La casa nel tempo

I'm a big fan of Italian horror maestro Lucio Fulci, but in spite of that; I put off seeing this made-for-Italian-TV movie, as I feared it wouldn't be very good compared to earlier Fulci offerings. Now that I've seen it, however, I am happy to report that with this film; Fulci doesn't disappoint! While it lacks the grandiose of Fulci's excellent Zombie Flesh-Eaters and the intrigue of his early Giallo offerings, House of Clocks still shows Fulci's talent for making horror movies, in spite of the conditions under which it was made. The plot certainly is intriguing enough, and it follows an old couple that live in a house full of the man's 'children'; namely, a bunch of clocks. The trouble starts when a troupe of pot-smoking crooks, who see the house as an easy target, decide to break in and rob it...only to find that after murdering the inhabitants; the 'children' start running backwards, and our protagonists may only have a matter of time before they meet their own gory demise...

Speaking of gore, Fulci is famous for it; and this film certainly has it; but from some of the scenes, you do get the overwhelming impression that the gore is only there to satisfy his fans. Not that that's a bad thing. Like many Italian horror films, this one suffers from poor dubbing, worse acting and lots of incoherence in the script. It's easy to forgive the film for these negative aspects however as it breathes a great atmosphere and there's some absolutely great horror shots, that are sure to delight fans. That's the thing about Fulci – people see the gore and then write him off as a hack, when this isn't the case at all. This film does pretty much write itself off by the end, however, as, for some reason, Fulci has opted to tack on one of those endings that just sucks all the credibility out of the film; and on the whole it means that you will leave the film with a very sour taste in your mouth. Really, I recommend turning it off at about the 70-minute mark. Still, while the ending ruins it and it suffers from lots of imperfections; this is still a very nice horror film, and one that is very enjoyable too!

Two guys and a girl decide they are going to rob an isolated mansion owned by an eccentric old couple. Naturally, things get weird as the house is filled with clocks and the trio become trapped in the place. When it comes to Lucio Fulci's '80s horror films, I've only got a handful left that I haven't seen so I've been doling them out slowly over the years. This was one of his TV films, which is surprising as it is pretty dang gory. The story isn't any great shakes, but it moves at a considerable clip and never drags during its 80 minutes. And the film is well shot and the location is impressive. Look for Al Cliver as the couple's handyman.

going into this film i didnt expect a whole lot. made for tv movies here in the u.s. usually arent too impressive. the same may not be said for italy apparently. of all of lucio fulci's films i've seen, this one had the tightest plot ..... well... maybe just slightly less than 'the psychic'. there are no points of the movie that drag either. those with limited attention spans will not be searching for the fast forward button. the gore is more plentiful than you'd expect too. never excessive and never lacking. the acting is surprisingly well done too. it might take some poking around but try and dig this one up. it shouldnt let you down.

Come on, you can't really say this movie is lame. It has an original story and a surreal atmosphere for a start that give the movie an unsettling feel.

The story goes like this: 3 wannabe burglars break into an isolated villa and kill the occupants. The 2 elderly occupants are really sadistic killers and have quite a shock in store for the burglars. The old man with his collection of clocks turn back time and soon the burglars are running for their lives.

The acting isn't quite up to scratch and there is a cruel scene involving a cat that in my opinion makes the lead teens truly unlikeable.

Apart from that then you can look forward to a great setting and location. (The villa is lovely but appears dark and unsettling as soon as night falls.) Also on show is Fulci style gore. A maid is literally gutted when the elderly folks find out about her snooping around. You can give a hand to the poor teen thats just had hers stabbed! And, about a dozen shotgun blasts end up hitting everyone. I couldn't believe this was made for cable!

The movie doesn't intend to be amazing, yet the surreal story and the twisted ending notches it up considerably. Just give it a watch. You may be pleasantly surprised. 3 out of 5.

After The New York Ripper in 1982, the quality of Fulci's efforts as a filmmaker drastically declined. The impenetrable dark atmosphere and genuine artistry of his previous films was definitely on the way out, as is evidenced by such unremarkable video fodder as "Daemonia", "The Ghosts of Sodom", and "The New Gladiators".

Not everything the man did after "Ripper" is entirely forgettable, however - 1983's "Conquest" retains a lot of Fulci's hyper-gory, atmospheric sensibilities, and is demented fun in it's own right. "The House of Clocks" is also a fairly accomplished piece of work, and is probably the best of his post-1982 films.

Originally made for Italian television as part of a horror series (ala Tales from the Crypt), but deemed to gory for release, "The House of Clocks" really works fairly well. It has moments of genuine creepiness; hints of the strong, evil atmosphere Fulci was so adept at creating pop up here and there. The film is quite interestingly lit (many of his later pictures have a similar, glowing-like look to them), and contains a few memorable characters - not the least of which being the demented, wizened old couple, who seem kind and hospitable one moment, and are disemboweling you with a large metal spike the next. Also, there are several moments of the kind of gut-spilling gore we've come to expect from Mr. Fulci, which is more than welcome. One of the reasons that many of his films succeed are the over-the-top, positively nightmarish gore scenes. Save for "Cat in the Brain" and "Touch of Death", many of Fulci's later-career efforts shy away from the excessive gore, which turns many of them into colossal bores. This is not the case with "House of Clocks" - while not nearly up to the violence level of "The Beyond" or "New York Ripper", there are enough violent murders and scattered entrails to please the average Fulci fan, and nauseate anyone else.

While many Fulci fans will simply overlook "The House of Clocks", being that not only was it made in Fulci's autumn years but also for television, this would be a mistake - "The House of Clocks" is well-worth seeing for any admirer of the work of Lucio Fulci. Others might wanna beware, though.