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The Atomic Cafe

  • 1982
  • Not Rated
  • 1h 26min
CALIFICACIÓN DE IMDb
7.6/10
4.7 k
TU CALIFICACIÓN
The Atomic Cafe (1982)
Official Trailer
Reproducir trailer2:25
1 video
9 fotos
DocumentalHistoria

Agrega una trama en tu idiomaDisturbing collection of 1940s and 1950s United States government-issued propaganda films designed to reassure Americans that the atomic bomb was not a threat to their safety.Disturbing collection of 1940s and 1950s United States government-issued propaganda films designed to reassure Americans that the atomic bomb was not a threat to their safety.Disturbing collection of 1940s and 1950s United States government-issued propaganda films designed to reassure Americans that the atomic bomb was not a threat to their safety.

  • Dirección
    • Jayne Loader
    • Kevin Rafferty
    • Pierce Rafferty
  • Elenco
    • Paul Tibbets
    • Harry S. Truman
    • W.H.P. Blandy
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.6/10
    4.7 k
    TU CALIFICACIÓN
    • Dirección
      • Jayne Loader
      • Kevin Rafferty
      • Pierce Rafferty
    • Elenco
      • Paul Tibbets
      • Harry S. Truman
      • W.H.P. Blandy
    • 62Opiniones de los usuarios
    • 42Opiniones de los críticos
  • Ver la información de producción en IMDbPro
    • Nominada a1 premio BAFTA
      • 2 premios ganados y 1 nominación en total

    Videos1

    The Atomic Cafe
    Trailer 2:25
    The Atomic Cafe

    Fotos8

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    Elenco principal31

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    Paul Tibbets
    Paul Tibbets
    • Self
    • (material de archivo)
    Harry S. Truman
    Harry S. Truman
    • Self
    • (material de archivo)
    • (as President Harry S Truman)
    W.H.P. Blandy
    • Self - Commander of the Bikini Test
    • (material de archivo)
    • (as Vice Admiral W.H.P. Blandy)
    Brien McMahon
    • Self
    • (material de archivo)
    • (as Sen. Brian McMahon)
    Lloyd Bentsen
    Lloyd Bentsen
    • Self
    • (material de archivo)
    • (as Rep. Lloyd Bentsen)
    Owen Brewster
    • Self
    • (material de archivo)
    • (as Sen. Owen Brewster)
    Julius Rosenberg
    Julius Rosenberg
    • Self
    • (material de archivo)
    Ethel Rosenberg
    Ethel Rosenberg
    • Self
    • (material de archivo)
    Val Peterson
    • Self - Director of Civil Defense
    • (material de archivo)
    • (as Gov. Val Peterson)
    Lyndon B. Johnson
    Lyndon B. Johnson
    • Self
    • (material de archivo)
    • (as Sen. Lyndon B. Johnson)
    Lewis Strauss
    Lewis Strauss
    • Self - Chairman, Atomic Energy Commission
    • (material de archivo)
    • (as Lewis L. Strauss)
    George Molan
    • Self
    • (material de archivo)
    • (as Cpl. George Molan)
    George Portell
    • Self
    • (material de archivo)
    • (as Tech Sgt. George Portell)
    Jerry Schneider
    • Self
    • (material de archivo)
    Sergeant Weaver
    • Self
    • (material de archivo)
    Seymour Melman
    • Self - Columbia University
    • (material de archivo)
    • (as Prof. Seymour Melman)
    Mario Salvadori
    • Self - Columbia University
    • (material de archivo)
    • (as Prof. Mario Salvadori)
    Nikita Khrushchev
    Nikita Khrushchev
    • Self
    • (material de archivo)
    • Dirección
      • Jayne Loader
      • Kevin Rafferty
      • Pierce Rafferty
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios62

    7.64.7K
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    Opiniones destacadas

    9jongru

    Duck and cover

    I could watch this movie again and again. If you remember the days when we were all terrified of impending nuclear war with the Soviet Union, this puts your half-remembered anxieties and prejudices in perspective. There's rare archive footage of the first nuclear bombs being primed and detonated. There's stomach churning archive footage about the execution of the Rosenbergs for espionage. And the now hilarious footage about how civilians should protect themselves against the bomb. Makes fun of politicians and broadcasters, and leaves you feeling that you've learned something and that you won't be fooled again.
    9Calaboss

    Duck And Cover Everyone!

