This Is Elvis

Although some reviewers criticize the actor renditions of Elvis's early life, how else could the creators, Malcolm Leo and Andrew Solt, present the full story of Elvis Presley? The scene of Elvis performing to his high school music class in Memphis was a high moment for me, especially when he believed that he was so poorly regarded by his classmates and teachers. How was he able to overcome a sea of negativity and doubt in order to accomplish that task so successfully? His ability to stand before his class and then capture them with his musical talent and personal charisma was a significant turning point, not only in the film but in his life. The rest was history. Can anyone speculate what would have happened if he chose the bicycle over the guitar as his parents' birthday gift? We can all be inspired by the story of Elvis Presley.

In my humble view, this film accurately portrayed the heavy toll that enormous fame can take on a gentle human being. While other famous people have been able to overcome the constant pressures and hardships of a constant, unforgiving public eye, they may not have possessed the humanity and decency of an Elvis Presley. As exemplified by his extraordinary generosity with the Cadillac gifts, he wanted more than anything else to please others, including his adoring audiences, and when the world demanded so much from him, how could he constantly live up to their expectations?

Ed Sullivan was not condescending when he showered Elvis with praise at the end of the earth-shattering 1956 appearance on his enormously popular television show. Sullivan had been extremely reluctant to sign Elvis because he allowed others to develop his opinion of Elvis before he realized who Elvis was on his own. It was to Sullivan's credit that he finally gave the green light to Elvis, but he was also bowing to public pressure as he sought the most sensational musical performers at the time. First and foremost, Ed Sullivan was a very shrewd businessman.

As in the case of the Beatles, I never understood what all of the screaming and shrieking was about, but I always loved the music of Elvis Presley. For me, Elvis will always be the king of rock n roll. In spite of all of his flaws as a human being, he will live as one of the greatest musical performers of my time. Not only did this film provide a very deep insight into the life and challenges of one of the greatest stars in modern music, but it also highlighted some of my favorite Elvis tunes, including "Always on My Mind", "Suspicious Minds", and "Don't Be Cruel". Even when Elvis messed up the lines of "Are You Lonesome Tonight", he could sing a song like no other. As "An American Trilogy" plays in the background, the white Cadillac funeral procession through the streets of a bereaved Memphis, the city he loved so dearly, will always leave an indelible impression on my mind. Rest in peace, Elvis. We will never forget you.

Malcolm Leo and Andrew Solt: enough said. These guys do deep research and do everything first class. This will be one of the best documentaries of an entertainer ever put on film. Elvis Presley meant so many different things to so many different people. He effected society, hair and clothing styles like no one before him. He changed the music world with the power of an Atomic Bomb. He has sold over one billion records and was the first visual founding father of the phenomenon that became rock 'n' roll. His influence will live for decades to come. This is a personal look as well as a tribute to the world's most loved entertainer.

I have the expanded 144 minute version of THIS IS ELVIS and watch it at least once a year. The soundtrack is like a history and not a greatest hits project. Even the non Elvis fan will be impressed with this entertaining look at musical history.

Released in 1981, "This is Elvis" is a documentary covering the rise and fall of Presley made only 3 years after his death and released in 1981. Extensive archival footage is mixed with recreations using actors standing in for Elvis, as well as some recreations shot to look like archival footage.

While some people complain about the recreations and say they "don't work," I didn't have a problem with them, at least not the ones where actors play Elvis as a youth. After all, without these sequences we wouldn't get to picture Elvis playing in front of a high school class or playing with black friends on the industrial side of Memphis, etc.

The original theatrical version runs 101 minutes while the later TV version added 43 minutes. The former is less "family friendly," depicting the way it really was without censure. For instance, Elvis is shown saying a couple off-color things about his sexual escapades with women on the road. A short time later the narration depicts him lamenting his divorce from Priscilla in 1973, four years before his death in 1977. The made-up monologue makes it sound like Elvis wasn't sure what caused them to grow apart and eventually split. Gee, he might want to quit having adulterous liaisons on the road. That might help. Anyway, the 144-minute TV version cuts these types of things and homogenizes the film for family viewing. It even omits the blubbering "Lonesome Tonight" song from his final concert, which is a must-see. The shorter version is just more gritty and authentic, the way a rock n' roll documentary should be.

