CALIFICACIÓN DE IMDb
6.8/10
33 k
TU CALIFICACIÓN
Dorothy, salvada de un experimento psiquiátrico por una chica misteriosa, vuelve a Oz cuando una bruja vanidosa y el rey Nome destruyen todo lo que hace que la tierra mágica sea hermosa.Dorothy, salvada de un experimento psiquiátrico por una chica misteriosa, vuelve a Oz cuando una bruja vanidosa y el rey Nome destruyen todo lo que hace que la tierra mágica sea hermosa.Dorothy, salvada de un experimento psiquiátrico por una chica misteriosa, vuelve a Oz cuando una bruja vanidosa y el rey Nome destruyen todo lo que hace que la tierra mágica sea hermosa.
- Dirección
- Guionistas
- Elenco
- Nominado a 1 premio Óscar
- 6 nominaciones en total
Sean Barrett
- Tik-Tok
- (voz)
Denise Bryer
- Billina
- (voz)
Stewart Harvey-Wilson
- Jack Pumpkinhead
- (as Stewart Larange)
Lyle Conway
- Gump
- (voz)
Stephen Norrington
- Gump
- (as Steve Norrington)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Cherubic Dorothy Gale is catapulted back to the magical world of Oz in this enchanting, but very atypical Disney Production that got released 46 years after Victor Fleming's original (none of the original cast-members lived long enough to ever see this sequel!). In the story, however, only six months have passed since Dorothy was brought to Oz by a tornado. During some medical tests, performed because she keeps talking about her unbelievable journey, a mysterious girl helps Dorothy escape from the hospital and back to Oz for a new adventure! The screenplay, based on two L. Frank Baum novels at once, introduces a large amount of imaginative new characters that are either Dorothy's loyal friends
or malicious new enemies. It soon becomes clear that she was called back to Oz for a reason, as the evil Nome King has turned everyone to stone and the mad Princess Mombi is after more human heads for her collection. Despite the presence of a talking chicken, this is a frighteningly grim and obscure fantasy tale, perhaps not even suitable for the typical Disney-target groups. The events and characters in "Return to Oz" are often quite macabre (decapitation for a hobby, eerie guys on wheels
) and the tone of the film is heavier since there isn't any singing and dancing going on. Perhaps a little too scary for the smallest children but "Return to Oz" nonetheless is a compelling and spontaneous adventure, highly recommended to those who like their fairy-tales sinister. The special effects are really terrific, with stunning stop-motion animations and some very engaging mechanical machinery (Tic-Tok!). The young Fairuza Balk is an unbelievably convincing follow-up to Judy Garland! The talented Piper Laurie ("Carrie") is regretfully underused, though. This film, along with "The Dark Crystal" and "The Neverending Story", was a huge favorite of mine when I was young and they seemly only got better with years. Good stuff.
I don't see why people got into such a hubbub about Return to Oz when it came out... actually, that's not correct for a couple of reasons. For one, sadly, it didn't do well at the box office, so presumably a lot of children didn't see it who might have. But for those that reviewed it, the consensus was it was "too dark" for kids. Hogwash. Kids can actually take much more dramatic and terrifying things than we think - maybe some may be more sensitive than others, but so are adults - and a response to feats of imagination are always eye-catching to them. If it was about the story and characters, that's another matter.
On an artistic, sensory-visual level Return to Oz is mostly spectacular work, with a plethora of eye-catching and inspired practical effects (one of which I have to imagine the character of Jack Skellington was the inspiration for), matte paintings, marionettes and puppets, claymation, the works, with an Emerald city that looks like a Russian communist block from that time period (and I mean that in a complimentary way - it's exquisitely run-down) . And I liked how dark and weird it got, that was fine.
If I didn't care for something it was most of the supporting characters who become Dorothy's companions. They didn't have the strong-memorable personalities or sense of enchantment (or even just good acting) of the three that accompanied Dorothy in 'Wizard' - or, hell, even the companions in Oz: The Great and Powerful, which I'd argue is maybe a more inspired film than this, albeit with CGI. And the villain - aho is appropriately bad-*ss and deranged, is only most effective by the third act, with a one-dimensional shrieking witch (albeit with wonderful multiple heads to choose from) in the rest of the film.
