La calle del terror

Homicide detective Danny O'Brien (Norris) is known simply as "Hero" for having brought down L. A.'s most vicious serial killer: Simon Moon (Jack O'Halloran), a.k.a. "The Terror." But for years, O'Brien has secretly been haunted by the fact that his capture of Moon was a fluke. When The Terror escapes from jail and * to his old killing ways, O'Brien finally gets the chance to earn his glorified reputation if his monstrous enemy doesn't destroy him first!

Due to Chuck Norris getting good performance reviews for the superb Code of Silence, it was decided to make a film that demands him to act a little, and here he plays a tortured and sensitive character. He acts really well, and to be honest that's the main reason to watch this otherwise passable thriller which only picks up in the last thirty minutes. The first hour is mainly concentrated on the relationship between Chuck and his pregnant girlfriend. It's not a great Norris film, but passes the time adequately.

WOW! I've heard many negative reviews of this film but holy cow is it a nail biter! Chuck Norris is at his prime in this movie, a performance he was only able to top in Delta Force One and Two. Billy Drago, as Doctor Highwater, leads a solid supporting cast in making this movie a huge success. Every time Chuck and Billy team up they create an explosion of action and emotion. I've watched this movie several times and every time I come away with something new I have learned about the characters or the plot itself. This movie has an awful high babe factor as well. Bottom line: Drago and Norris are an hit on screen!

It has been a year, but even after six months of therapy, Det. Danny O'Brien is still having nightmares about that fight. His therapist, Kay, is more than just his therapist. She's pregnant with his baby and O'Brien wants to marry her.

Simon Moon, who killed 22 women, breaks out of Camden State Hospital three years after O'Brien captured him. But the laundry van he stole ran off the road and into the Snake River (wait, if he was in California ... or does California have a Snake River?). His body is never found.

A dilapidated neighborhood in Los Angeles may be on its way back after the city spent $14 million on the renovation of a legendary theater. The completion of the project is being celebrated with a big movie premiere. What the people inside don't know is that before the event started, two women were killed in the building. Everything points to Simon Moon, but he's dead. Isn't he?

The beginning of the movie made me wonder if this was the sort of thing I could enjoy. But seeing the name of Ben Matlock's gorgeous daughter in the opening credits gave me an incentive to watch. Brynn Thayer isn't that great-looking here, but she is attractive and she has her good moments as an actress. Plus her character is easy to like.

Chuck Norris is tough when he has to be, but also quite kind and tender. He did a good job, and I actually liked him. I could see this movie as the pilot for a series (if it had been made recently), but I don't know that I'd watch week after week. Those looking for Norris to display his martial arts skills get one scene where he teaches Victor a lesson.

The investigation is interesting, though not that complicated.

What I wasn't expecting when I saw the opening was so much comedy. Many of O'Brien's scenes with Kay, the scene where the nervous theater manager tells Betsy she has the job, the scene where Robinson said he would help with the investigation, and part of Robinson's one other scene in the theater. Plus a chase by police that involves O'Brien but has nothing to do with the rest of the plot.

The movie is not that violent, except for the nightmare. The killer (whose face we don't see) breaks people's necks, which isn't pleasant to watch, but it's not bloody.

It was good for a TV-movie. Average for a theatrical production.

Out of the ordinary for Norris? In a way it does feel like it, but still those sweaty and muscle-bound elements are still evident but in a lesser tone. Norris does kick some ass, but he plays a scarred, guilt-ridden and unsure character that doesn't see himself as some sort of hero (the media portrays) with the main focus being on the welfare of his girlfriend and their expected baby. Some might say that it's a sombre performance with little emotion, but it's a heartfelt turn that you feel every aching and haunting thought. Complementing that broad complexion is David Michael Frank's score, which is always there and holds a sorrow edge. The story builds upon its material with a humane angle, as Norris battles the demons (spares us some wry relationship humour) while the killer (the terror) is mainly a lumbering shadow that emits terror in the most basic and raw way. It's primal and old-fashion police-killer premise, but stays stimulating throughout. That's not discarding some repetitive and contrived inclusions, and how the killer does feel secondary to Norris. William Tannen's direction gradually forms suspense and moves quick enough (even with some useless spots). The action isn't eye-opening, but it's a sturdy display with moments of atmospheric lashings and the setting in a renovated movie theatre is a nice touch. The violence is quick, with the killer providing a sure cure for neck problems. An above-par cast do a sound job. Brynn Thayer excels as Norris' girlfriend. Jack O'Halloran's animalistic, brute physique is his performance and Steve James is enjoyable too. Rounding the cast off; Ryan O'Neil, Jeffrey Kramer, Murphy Dunne and a short, but important see-in for Billy Drago (this guy has presence) who explains the creepy and unsettling nature of the wanted killer.

Chuck Norris takes on a serial killer in this enjoyable action thriller. Okay, it's no Silent Rage . . . . . . . but what is? Fans of the mighty Chuck will find enough to enjoy as he launches his patented flying kicks. Steve James is also on hand to look tough and praise our hero, who is literally nicknamed hero at various times throughout (hence the title).

HERO AND THE TERROR is probably one of the weaker Norris/Cannon collaborations, but still it's worth a watch if you think of it as a watered- down version of SILENT RAGE.. sounds like a good idea, which- let's face it- is.

Not one of his most exciting films, but definitely one of his better films, considering everything after this was going straight to video. A solid opening and a killer ending make up for the fact that there's very little action in this, as it tries to go for more of a thriller/drama vibe, in which case it only half-succeeds.

Hero and the Terror' was a slight departure for the action star – one that offered more psychological drama than punches and kicks. Still, I actually like the movie enough to say it's worth a look, particularly if you've never seen it or haven't seen it in a while.

Not much martial arts in this, but Check it out if you like some Good Suspense in an action film.