    With no narration other than that provided by historical clips, this movie justly states how ludicrous the idea of nuclear war was, and is. The producers of this film spent years going through declassified governmental film archives to find some of the most chilling, and hilarious, footage ever taken. It also tells how the US government screwed over the Bikini Islanders, and has some fine coverage of the spoon-feeding of propaganda to the US public through the 40's and 50's.

    A great movie for just a laugh, or for some interesting historical perspective on a unique time in the recent US past. I loved the clip of the guy who invented a lead-lined suit, put it on his son, and then had him try to ride a bike. Could we have possibly been this gullible just a few decades ago? Can you say "duct tape and plastic sheeting"?

    Duck and cover everyone!
    8Theo Robertson

    Make Up Your Own Minds

    THE ATOMIC CAFE is one of those few rare documentaries that doesn't have a narrator or a framing figure . All it consists of are clips in a chronological order of the history of the atomic bomb and of the early stages of the geo-political situation of what became known as " The Cold War " which was the direct result of the bomb . There's two ways of looking at this . One is the subject matter is a little bit dry and absurd and the second point of view of view is that the audience are allowed to make up there own mind and it's somewhat refreshing to see a documentary that doesn't involve someone bludgeoning the audience over the head while sticking their opinions down their throat in a painfully smug and snide manner . You can tell this wasn't made by Michael Moore

    One wonders what life was like in a pre-nuclear age ? I remember the cold war in the 1980s and the paranoia of that era was chilling , so much so that for people of my generation still refer to the 1984 BBC docu-drama THREADS as the most terrifying thing they have ever seen . That said it could also be argued that if it wasn't for the bomb then a conventional war that would have surpassed the death toll of the second world war might have broken out between 1945 and the collapse of the Soviet Union in 1991 . Reagen in The White House and Brezhnev in the Kremlin ? Not really a recipe for peace and the fact that nuclear weapons are so terrible to contemplate probably focused the minds of world leaders

    Being an American documentary all the clips are from an American point of view with an exception of a clip that's almost certainly from an early edition of PANORAMA from the BBC . This is a pity because I would liked to have seen what sort of propaganda if any the USSR was producing at the same time . That said the old cliché of " Americans don't understand irony " is evident as someone praises the virtues of American freedom " because we have shopping malls that are full of food and clothes and most families can afford cars " . I think someone is confusing system of government with economics .As I write this in 2014 China has shopping malls full of food and clothes and the Chinese people can afford to drive cars . The difference is there's no democratic system of government in China so democracy and capitalism are not the one and the same thing , but I guess that clip is to illustrate the inherent absurdity of propaganda ? Likewise we get clips of real life footage of American servicemen being used to test the effects of being caught in an atomic blast " There's nothing to worry about " and of relaxing should your city be caught up in a nuclear war . Did someone say " Absurd ? "

    One very interesting point that is often talked about by the CND mob is in relation to the bombing of Hiroshima and Nagasaki as in " Why didn't the Americans drop the bombs in a remote unpopulated area of Japan to force their surrender ? " I've often thought that myself and am unable to give a counter argument to that question . Here we see an interview with Paul Tibbets the pilot who dropped the bomb on Hiroshima who goes in to some detail - it's because these cities were untouched by arial bombing and the American government wanted to study the effects on a bombed city after the war had ended . Some people might think this is amoral or cruelly cynical but you can make up your own mind as to morality during wartime and THE ATOMIC CAFE does allow the audience to think for themselves no matter what the opinions of this documentary's producers are . In that respect it's very refreshing
    8john_vance-20806

    Thought-provoking look back at the cold war.

    The older boomers would recall the atmosphere of this era very well.

    The belief that nuclear weapons were probably going to fall at any time was accepted as a matter of course. Coming out of the carnage and rubble of WW2 perhaps that was to be expected, but the PSAs and political leaders honed that message to suggest it was not much more of a concern than a flock of tornadoes. "Duck and Cover" ads, back yard bomb shelters, Conelrad symbols on the radios (AM of course), public fallout shelters in the bank basements and other related markers were given little thought.

    Younger folks would get a kick out of the over-simplified logic and ham-handed propaganda and be astonished to think that we took it for granted that nuclear warfare was just a dirty conventional tactic similar to the London Blitz.

