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Un cowboy de la ciudad

Título original: Urban Cowboy
  • 1980
  • PG
  • 2h 12min
CALIFICACIÓN DE IMDb
6.5/10
18 k
TU CALIFICACIÓN
Un cowboy de la ciudad (1980)
Bud is a young man from the country who learns about life and love in a Houston bar.
Reproducir trailer3:05
1 video
99+ fotos
Western contemporáneoDramaRomanceWestern

Bud es un joven del campo que aprende sobre la vida y el amor en un bar de Houston.Bud es un joven del campo que aprende sobre la vida y el amor en un bar de Houston.Bud es un joven del campo que aprende sobre la vida y el amor en un bar de Houston.

  • Dirección
    • James Bridges
  • Escritura
    • Aaron Latham
    • James Bridges
  • Estrellas
    • John Travolta
    • Debra Winger
    • Scott Glenn
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.5/10
    18 k
    TU CALIFICACIÓN
    • Dirección
      • James Bridges
    • Escritura
      • Aaron Latham
      • James Bridges
    • Estrellas
      • John Travolta
      • Debra Winger
      • Scott Glenn
    • 124Opiniones de los usuarios
    • 42Opiniones de los críticos
    • 61Metascore
  • Ver la información de producción en IMDbPro
    • Nominada a1 premio BAFTA
      • 7 nominaciones en total

    Videos1

    Trailer
    Trailer 3:05
    Trailer

    Fotos171

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    Elenco principal64

    Editar
    John Travolta
    John Travolta
    • Bud Davis
    Debra Winger
    Debra Winger
    • Sissy
    Scott Glenn
    Scott Glenn
    • Wes Hightower
    Madolyn Smith Osborne
    Madolyn Smith Osborne
    • Pam
    • (as Madolyn Smith)
    Barry Corbin
    Barry Corbin
    • Bob Davis
    Brooke Alderson
    • Corene Davis
    Cooper Huckabee
    Cooper Huckabee
    • Marshall
    James Gammon
    James Gammon
    • Steve Strange
    Mickey Gilley
    Mickey Gilley
    • Mickey Gilley
    Johnny Lee
    • Johnny Lee
    Bonnie Raitt
    Bonnie Raitt
    • Bonnie Raitt
    The Charlie Daniels Band
    • Themselves
    Betty Murphy
    Betty Murphy
    • Bud's Mom
    Ed Geldart
    • Bud's Dad
    Leah Geldart
    • Bud's Sister
    Keith Clemons
    • Bud's Brother
    Howard Norman
    • Bud's Brother
    Sheryl Briedel
    • Lou Sue
    • Dirección
      • James Bridges
    • Escritura
      • Aaron Latham
      • James Bridges
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios124

    6.518.1K
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    Opiniones destacadas

    9rkerns6938

    How Can You Not Like This Movie???

    First let me say I am not from the south but I am an American. I don't love Country music but I can stomach it. I would never wear a cowboy hat but I wear hats. I don't live in a trailer but I do eat tuna salad and own a home. What does that have to do with this comment? A lot if you are one of those people who say only "country" people love this movie. This movie is loosely based on the "They loved and lost" premise. James Bridges directs an American love story as real as it gets. In an era of Jerry Springer and "Lets put it out there" mentality, this film rings truer than ever.

    Bud is "coming of age" and embarks on a life of his own with a little help from his aunt and uncle so he moves to the big city with them. Bud finds himself drawn into the local honky tonk world for the only escape a blue collar man can afford. He quickly meets Sissy who is from a similar background and the two have a whirlwind romance filled with painful ups and downs.

    (*This plot takes so many turns that one has to just sit for a few minutes before they get hooked. Marriage is a focus here that is often missed. Early in the film they marry and we view the transition from being single to married. The film highlights some of the modern struggles a woman has when she marries an old fashioned man. It also brings into view the male ego with women and competition.)

    Bud is challenged and is excited when Micky's puts in an electronic bull. Sissy gets ideas of having fun on it too but is quickly reminded that she is married and need to start "acting like it." The emotion between the two characters is raw and expressive and the plot continues from there especially when they (NOTE THIS IS GIVING SOME OF THE STORYLINE AWAY) split and Sissy falls for an ex con with a penchant for abuse and cruelty. She soon realizes that the grass is not always greener on the other side.

