No contestes el teléfono

Don't buy the DVD. It has been heavily cut. If you have previously seen this movie, the DVD will seriously disappoint you. Check your local video store for the original VHS tape if you want to your own copy of this film.

If you haven't seen this movie, rent it. It only appeals to a small group. It is standard fare of the late 70s to early 80's horror movies. Mindless killer terrorizes town (Hollywood). Police can't buy a clue.

This was obviously meant to be a standard late-70s total-waste-of-time movie, an excuse to show topless women squirming and thrashing while being strangled, but Nicholas Worth turns it into a must-see. Actors-in-training and stage-vocalists, especially, can learn from his vocal prowess and from the way he uses his size. He is a huge, hulking basso with the ability to near-totally relax his inhibitions, and he uses his entire range, from resonant, snarling low tones, through a thundering midrange up to a piercing, blubbering whimper at the very top which has to be heard to be believed. He should have been an opera-singer. He could have sung Wagner.

The women dress beautifully in late 1970s casual summer-wear, and they get undressed equally beautifully by Worth's character, after (sometimes before) he strangles them to death. (One of them is future PLAYBOY-centerfold Pamela Jean Bryant.) As the other reviewer said, James Westmoreland (Detective McCabe) and Flo Gerrish (Doctor Lindsay Gale) act extremely badly; however, Ben Frank (Detective Hatcher) delivers some very funny lines with excellent cheesy deadpan. Like when McCabe tells him that the strangler has stolen some of the victim's clothes, and he replies: "That's great! Now we got him on petty theft, as well as murder!" Also, Chuck Mitchell, one of the few actors even bulkier than Nicholas Worth, plays a small part as a porno publisher. (If Mitchell looks familiar, it's because he played the Warden in PENITENTIARY and the title character in PORKY'S.)

These folks have created a masterpiece in spite of all their best efforts to the contrary.

Don't Answer the Phone is yet another film from the late 70s and early 80s about a psychotic, demented, socially awkward killer who brutalizes women because of his "problems" - whatever those problems might be. This time around we have a muscular, fat Vietnam vet who was never good enough for his father butcher pretty girls just after they have stripped from their little clothing. Nicolas Worth plays the wheezing, maniacal killer with a bizarre almost interesting quality. He is not a good actor yet is able to hold your attention throughout. I wish I could say something pleasant about the rest of the cast, but none of the rest are very competent. The police detectives who are looking for Worth - one which falls in love with the pretty radio psychiatrist that can shed light on the killer's identity - were particularly bad. The girls are pretty but the misogynistic flair devoted to their deaths is particularly degrading and unpleasant. The film is at least not overtly gory and had me interested until the end. The story was compelling enough and Worth is worth a look if nothing else.

This has got to be one of my all-time favorite cheesers. With awful acting, abysmal dialogue, and a senseless plot, this movie has all the makings of a classic stinker. Another thing to note is the soundtrack, which sounds like it was lifted from a B-grade porno flick, complete with wah-wah synthesizers and the "bow-chicka-bow-bow" reprisal.

Nicholas Worth, listed in the credits as "The Killer", or "The Strangler"' depending on which set you look at, delivers one of the most unintentionally hilarious performances as a deranged Vietnam veteran who likes killing young, beautiful women and then hovering over their bodies while laughing with his trademark wheezing...the guy is brilliant! Actually, that's just a joke, but then again, so is this entire movie. And why the hell do they call it "Don't Answer the Phone"? The only real phone calls of note are the ones he makes to Dr. Gail, the ultimate object of his violent misogyny. Worth has made another seminal performance this year (2000)... as the Soviet Premier in the game "Command and Conquer: Red Alert 2". Check him out, he rocks (or is that "reeks")?

However, I'd have to give the accolades for "Worst Perfomance in a Movie" to James Westmoreland. He is just plain AWFUL in this movie: contrived dialogue, stupid facial expressions, and a wardrobe that would make Wayne Newton jealous!

All in all, this is one of the best "bad" movies ever made, and I laugh uncontrollably every time I cue it up. If you're looking for 100% Velveeta, look no further: this is your movie!

To get a movie made is not an easy thing to do, let alone get it distributed. Many things could have been done better but knowing the situation it's amazing this was made in the time it was. With the small amount of money they had to make it with. There was the Actor's strike at the time the movie was made. As well as an all too familiar lack of gas situation going on at the same time. So lighten up, it was a hoot if you like the kind of scary movie that has an edge to it, you will get a kick out of it. Break through film that used real locations rather than studio sets. First film to use the hand held camera work, and it was great in that genre. Many films followed using the hand held camera, so this is to the director's credit. You just have to love this kind of creepy, nasty horror film to get through it.