Un llanto en la oscuridad

If there is any Australian that I feel sorrier for, it would have to be Lindy Chamberlain. Her compelling story is one of the more famous court cases in Australian history. Also known as ‘A cry in the dark', ‘Evil Angel' shows how divided the Australian public really were towards this case and how the media can manipulate a story, by favouring just one side of a story that they believe is the whole truth. When I hear the cry ‘The dingo's got my baby', it brings back memories from along time ago.

During a camping trip, an infant disappears from her family's tent. When the child's mother spies a dingo nearby, authorities launch a frantic search, but all they find is a torn, bloodied garment. The press, distressed by the mother's seeming "lack of emotion", and suspicious of her religious beliefs, begin to accuse her of murdering the baby. The sentiment against her begins to grow, and soon the whole continent is talking about the case. Despite the lack of evidence, the woman is imprisoned; although investigators eventually re-examine her story, the damage is done: the innocent mother's relationship with her husband has been irreparably destroyed. This is the documentary style film adaptation of the true story of Lindy and Michael Chamberlain.

This film has some truly amazing performance in it. Meryl Streep is a wonderful actress, but in this film she does so much that you just have to like. She really becomes ‘Lindy' and embodies what she actually went through. I remember reading that Streep had to have speaking classes, so she could sound ‘Australian', which she does very well. But it is her persona I like the most. Streep performance as Chamberlain is so flawless, as she shows no emotion when she is going in and out of court, which is what the real Lindy Chamberlain did. It is understandable that the general public would think that Lindy is guilty of murder, which is again testament to Streep's masterful performance. However in court Lindy is visibly upset, when she has to recall the night a dingo took her baby.

The other performance which is most noteworthy is that of Sam Neill. While Neill has gone on to do many big performances in Hollywood blockbusters such as ‘Jurassic Park' and the Aussie favourite ‘The Dish', this is one film I continue to remember him from. I like how we see that Michael is visibly distressed by the whole court case scenario, with him stumbling through the interrogation when he is on the stand. It is also most taxing on the couple's personal life, with Michael the first one to crack.

Yet there are some famous Australian cameos from many actors in ‘Evil Angel'. Look at these for names; Maurie Fields, Charles ‘Bud' Tingwell, John Howard, Frankie J. Holden, Mark Little, Mark Mitchell, Glenn Robbins and Kym Gyngell. All of them are well known personalities in Australian TV, and it is of great significance to this story to have such great fame among the cast of this film.

Director/Screenwriter of ‘Evil Angel' Fred Schepisi does justice to this story in many ways. Firstly, Schepisi and co screenwriter Robert Caswell stuck very close to the story written by John Bryson. Then Schepisi directs this film in quite a unique way. He points the story in many ways, showing the Chamberlain's in one shot, then to the media, then to the general public. This amount of change gives the film great variety, which is good. If it was fixated with just the Chamberlains, this movie could have had major problems.

I also like the many shots of Australia that this film shows off. Having this tragedy take place in the Northern territory, certainly gave that state and its famous attraction Ayers Rock (Uluru) some sort reputation, as this film does too. Yet there are some excellent shots in Alice Springs, Darwin and in the Chamberlain's home-town (for some time) of Mt. Isa in Queensland. This is good work of cinematographer Ian Baker.

So with all those factors taken into consideration, this film looks deep into what it must be like to go through the loss of a baby child, taken by a wild animal. It also a fascinating insight into what the media can do to turn a story and how merciless people can be towards someone that in all possibility could be ‘innocent'. Although it is 22 years since this horrible event has happened, I realise that Chamberlain's lives were, and probably never will be the same again. Michael and Lindy had to go through the most painful of divorces, and their children had to go grow up with a large amount of innuendo attached to their lives. I am thankful that Lindy Chamberlain was released from prison, after serving three and a half years of a life imprisonment sentence for a crime which she did not commit.