    How anyone can compare Bud to Vinnie Barbirino is shocking to me. John Travolta gave an exceptional performance that was worthy recognition. He was believable and real. The scene where he shaves his beard and you first see him at the bar..still gives me goosebumps. Mind you I am not a huge Travolta fan, but come on, I see why Sissy was kicking of her boots so early in the film. Deb Winger was so real that you found yourself sympathizing with her as she pens a note of emotions to Bud, after sneaking in to clean his house during their break up.

    The supporting cast was incredible. Wes played by Scott Glenn gave a first rate performance that made you hate him and curse him as he abused Sissy. Madolyn Smith-Osborne, as Buds Mistress/girlfriend was so authentic that large chested girls across the U.S. prayed to wake up flat chested to wear the clothes she donned in the film. My biggest kudos's go to Barry Corbin and Brooke Anderson as Bud's aunt and uncle. They seemed like someone's aunt and uncle somewhere in Texas and however small their role, they made the film so much bigger and lifelike. Two memorable scenes were the Dolly Parton contest and the unforgettable scene where Bud and his aunt stand outside after one of the characters death. The dialog between them is touching.

    If you can watch this for what it is, a true American love story. Then I recommend that you take it for what it is...a film before it's time that gave us voyeurism into a world unlike our own but real enough for our enjoyment and entertainment. If this world sounds similar to yours then you will enjoy it so much more. Lastly, the music however dated, is sure to send you back in time if you are over 30 years of age.
    8chets808

    Best Documentary I have ever seen.

    How can anyone argue the fact that Urban Cowboy was, and still is, the best document of Texas life for the time period. Consider the following: men beat their wives, get drunk at bars nightly, get married to settle a fight, commit adultery, and compete on mechanical bulls. Try and name a movie that depicts real life so vividly. They dont make them anymore. It seems current films are always about people with lots of money, they live in huge homes, drive expensive cars and don't work. This movie has a celebration scene about getting a trailer for pete's sake !

    Anyway, I watch it at least once a week. No kidding. I have dissected this movie from end to end. feel free to email me to learn more about my reason for calling it a documentary. Consider the following scenes: Bud sees Sissy - they are split up - he amicably honks and waves, she flips him the bird - he returns half the peace sign honking his horn to add impact then tears off.

    Buds mom calls him approx. 18 hours after he gets into town, on a Sunday, to see if he has a job yet - all he has accomplished is getting drunk and laid(x2), with help from his uncle and aunt who cover for him.

    "You all live like pigs" Think about why this scene is needed. Think about it. Was it necessary ? Could we not figure it out without showing the filthy sink ? God I love that !

    Sissy allows Wes to help her ride the bull. Only a few days (or possibly the next day) after Wes just kicked the crap out of her husband. Steve asks - Hey Sissy, remember Wes ? Oh yeah, didnt you beat my husband up the other night, so let's get this lesson goin', to make no mention of the fact that she seeks solace in him later during one Bud and Sissy's many fights, which by the way all take place in public - in Gilley's !

    The Wedding reception picture taking session (oh the humanity !) could they at least arrange or move the chairs out of the way. "My legs are sweatin' momma"

    In conclusion, you don't put scenes like this in a movie to try and show insight into human psychology. It is a documentary of real life.

    I only wish there was a director's cut....
    7bkoganbing

    Days In The Oil Fields, Nights At Gilley's

    For Urban Cowboy John Travolta plays one of the stronger alpha males ever portrayed on the big screen. He's a decent enough young kid who leaves his parent's homestead and strikes out for the big city of Dallas where his uncle Barry Corbin has promised to find him work in the petrochemical industry. In 1980 that was beginning to boom and Texas was definitely a growing place in the USA.

    Travolta does a good job in making we the audience care about his character who when you come right down to it is a sexist pig. He meets and marries Debra Winger who's from the same background, but she's got some ideas that women should not be shadows of their men. And when she beats him at Gilley's mechanical bull, a man's game, that's it for him.

    Scott Glenn who's an ex-convict is working at Gilley's and this film was his breakout role. He's a real snake in Urban Cowboy, he gets Travolta's goat with a mere look and he moves in on Winger. Travolta in turn takes up with rich girl, Madolyn Smith Osborne who's slumming at Gilley's.

