Not nearly as good of a film as I was led to believe it to be.
This is essentially Terry Gilliam's ode to 1984 and while many aspects of it DO work Gilliam can't seem to let go of Monty Python long enough to make this the film it should have been. On the one hand we have a seriously strange and very successful dystopian, steampunkish 1984. On the other we have what feels like a 2 hour Monty Python skit. The two styles just don't play well together. What you end up with isn't a film that's 'strange good' but strange in its basic cinematic qualities. Everything from the set design, screen play, to dialogue is just too schizophrenic. One moment it's a dark and, I must say successful, take on a fictionary 'comunofacist' world, the next it's prat falls and over the top accents. You go the Ministry of Information to John Cleese's Ministry of Silly Walks. Even the characters can't seem to decide which side of the fence they are on with Jonathan Pryce's Sam Lowry switching from 1984s confused and scared to goofy and childish so fast it makes your head spin. If Gilliam could just have toned down the Python here we would have had the masterpiece so many claim the film to be.
- Locut0s
- 13 feb 2012