    It is an informative film and very entertaining in its odd way. Worth a watch for interested parties.
    ayse_hamid

    History Repeating

    Watching Atomic Café is like witnessing history repeating, since the scenes are a compilation of bits and pieces from pre-existing films taken from government and education films from the '40s and '50s. As a compilation film, Atomic Café has resulted in a totally new film that is much richer and more meaningful than the sum of its parts.

    Atomic Café, will be more understandable if we are familiar with the roots of its historical material. As a history film, Atomic Café takes us to experience three levels of time. The first is the internal time, the Cold War, communism versus the free world, when propaganda about the atomic bomb was made to persuade the people that only nuclear weapons would protect them from the "Evil Empire". The period of the'Nuclear Free' movement comes next. And thirdly, the present time, when the world is changed but has to face the same irony that still is just as relevant today, the fear of weapons of mass destruction.

    In the beginning, the film appears to be a straightforward history of America's development and use of atomic weapons. Historical footage is used to add credibility to the information presented. The power of the bomb is demonstrated by showing dramatic footage of the Trinity test; interviews with Bikini Islanders, and preserved eyewitness congressional testimony of atomic bomb veterans. The impact of the weapon is documented through footage of the bomb victims. The intention is not to make us become objective about certain issues, rather it 'is designed to make us question the nature of the information presented' (Freeman Reading Packet, 108).

    The film uses unique techniques. It is like a collage that 'sacrifices the conventions of continuity editing and the sense of a very specific location in time and place that follows from it to explore associations and patterns that involve temporal rhythms and spatial juxtaposition' (Nichols, 102). It is all about editing raw material and splicing segments? of military training films, civil defense films, archive footage, interviews, newsreel material, and fifties music. Many sequences are edited to show the most ridiculous side of the duck-and-cover drills and how naïve the Americans were at that time. To make it more derisive the film shows how the military training films were so amateurishly acted and misleading, such as the scene about the beauty of the H-bomb. I believe that the filmmakers have made their point in choosing all the footage for the film. Perhaps the intention is to challenge and deprive the intended message of the original footage.

    If we take a look in more detail, Atomic Café chooses and juxtaposes its various elements to support its point-of-view. One of the examples is the continual references to radio receivers. Perhaps it is a symbol that is used to invoke the idea of the power of mass media. The intention is 'to sensitize us to the danger of uncritical media consumption' (Freeman Reading Packet, 110). It is so ironic to see how people in the '50s could be so passive that they believed in every single thing that they heard about the atom bomb on the radio. We can see from the footage how people became so afraid and escaped to their shelter after hearing that a bomb was launched. Perhaps fear had taken such control of these people that the more frightened they were, the more they were easily persuaded.

    I guess it would be a great mistake to ignore the political message that is contained in the film. Maybe for some viewers this is just a gimmick about the Cold War and things that happens during the '50's. But really, Atomic Café gives us an historical perspective for reconsidering the effect of the issues of war, nuclear warfare and weapons of mass destruction.

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    • Trivia
      The segment "Duck and Cover" showed how school children were reassured by "Bert the Turtle" that they would survive a nuclear bomb by simply forming a huddle together by the wall of the school-house. "The Atomic Cafe" has been attributed to raising public consciousness of the short film "Duck and Cover" and introducing it to a whole a new generation.
    • Citas

      Army information film: When not close enough to be killed, the atomic bomb is one of the most beautiful sights in the world.

    • Conexiones
      Featured in Sneak Previews: The Thing, The Atomic Café, The Weavers: Wasn't That a Time, Megaforce (1982)
    • Bandas sonoras
      When the Atom Bomb Fell
      Written by Karl Victor Davis and Connecticut 'Harty' Taylor

      Performed by Karl and Harty

      Courtesy of CBS Records, Inc.

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    Preguntas Frecuentes

    • How long is The Atomic Cafe?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 29 de octubre de 1982 (Finlandia)
    • País de origen
      • Estados Unidos
    • Sitio oficial
      • Up Close and Personal with Producer Jayne Loader
    • Idioma
      • Inglés
    • También se conoce como
      • Atomic Cafe
    • Productora
      • The Archives Project
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • USD 300,000 (estimado)
    • Total en EE. UU. y Canadá
      • USD 22,293
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 4,098
      • 5 ago 2018
    • Total a nivel mundial
      • USD 22,293
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 26 minutos
    • Color
      • Black and White
      • Color
    • Mezcla de sonido
      • Mono
    • Relación de aspecto
      • 1.33 : 1

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