So, Return to Oz is a really good movie. If it's a lost classic? Depends who you ask, I suppose. Nevertheless, Balk is fun to watch in a role where she's constantly thinking and reacting well in her acting - a sophisticated acting job young or otherwise.
On an artistic, sensory-visual level Return to Oz is mostly spectacular work, with a plethora of eye-catching and inspired practical effects (one of which I have to imagine the character of Jack Skellington was the inspiration for), matte paintings, marionettes and puppets, claymation, the works, with an Emerald city that looks like a Russian communist block from that time period (and I mean that in a complimentary way - it's exquisitely run-down) . And I liked how dark and weird it got, that was fine.
If I didn't care for something it was most of the supporting characters who become Dorothy's companions. They didn't have the strong-memorable personalities or sense of enchantment (or even just good acting) of the three that accompanied Dorothy in 'Wizard' - or, hell, even the companions in Oz: The Great and Powerful, which I'd argue is maybe a more inspired film than this, albeit with CGI. And the villain - aho is appropriately bad-*ss and deranged, is only most effective by the third act, with a one-dimensional shrieking witch (albeit with wonderful multiple heads to choose from) in the rest of the film.
So, Return to Oz is a really good movie. If it's a lost classic? Depends who you ask, I suppose. Nevertheless, Balk is fun to watch in a role where she's constantly thinking and reacting well in her acting - a sophisticated acting job young or otherwise.
Return To Oz was the first horror film i ever saw, and i love it today just as much as i did when i was 5. yes, i do believe Return To Oz is a horror, but one that children should see. it is horror just as the brothers Grim are horror. it is horror because everything in the eyes of a child can be very frightening. and yes, i do believe this horror is better than The Wizard of Oz, despite what all my contempories might believe. as a kid, i could not get over the fact the Judy Garland was too old, that they would not stop singing and dancing. come on, this was my childhood, i needed a good rush, not a bunch of eye-candy and disturbing munchkin voices. little dorothy walking down a corridor of decapitated head in ornate display cases, afraid that she might wake them, that the decapitated body would come in search of her in her terrifying gothic splendor-this moment has stayed with me, has always frightened me, but i'm glad that i experienced it, it is healthy for a child to be afraid, humility is something everyone needs to embrace, and this film with its lush terror and build up to a phenomenal climax as apocolyptic as anything today still inspires me toward something the silly set pieces and hammy emotion of Wizard of Oz, cannot do. Return to Oz is a lost masterpiece, terrifying, energetic, creative, and wonderful.
As a young kid, The Wizard Of Oz was one of my favourite-est movies in the world. The movie was bright, colourful, cheerful, happy and undoubtedly saccharine. And while it was a Box-Office smash and collected millions of Oz fans worldwide, it displayed nearly none of the points that made the book series so successful. So when after viewing Return To Oz, I was extremely happy.
While thousands blasted the film calling it 'dark' and even 'scary', I thoroughly enjoyed it. New characters, magic powders, creepier witches, talking chickens and flying couches - what more could an imaginative youngster want?!
Faruiza Balk portayed Dorothy Gale exceptionally well, and at times, takes on Judy Garland's version so similair, it's scary! Return To Oz was, I mean, is, better than the original, because it was more based on the books, whereas The Wizard Of Oz was a cross between the original book, bittersweet sets and a symphony orchestra.
While some disagree, I believe that 'Return' was not all a weak sequel, but more of a non-sequel sequel, which had little to do with the original, and had an exciting, haunting, script, which worked really well.
Well it's been about 10 years since I first saw Return To Oz, and I still think that it's one of the best children's movies ever made (however scary) and it's in everyone's best interests to rent it out - even if you hated it's predacessor.
While thousands blasted the film calling it 'dark' and even 'scary', I thoroughly enjoyed it. New characters, magic powders, creepier witches, talking chickens and flying couches - what more could an imaginative youngster want?!
Faruiza Balk portayed Dorothy Gale exceptionally well, and at times, takes on Judy Garland's version so similair, it's scary! Return To Oz was, I mean, is, better than the original, because it was more based on the books, whereas The Wizard Of Oz was a cross between the original book, bittersweet sets and a symphony orchestra.
While some disagree, I believe that 'Return' was not all a weak sequel, but more of a non-sequel sequel, which had little to do with the original, and had an exciting, haunting, script, which worked really well.
