Dr. Heckyl and Mr. Hype

it's obviously not supposed to be "great" movie, but for the hilarious horror/comedy it is, one would take this as it is. a breath of fresh air for the over bloated 70s/80s horror movie market. it doesn't make a lot of sense, but it shouldn't have to. viewing this ridiculous movie for what it is, it is a beautiful depiction of a shitty movie made enjoyable through writing and acting. oliver reed does a magnificent job playing both lead roles, even while switching between the two. looking for a well written movie with unexpected plot twists, it is obviously not going to rate very well. it was 1980, why would you make a super deep movie with every opportunity for criticism? while writing this i would obviously assume it's not to be under the scrutiny of every movie buff this side of the Mississippi. take it for what it is, a ridiculous horror movie with a brand new twist on the old, often retold, story of the doctor that creates more than what he meant to create. great for what it is, and hardly a moment wasted. 8 thumbs up.

I'm amazed that this movie was ever made and NOT surprised that it wasn't made my any of the big studios -- they're simply too stupid to understand or appreciate it. Everything about this film defies convention, in a smart, funny and effective way. The people who disapprove of this movie are likely the very people whom it is satirizing. The editing, directing, acting and sound editing are marvelous and refreshing. The dialogue is wonderfully acerbic and sarcastic. I only wish I could find in on DVD. As is, the only copy I have is a VHS taped from commercial TV. If you get the chance to to see it, by all means do. It's a rare pleasure.

UPDATE: Thanks to modern technology, I have now burned my VHS copy to DVD for preservation. As of February, 2006, the film is STILL NOT AVAILABLE anywhere. The viewer who wrote that he saw it on late night TV with Elvira is correct -- that's the copy of the screening I have, complete with her interspersed comments (and cleavage).

Charles B. Griffith wrote the original "Little Shop of Horrors", and co-wrote and directed this little gem. Note that I say "gem" in the most facetious usage.

"Dr. Heckyl and Mr. Hype" plays as a reverse "Jeckyll and Hyde" (DUH!) when ugly podiatrist Heckyl (Reed) discovers a potion that makes him handsome and, subsequently, desirable to women. But he cannot consummate any relationships since all the women he tries to connect with end up dead ("And I'm still a virgin!"). But there are police, garbage men and strange people emerging from the woodwork to make Heckyl's life even more disrupted.

It's cute, but plays out too hectic to be considered even a good "cult" movie, as was obviously the intention here. The talent was there; Reed in a comedy? Who would have known? And Coogan and Miller's contributions add up. And it doesn't hurt to have beautiful women to look at (like the Brough sisters - ROWRRR!). But if there was a little more story to add to the proceedings, instead of dry laughs and off-kilter pacing, maybe we would have had something.

In all, interesting but not even a pretender to the throne of "Horrors". A nice try, anyway.

Four stars for the effort, plus one star extra for Reed. Good to see him play silly on purpose, for once.

Reading the reviews and seeing how the film has the critics pretty divided, I decided to add my five cents and break a lance for "Dr. Heckyl and Mr. Hype".

The film is a rather bizarre affair, perhaps best compared to the slapstick-version "Jeckyll and Hyde … Together Again" (another underrated, pretty obscure spoof of Robert Louis Stevensons theme), although it's not quiet as slapstick-fueled and at the same time more anarchistic. If "Jeckyll and Hyde … Together Again" is a variation of "Naked Gun" or "Airplane", "Heckyl and Hype" seems to have climbed straight out of a "Mad"-magazine.

Oliver Reed obviously wasn't a born comedian but he has a rather dry, straight-faced humour that comes natural (which Reed has proved before in his portrayal of Tommy's father in Ken Russell's movie). This makes it much more comfortable than the forced slapstick of many actors who fancy themselves comedians. And of course (in his incantation of Mr. Hype), he isn't the Adonis that the movie makes him out to be; again, it's not the looks but his charm and there is no denying that "Sir Ollie" was a lady's man in his times. In his role as the ill-fated Dr. Heckyl Reed plays it lovable, evoking both sympathy and pity. Even if this type of humour doesn't tickle your funny bone, it remains an obscurity for being one of Reeds few comedic efforts.

Other than that, the movie is filled with weird & whacko characters played by Virgil Frye, Kedrick Wolf or Mel Welles. And, not to forget, the sadly departed Sunny Johnson as Dr. Heckyls love interest is cute like a button. And watch out for Dick Miller, playing a schizophrenic garbage-collector with multiple personalities, stealing all the scenes he's in.

As said: it's not for everybody. The fans of more intellectual comedies and followers of Woody Allen won't get too much out of it and, to mention that too, it's not altogether "politically-correct" – regarding obese women, colored midgets and paediatricians faces like a rubber Halloween-mask – but if you have a connection to that inner-child and a love for the trash-cinema of the 1970's and 80's, you might well give it a try and be pleasantly surprised.

Or maybe not – I still give it 7/10 points and that's based on personal preferences and as a dedicated Oliver Reed fan.

Supposed spoof of Dr. Jeckyl/Mr. Hyde films turns out to be a lame attempt at a "modern" version. Perhaps the filmmakers (chief on the list of wrongdoers would be Griffith, who wrote great fly-by-night scripts for R. Corman) thought the reverse angle -- Heckyl is ugly but nice, and Hype "handsome" (we're talking about Oliver Reed here) but sadistic -- would sustain the film. It doesn't, and neither does Reed, up to his usual method-inspired hysterics here. When you see that this movie expects you to believe Reed is handsome with OR without makeup, you can realize how stupid it is. I mean, I like a comedy, but in order to be funny it has to hold up its straight aspects, for chrissakes.

Some redemption is that Reed's Hype is so distasteful that you actually start to like him in the bad makeup! Welles is a fellow podiatrist, and Coogan a cop chasing the monster. The dialogue is stilted, and if there was a laugh to be culled out of it you wouldn't be able to pick it up on the soundtrack. Some jokes that might make adolescent boys laugh just from the sicko aspects (body part fetishes, etc.). Awful photography. Just not a good film. Don't see it, even if you're a fan of Griffith and Corman, unless you really want to be bored.