Salome's Last Dance

This film is actually an Oscar Wilde's stage play adaptation on film, so it won't appeal easily to ordinary film-buffs. This plus its controversial subject matter (commentary on religions, naughty humour, study of seducing, nudity), the old-fashioned style & dialogues will propably turn down many. Their loss. Ken Russel is for once more intelligent and even though a bit unreasonably obsessive with some key-phrases of Salome, his trademark visual style are still evident in this one as well.

So, this ain't only for Ken Russel's fans, but also to any lover of true cinema. In these years of Hollywood films, it's not violence or nudity itself that offends. It's the way they are presented. In a typical Hollywood flick nudity (female, of course) as well as violence is shown to make the viewer feel better. In 'Salome's last dance', this is not the case, because its way is not something you're used to.

I know that Ken Russel was put under fire so to speak from the critics for his scatological portrayal of the play "Salome", however, this is one version of the play that people just don't forget. With shocking yet theatrical effects, it captures the mysterious and intriguing mood of the play, pouring drama. I mean, I watched the Opera version of Salome...and...needless to say, it had me wishing I was watching the movie instead of the opera!

Late on Guy Fawkes Day, 1892, Oscar Wilde arrives at a high-class brothel where a surprise awaits: a staging of his play "Salome," with parts played by prostitutes, Wilde's host, his lover Bosey, and Lady Alice.

The film was shot for $800,000 over a four-week period in London. Director Ken Russell had been signed by Vestron to a three picture deal after the success of "Gothic", of which this was the first. Imogen Millais-Scott went blind three weeks before filming after contracting glandular fever, but Russell insisted on still using her. This was the right choice.

This film met with modest critical acclaim. The review in the New York Times called it "a perfumed, comic stunt," but noted that "Russell forces one to attend to (and to discover the odd glory in) the Wilde language, which, on the printed page, works faster than Valium." And seriously, how can you go wrong with Jewish midgets, flatulence and Biblical sexuality?

This film WAS created in 1988 by a small group of professionals on a shoe-string budget. However, it is as beautiful and uproarious as the Oscar Wilde original. In fact, nearly all of the dialog is Oscar Wilde's 'Salome', and is executed as deftly as possible. While none of the actors are A-list Hollywood types, they add the spice of life to the dark, sardonic wit of Wilde with skill and saleability. For those of us who have loved this movie for ten years+, the great news is that this film is now available in DVD format. If you are not shy about subtle humor, social anarchy, and a touch of good-natured sodomy, give this film a view.

I love this film! But, it seems to evoke strong reactions from people. I've recommended it to friends who absolutely hated it. Oh well. Look for the scene where Salome tries to convince John the Baptist to kiss her. "Kiss me with your lips, John the Baptist." It's a beautiful poem and so perfectly done.

There's too much to say about this film. I'll just highly recommend it and leave it at that.