Well it's been about 10 years since I first saw Return To Oz, and I still think that it's one of the best children's movies ever made (however scary) and it's in everyone's best interests to rent it out - even if you hated it's predacessor.
Most of the comments on this film seem to be from people who saw this when they were little, and haven't been able to forget it. The imagery of this film lingers long after first view, and its marked stylistic and thematic differences to Wizard Of Oz have a hypnotic effect on a certain type of viewer.
In Return, the central theme is one of deep unhappiness with reality and a wish to return to fantasy, where as Wizard focuses more on the concept of "there's no place like home". I admire and am still deeply effected by this film because, in some ways, it is braver than Wizard. It isn't afraid to deal with the conflict - that the misery of a grey Kansas is very real.
It expresses a rippling dissatisfaction that seems more in keeping with Baum's original works, and is all the more satisfying for it. In particular, I enjoyed the parrallels between the real world and Oz- for what it suggests about our world- and the Nome King's conversation with Dorothy. For a children's film, there is great depth in both, and most of the film can be interpreted on several different levels. The implications of the corridor of heads alone is enough to send any first year pysch/lit student into a whole mess of garbage.
But don't be fooled. This also an excellent children's film, that deserves more attention than it got.
In Return, the central theme is one of deep unhappiness with reality and a wish to return to fantasy, where as Wizard focuses more on the concept of "there's no place like home". I admire and am still deeply effected by this film because, in some ways, it is braver than Wizard. It isn't afraid to deal with the conflict - that the misery of a grey Kansas is very real.
It expresses a rippling dissatisfaction that seems more in keeping with Baum's original works, and is all the more satisfying for it. In particular, I enjoyed the parrallels between the real world and Oz- for what it suggests about our world- and the Nome King's conversation with Dorothy. For a children's film, there is great depth in both, and most of the film can be interpreted on several different levels. The implications of the corridor of heads alone is enough to send any first year pysch/lit student into a whole mess of garbage.
But don't be fooled. This also an excellent children's film, that deserves more attention than it got.
¿Sabías que…?
- TriviaThe movie is based on the second and third of L. Frank Baum's Oz books: "The Marvelous Land of Oz" and "Ozma of Oz". Elements from the former include the introduction of Jack Pumpkinhead, the witch Mombi and her powder of life, the conquest of the Emerald City, the escape by flying sofa, and the search for Princess Ozma. From the latter comes the return of Dorothy, the talking chicken Billina, the Wheelers, the discovery of Tik-Tok, a princess with interchangeable heads, the introduction of the Nome King, and the ornament room.
- ErroresTik-Tok's thinking mechanism is activated by winding the key under his left arm, and his talking is activated by winding the one under his right arm. However, when he asks Dorothy to wind his thinking key before entering the ornament room, she winds the one under his right arm.
- Citas
Jack Pumpkinhead: If his brain's ran down, how can he talk?
Dorothy: It happens to people all the time, Jack.
- Versiones alternativasWhen it was aired on the Disney channel, the following were cut: When "Ozma" unties Dorothy from the bed in the doctor's room, the line where she tells Dorothy that the screaming patients are locked in the cellar is cut. When Dorothy first visits Mombi, much is cut. A lot of shots of the heads behind the glass are cut, and so is a lot of footage when Mombi puts on her head. Because of this, a line is cut where she asks Dorothy how she looks, and Dorothy tells her she looks beautiful. In the TV version, it cuts straight to the line, "And just who might you be?" When Mombi wakes up, many shots of the screaming heads and EVERY shot of the headless Mombi trying to get Dorothy is cut. A few seconds of footage of the Nome King's death are cut, including when his eye turns to stone, and some of the "poison" shots.
Selecciones populares
Inicia sesión para calificar y agrega a la lista de videos para obtener recomendaciones personalizadas
- How long is Return to Oz?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idioma
- También se conoce como
- Oz
- Locaciones de filmación
- Salisbury Plain, Wiltshire, Inglaterra, Reino Unido(Kansas scenes)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 25,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 11,137,801
- Fin de semana de estreno en EE. UU. y Canadá
- USD 2,844,895
- 23 jun 1985
- Total a nivel mundial
- USD 11,140,134
- Tiempo de ejecución1 hora 53 minutos
- Relación de aspecto
- 1.85 : 1
Contribuir a esta página
Sugiere una edición o agrega el contenido que falta