents, ranging from the constant wise cracks to the constant dry ironic humor that I love so much. They key to his humor is not that he comes up with it, but the way he does it. Any comedian can use the blank glares, but the way he expressionlessly glares at fellow actors is a joke in itself. When Stanz admits that his one fear has always been the Stay Puff'd man, check out Murray's face. This is classic stuff.

As much a scene-stealer as Murray may be, he is nearly upstaged by Aykroyd and Ramis, who both provide a sort of counter-balance of lunatics and reason to Murray's flippant characteristics. The scene that everyone remembers it the finale involving the giant marshmallow Stay Puff'd Man, and whenever I think of Aykroyd's performance in this film, I think of that scene.

"Ghostbusters" is a very famous comedy, and for good reason. It's light, good-hearted, funny, and actually pretty intelligent, built upon a firm cast and script, which -- considering the majority of the actors' and writers' backgrounds of "Saturday Night Live" -- is almost as surprising as the film itself.

5/5 stars.

• John Ulmer

I have special affection for this film. When I was a youngster, growing up between the ages of four and ten, this was my favorite film. I loved the whole Ghostbusters thing. I loved the sequel, the cartoon series, I had to have the toys and merchandise every Christmas, you name it. Strangely, as I have gotten older, I find myself appreciating the film more and more. When I was a child I loved it for the special effects, the gadgets and the ghostbusting especially. Nowadays I love it for the same reasons, but now that I'm older I find myself appreciating the dialog which is some of the funniest committed to a film, the oddball humor, like Venkman's line about dogs and cats living together and the in jokes, like Slimer being the ghost of John Belushi and Venkman rubbing his hand at glee at the thought of the money to be made from the merchandising of the ghostbusters brand. Not only that, but some 80's hairstyles aside, the film as aged remarkably well. My cousin who is five years old has developed a love for the whole Ghostbusters thing, showing that this is truly worthy of being branded one of the most successful films ever made.

Unlike many of today's blockbusters which are humorless and pompous thinking that they are serious films and forgetting about any sense of fun along with the complicated visual effects, Ghostbusters is funny and a fun paranormal movie. The set pieces are superb as we see the Ghostbusters going up against Slimer, Gozer and, undeniably the classic movie moment of the 80's, the Stay Puft Marshmallow Man. For a film made in 1984 the climax is very well done and looks exceedingly realistic, without any hint of clues as to the fact that it is a special effect. This is what going to the cinema should be all about. Fun with a capital F. All the actors get into it with great comedic aplomb. Bill Murray, one of the finest comedy actors to grace the screen, is superb as Peter Venkmen who gets the best lines in the film as well as the funniest moments. Just check out the "there is no Dana, only Zool" moment. Murray's priceless reaction to Dana Barrett's possession is one of the most side splitting moments I have ever seen. In fact, the casting is pretty much spot on. As well as Murray, we have co writers Dan Akyroyd and Harold Ramis sharing the spotlight as the fellow Ghostbusters, Sigourney Weaver making a wonderful damsel in distress, Rick Moranis is almost scene stealing as her nerd of a neighbor who becomes possessed himself, while Ernie Hudson and Annie Potts both put in wonderfully sardonic supporting roles who get their chances to shine.

Add to this one of the best theme tunes and a truly apocalyptic finale, it is no surprising that this was the biggest film of 1984. A summer blockbuster with humor, trills, spills and some of the best special effects money could buy at the time, this is truly a genuine classic and is one of the best Hollywood blockbusters ever made.

That's a big Twinkie.

One of Murray's best films for lines, still quotable, more than a decade later.

As a comedy, the pacing is terrific, the cast is top-notch, and it brought together Murray and Ramis, who made Groundhog Day (nuff said!).