Scandal

I didn't expect much out of this when I was saw it about 15 years ago, but it turned to be quite interesting. The only problem was it has too much a sleazy feel to it and an obvious political agenda, which is not unusual in films. The agenda is almost always one way.

There is a lot of nudity in here, lots of it mainly with Bridget Fonda who plays "Mandy Rice-Davies" and Joanne Whalley-Kilmer as "Christine Keeler." Whalley-Kilmer looked particularly beautiful.

John Hurt as "Stephen Ward" and Ian McKellen "John Profumo" are the males. The story is about Britain's "Profumo Affar," as it was labeled back then - a sex scandal involving English politicians in the early 1960s.

In what could be a dry account turns out to be a fascinating movie, well-acted and beautifully-photographed. I've seen it three times and the third was probably the last. By then, the titillation of the nudity had worn off and the bias of yet another Liberal agenda bashing conservatives (it's same all over in the world of film-making) got a bit annoying. That, and the fact that had no English subtitles on the DVD, was disappointing.

What seemed shocking in the 50's is almost commonplace in the debauched 21st Century, so to get a proper perspective on how controversial this was, one would probably have to have been alive during the period. In the absence of possessing a time machine though, one can only guess the outrage at the revelation that British MPs had secret sex parties and slept with prostitutes. WOW! If there is a similarity between now and then though, it's seems to be the determination of the tabloid press to publish as many lurid headlines as possible, regardless of how many lives they ruin. Vultures, the lot of 'em.

For such a saucy role, it's surprising that Joanne Whalley-Kilmer doesn't show much skin... Apart from the most obvious use of a body double ever. Never mind, her co-stars more than make up for it on that score, including a rather young Bridget Fonda, fumbling with an English accent. John Hurt and Ian Mckellen complete an impressive cast, who tackle their roles with gusto and make it an engaging ensemble piece.

I enjoyed it as an exposé of the morals and hypocrisies of a Britain on the verge of the Swinging Sixties, but was never truly engrossed. Nowadays, in a world where a woman can build a business empire based on one sex tape, you just know that everyone involved in this tawdry affair would be big reality TV stars. A sign of the times indeed. Sigh... 6/10

I doubt if anyone would call "Scandal" one of the great British films but this account of the Profumo affair and the scandal that finally toppled McMillan's government is a hell of a lot of fun with an excellent cast, a smart scirpt and an almost obsene relish in the very pleasures it's pretending to condemn. Not that "Scandal" is in any way hypocritical; I mean what's the point of making a film that's largely about sex if you leave out the sex!

John Hurt is a superb Stephen Ward. Joanne Whalley-Kilmer is perfectly cast as Christine Keeler, Ian McKellen, with a largely bald wig, is an unusually sympathetic Profumo and Bridget Fonda is great fun, and Golden Globe nominated, as Mandy Rice-Davies while the story itself is one of those juicy, gossipy affairs we never tire of hearing about. Throw in a great sixties soundtrack and a Pet Shop Boys/Dusty Springfield closing number and you really can't miss.

This is one of the better contemporary fictionalizations of historical events, though it suffers from lack of exposition. Here's the history that you need to follow events: John Profumo, England's Minister of Defence (equivalent to the US Defense Secretary) was introduced to party girls (like Christine Keeler) by popular osteopath Stephen Ward. But unlike some upper-crust friends of Ward, Profumo had more to lose. When it got out that Keeler had dated a Soviet Navy attache at about the same time as she dated the married Profumo, British tabloids had a field day noting that there were national security concerns atop the infidelity problem. One reason folks in the US have difficulty with this issue is that the story was overshadowed in the States by the almost simultaneous Cuban Missle Crisis.

The great soundtrack's now been out on CD for a few years; the theme was produced by the Pet Shop Boys and sung by authentic 60's icon Dusty Springfield. All other songs chosen charted during the early 60's, giving the film the ring of authenticity. And due possibly to legal problems, the original performance of Chubby Checker's THE TWIST couldn't be used, so Checker re-recorded it for this film. This newer, punchy 1989 version is the one used today behind Pantene shampoo commercials.

Viewed from the 21st century, the Profumo affair seems much ado about nothing, a sex scandal of an altogether more innocent age. Put to one side the marginal security issues, and all that is left is a bit of bad behaviour among the aristocracy, and to be frank, if you choose not to shoot these people, you can't really expect for anything more. It did leave one serious casualty, however: Stephen Ward, procurer of girls to the upper classes, who committed suicide after being abandoned by his friends when the going got tough. 'Scandal' tells his story, and manages to be reasonably sympathetic to Ward, Christine Keeler (the girl who slept with Profumo) and even (to some extent) the minister, although the facts don't quite seem to support the continuing strength of the bond between Ward and Keeler as depicted. The portrait of the early 1960s is well judged (without the film ever feeling overly historical), and there are interesting insights into the semi-professional sexual relationships between the smart set and the girls on the make they adopted. But the best thing about 'Scandal' is really the acting. A distinguished array of British character actors perform their turns impeccably; and Joanne Whalley, while never quite looking eighteen, is a dead ringer for Keeler and always nice to look at. But in his own way, John Hurt (who plays Ward) is also great to look at, in his case because of his straightforward excellence as an actor. In his hands, Ward is an essentially mediocre man; and yet charming, far from wicked and ultimately tragic. In some senses, the whole affair provided a template for the subsequent portrayal of the private lives of politicians by the press, to the extent that today it would hardly make the waves that it did at the time. But this film goes far beyond historical reconstruction, and is well worth watching in spite of the relative triviality of the events is portrays.