    Despite the characters, Urban Cowboy was really one gigantic commercial for the self-styled biggest honky tonk in the world. Gilley's is no longer there in the suburban Texas community of Pasadena, but the memories do live on. And the best thing about Urban Cowboy is the wonderful score of country/western songs that were featured in the film. I'm not sure if some of the songs were not written specifically for Urban Cowboy, but it's the only reason I can think of why the Motion Picture Academy ignored the musical aspects of this film. I especially liked Johnny Lee's Looking For Love, if it was specifically written for this film, it's a disgrace that it wasn't nominated for Best Song.

    I liked Debra Winger's character best in this film. She doesn't lose a trace of femininity, but she stands up to Travolta and does it in style. And this review is dedicated to that yet as unknown woman who will one day be the first woman bull-rider in the Professional Bull Riders.
    8caspian1978

    What a sound track !

    The music in this movie is worth renting alone. You also get John Travolta and Debra Winger in a wonderful story about bull riding, beer, and finding true love in Texas. The two kiss scenes with John and Debra are classics. The first one on the dance floor makes you want to get up and dance. The final kiss scene completes the film with a happy ending. Even if you're not a "hick" check out this film.
    10mreed

    Like it or not, fiction it ain't

    Okay, so I have come a long way from Houston by now, but whenever I see this movie, I am taken back to a little cowgirl's dream to one day ride the bull at Gilley's. (It burned down before I was of drinking age.)

    If you grew up in in East Texas, then you know this movie is an accurate depiction of contemporary life at that time. If you didn't then trust me and watch the movie. Either you will join the many who love it (and at the same time strangely repulsed), or at the very least, you can make fun of the red-necks. (There is plenty material for poking fun.) This movie doesn't try to be P.C. (what was that in the 80's) or hide the white trash element and it is honest to the time and place.

    Gotta be a 10 for me!

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    Argumento

    Editar

    ¿Sabías que…?

    Editar
    • Trivia
      After initial box-office returns were surprisingly low, a newspaper poll was taken in the summer of 1980 to figure out why teenagers were not flocking to see the film. One of the main complaints from kids was that they did not know what the word Urban meant.
    • Errores
      The terrain of Houston/Pasadena Texas is very flat, yet as Bud and other characters are seen driving down his street in the trailer park, a significant range of hills is easily noticed in the background. (These scenes were filmed in a trailer park in a suburb of Los Angeles called Pico Rivera, California, and the hills are the San Gabriel Mountains.)
    • Citas

      Uncle Bob: You know Bud; sometimes even a cowboy's gotta swallow his pride to hold on to somebody he loves.

      Bud: What do you mean?

      Uncle Bob: Hell, I know, I pretty near lost Corene and the kids a couple of times just 'cause of pride. You know you think that ol' pride's gonna choke you going down, but I tell you what ain't a night goes by I don't thank the boss up there for giving me a big enough throat. 'Cause without Corene and them kids, hell, I'd just be another pile of dog shit in the canteloupe patch just drawing flies.

      Bud: I guess so.

      Uncle Bob: Think about it Bud, pride's one of those seven deadlies, you know what I mean?

    • Versiones alternativas
      The conversation that Bud has with Uncle Bob right before Bud shaves off his beard was cut for the VHS release.
    • Conexiones
      Edited into The Kid Stays in the Picture (2002)
    • Bandas sonoras
      Hello Texas
      Written by Brian Collins and Robby Campbell

      Performed by Jimmy Buffett

      Lively Music/New Chenaniah (BMI)

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    Everything New on Paramount+ in November

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    Production art
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    Preguntas Frecuentes19

    • How long is Urban Cowboy?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 20 de noviembre de 1980 (México)
    • País de origen
      • Estados Unidos
    • Idiomas
      • Inglés
      • Español
    • También se conoce como
      • Urban Cowboy
    • Locaciones de filmación
      • 2213 Westside Drive, Deer Park, Texas, Estados Unidos(Uncle Bob and Aunt Corene's house.)
    • Productoras
      • Paramount Pictures
      • Robert Evans Company
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Total en EE. UU. y Canadá
      • USD 46,918,287
    • Total a nivel mundial
      • USD 46,918,287
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      • 2h 12min(132 min)
    • Color
      • Color
    • Mezcla de sonido
      • Mono
    • Relación de aspecto
      • 2.39 : 1

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