One great scene is the interview with Elvis' former body guards who wrote a book dissin' him. They were like family for years and understandably felt betrayed. One testifies in the interview that he confronted Presley about his ongoing drug dependency and Elvis finally admitted that he "needed them." A minute later you see the ex-body guard wiping the tears from his eyes.

As he aged Elvis was on a spiritual quest and was quoted saying to his hairdresser: "I mean there has to be a purpose ... there's got to be a reason ... why I was chosen to be Elvis Presley. ... I swear to God, no one knows how lonely I get. And how empty I really feel." He thus was preoccupied by such matters for much of the rest of his life, taking trunk-loads of books with him on the road.

In his last performance in the documentary it shows Elvis playing for the first time after gaining weight and, for some reason, I was expecting a really fat Elvis, but that wasn't the case at all. Yes his face is bloated and sweaty, but he's clearly only about 25 pounds overweight. Maybe he was heavier before the show and got in shape a bit before the event, I don't know, but he was by no means grotesquely overweight, not at all. Last night I went to a concert and saw some middle-aged men; now they were grossly overweight.

Despite Elvis' bad movies, drug addiction and adulteries, he was an amiable, fascinating and talented individual and "This is Elvis" fully demonstrates why he was and is "The King of Rock & Roll."

GRADE: A-

This is an excellent biography about the life of Elvis Presley on the heels of his death. Ral Donner, an Elvis clone, does his voice. It is as if Elvis speaks to us from beyond the grave. A young actor plays Elvis in scenes from his early life. Leo and Solt managed to tap Elvis' private film archives. Young Priscilla is shown at Elvis' birthday party in Germany. Of course, there is the condescending Ed Sullivan assuring us that Elvis is "a fine boy, thoroughly alright." Roger Ebert's review implied that Elvis was an alcoholic. Nothing could be farther from the truth. He did not drink. There is a marked contrast between Elvis in his 20s and Elvis in his 40s, but I sense in some a grim exultation regarding the fall of Elvis Presley. The soundtrack contains Always On My Mind. Elvis' version is far superior to Willie Nelson's.

Very good documentary from Malcolm Leo and Andrew Solt on Elvis Presley's life, as "narrated" by Presley from beyond, in the voice of sound-alike impersonator Ral Donner (who doesn't sound exactly like Elvis if you're someone who's really become familiarized with Presley's speaking voice). Anyway, this is essential viewing for fans, naturally, but even for those who aren't big followers of Elvis. It shows the rise and fall of a music legend, and along the way are a plethora of choice musical performance clips, interviews, home movies, and montages.

The one thing that has always bugged me slightly about this film are the occasional "faked" interviews supposedly done with fans at various times over the years, like the segment after Elvis and Priscilla got married in 1967. This was completely unnecessary, and some of the re-enactments with a phony Presley supposedly walking around his hospital with his current girlfriend Ginger are equally silly and not needed. The movie hit theaters in 1981 at around 100 minutes, but for home video in 1983 there were an additional 40 or so minutes of performance clips added, which is the version I watched, and is the one this review is based on. In the theatrical version, an original line is left intact during a backstage Elvis exchange where he says that the girl he had the other night "gave great head"; on the extended version, this is overdubbed into "could raise the dead". Another change regards a song switch during Elvis' final 1977 concert... originally, the film had him singing "Are You Lonesome Tonight" where he's nervously laughing and screwing up the lyrics; in this edition it is changed to the less embarrassing "Love Me". Perhaps the shorter theatrical edition might work even better, since the 144 minute cut does feel occasionally padded in the earlier years. Whatever the cut chosen, it's still an important and vital piece of music history. ***1/2 out of ****