CMRS gives ‘Evil Angel': 4 (Very Good Film)

The facts in the case of an Australian couple persecuted by a headline-hungry press should be familiar to viewers of the CBS news show 60 Minutes, which aired the story (not coincidentally) just before this film was released. Both versions recount the disappearance during a weekend camping trip of Lindy and Michael Chamberlain's infant daughter, and the subsequent three-ring media circus which led to wild (and totally fabricated) accusations of cult fanaticism and ritual sacrifices, and eventually to a murder conviction for the bereaved mother. But the big screen dramatization has more in mind than just a strong reprimand for misguided journalism ethics. The reporters covering the case are shown to be more ferocious than the wild dingo dog claimed by the Chamberlain's to have killed their child, but the screenplay wisely implicates public opinion as well, which condemned Lindy Chamberlain to prison for not having a telegenic personality (the same trait might also lose her sympathy with moviegoers, despite another challenging performance by Meryl Streep). Director Fred Schepisi presents the story as a straightforward, undemonstrative docudrama, letting the cold-blooded courtroom drama speak for itself, with a pair of excellent actors (Streep and Sam Neill) taking up the slack.

"A Cry in the Dark" is a masterful piece of cinema, haunting, and incredibly though provoking. The true story of Lindy Chamberland, who, in 1980, witnessed a horrific sight, seeing her 3-month-old baby being brutally taken from their family's tent, while camping on the Austrailian outback. Azaria (the baby) was never seen again, and the result of her horrendous disappearance caused a true life frenzy all around the world. Meryl Streep does immaculate justice to the role of Lindy, as she always does. But the one thing that helps "A Cry in the Dark" never fall flat is the brilliant direction. A truly inspired and accurate outlook on this baffeling case, tears are brought to the eyes. The concept is nothing less then terrifying, and afterwards you are left haunted, but also inspired.

When I first saw "A Cry in the Dark", I had no idea what the plot was. But when I saw it, I was shocked at what it portrayed. When I saw it a second time in an Australian Cinema class, I realized a second point: communication issues. You see, when a dingo snatched Lindy Chamberlain's (Meryl Streep) baby, she and her husband Michael (Sam Neill) were grief-stricken but didn't show it. As Seventh Day Adventists, they believed that God willed this to happen, and so they couldn't mourn it. But when people all over Australia saw their lack of sadness, everyone started believing that Lindy did it herself.

The point is, the wrong message got communicated to the public, and it turned people against Lindy. Even though this was a pure accident, it still happened. It may be one of the biggest disasters resulting from the existence of mass media, regardless of any media outlet's political views.

As for the performances, Streep does a very good job with an Australian accent (no surprise there), and Sam Neill is equally great. You will probably get blown away just by what you see here. Definitely one of Fred Schepisi's best movies ever.

Excellent true-life drama from director and co-writer Fred Schepisi, adapting John Bryson's book "Evil Angels" with Robert Caswell, details the 1980 case of a nine-week-old baby allegedly carried off by a wild dingo at a camping site at Ayers Rock in the Northern territory of central Australia. The infant's parents, the Chamberlains, a Seventh-day Adventist pastor and his wife, cooperate with the authorities and give all the necessary print and television interviews--they, in fact, do everything asked of them--but their misunderstood religion coupled with Lindy Chamberlain's stoic demeanor turns the tide of public opinion against them, from sympathetic to vengeful. Everything about this private couple soon becomes suspect under the microscope, including the meaning of their child's name, Azaria, to the discovery of baby clothes in the Outback that had cuts on them but no teeth marks. Meryl Streep's riveting performance as Lindy is quite remarkable. This is a woman who hides the sadness in her eyes behind sunglasses, who has grieved until reaching a kind of jaded resolve--she quickly becomes as suspicious of the badgering legal and media figures as the public is of her. Schepisi's docudrama-styled take on the tragedy sweeping Australia is marvelously rendered, and all the performers, especially Sam Neill as husband Michael, do powerful work. A classy production from (surprise!) Golan-Globus and Cannon Entertainment resulted in a much-deserved Oscar nomination for Streep, affecting a realistic Aussie accent (no surprise there). *** from ****