Macho y hembra

Name: Macho y hembra
Genre: Drama
Duration: 1 h 30 min
Rating: 6.9
Cast: Orlando Urdaneta, Elba Escobar, Irene Arcila

1984
1h 30min

CALIFICACIÓN DE IMDb

6.9/10

TU CALIFICACIÓN

Orlando Urdaneta in Macho y hembra (1984)

Drama

Agrega una trama en tu idiomaThirty-three years old Eva begins the writing of her memories and recalls her past love-life, when she used to live with her boyfriend and her best lady friend. In the beginning everything s... Leer todoThirty-three years old Eva begins the writing of her memories and recalls her past love-life, when she used to live with her boyfriend and her best lady friend. In the beginning everything seems to work between them but after living together for some time they realize that their ... Leer todoThirty-three years old Eva begins the writing of her memories and recalls her past love-life, when she used to live with her boyfriend and her best lady friend. In the beginning everything seems to work between them but after living together for some time they realize that their interests in life are not the same. They take a big decision.

Dirección
- Mauricio Walerstein
Guionistas
- Iraida Tapias
- Mauricio Walerstein
Elenco

Ver la información de producción en IMDbPro

CALIFICACIÓN DE IMDb

6.9/10

TU CALIFICACIÓN

Dirección
- Mauricio Walerstein
Guionistas
- Iraida Tapias
- Mauricio Walerstein
Elenco

Ver la información de producción en IMDbPro

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Argumento

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Trivia
The role of Alicia was written for Haydée Balza, but the actress had to drop out due to schedule conflicts.

Citas
Alicia: [dances to San Juan drums] Sensuality turned into a rite, or rather: the rite of sensuality, which isn't the same thing.
[laughs]
Alicia: And it's not the same thing, because... because... rite and taboo go hand in hand. And when one overcomes the taboo, one understands the rite.
[watching his boyfriend]
Alicia: And I managed to understand the rite, because I broke the taboo. I broke it.
Nelson: [intrigued] Well, it sounded very nice, but... now we don't understand anything.
Alicia: The taboo is the black man, the myth of the black man. Of his sex, his size, his almost animal-like capacity. The black man was called Juan, like the saint. Saint John, the rite.
[watching Nelson again]
Alicia: And if you want, I could be more direct, more prosaic.