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IMDbPro

El último sobreviviente

Título original: Crash and Burn
  • Video
  • 1990
  • R
  • 1h 25min
CALIFICACIÓN DE IMDb
5.0/10
1.6 k
TU CALIFICACIÓN
Megan Ward in El último sobreviviente (1990)
Ciencia FicciónTerror

Agrega una trama en tu idiomaUnicom is a powerful organization overseeing most of the world after its economic collapse. They have banned computers and robots in an attempt to insure "life, liberty, and the pursuit of e... Leer todoUnicom is a powerful organization overseeing most of the world after its economic collapse. They have banned computers and robots in an attempt to insure "life, liberty, and the pursuit of economic stability". When a Unicom Synth robot infiltrates a southwest TV station and kills... Leer todoUnicom is a powerful organization overseeing most of the world after its economic collapse. They have banned computers and robots in an attempt to insure "life, liberty, and the pursuit of economic stability". When a Unicom Synth robot infiltrates a southwest TV station and kills the manager, a revolutionary against the gestapo-like corporation, a lowly Unicom deliver... Leer todo

  • Dirección
    • Charles Band
  • Guionista
    • J.S. Cardone
  • Elenco
    • Paul Ganus
    • Megan Ward
    • Ralph Waite
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    5.0/10
    1.6 k
    TU CALIFICACIÓN
    • Dirección
      • Charles Band
    • Guionista
      • J.S. Cardone
    • Elenco
      • Paul Ganus
      • Megan Ward
      • Ralph Waite
    • 28Opiniones de los usuarios
    • 45Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
    • Premios
      • 1 nominación en total

    Fotos67

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    Elenco principal13

    Editar
    Paul Ganus
    Paul Ganus
    • Tyson Keen
    Megan Ward
    Megan Ward
    • Arren
    Ralph Waite
    Ralph Waite
    • Lathan Hooks
    Bill Moseley
    Bill Moseley
    • Quinn
    Eva LaRue
    Eva LaRue
    • Parice
    • (as Eva La Rue)
    Jack McGee
    Jack McGee
    • Winston Wickett
    Elizabeth Maclellan
    • Sandra
    Katherine Armstrong
    • Christie
    John Davis Chandler
    John Davis Chandler
    • Bud
    • (as John Chandler)
    Kristopher Logan
    Kristopher Logan
    • Scratch
    David DeCoteau
    David DeCoteau
    • ILU Member
    • (sin créditos)
    John Schouweiler
    John Schouweiler
    • ILU Member
    • (sin créditos)
    Michael Shamus Wiles
    Michael Shamus Wiles
    • Cop
    • (sin créditos)
    • Dirección
      • Charles Band
    • Guionista
      • J.S. Cardone
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios28

    5.01.5K
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    Opiniones destacadas

    5Warrior728

    Not that bad!

    Ok, this is not a great movie. But it doesn't attempt to be. It's B movie city, and for that, it's not a half bad movie.

    Full Moon productions continues to impress me, with the atmosphere and great b movie schlock they can create, with a shoestring budget.
    6Hey_Sweden

    Not bad at all.

    This early Full Moon effort has a Dystopian setting: in the Earth of the future, both the economy & the environment have totally collapsed, and an all-powerful organization, Unicom, runs everything. Some dissenters, speaking out against the big bad company, operate out of a remote station. They will soon be menaced by a member of their own group, who is secretly an android, or "Synthoid / Synth", with a murderous agenda.

    Overall, the movie comes off as pretty familiar - paying tribute to both "Alien" and "The Thing" (there's even a "testing" sequence similar to that in Carpenters' film) - but it shows lovers of B movies a reasonably good time. It's one of Charles Bands' better outings as director, and the production gets great use out of its primary location.

    Assets include typically fun David Allen stop-motion (a giant robot turns up at the end), good Greg Cannom makeup, another solid score by Bands' brother Richard, and a cast of familiar faces including Megan Ward ("Freaked"), Bill Moseley ("The Devils' Rejects"), Jack McGee ('Rescue Me'), Eva LaRue ('CSI: Miami'), John Davis Chandler ("The Outlaw Josey Wales"), and Ralph Waite ('The Waltons').

    Viewers looking for their B movie fix could easily do a lot worse than this. At least there IS competence on both sides of the screen.

    Six out of 10.
    4darren_steven

    I am a glutton for punishment

    The cacksters that brought you Arena and Robot jox now bring you this. CRASH AND BURN.

    When i was a kid, two films in Gold video, Cheadle Hulme, always stood out Arena and robotjoxs. My dad being a sensible man always refused to rent either of them; because they looked crap.

    I have bought all of these films and have to say crash and burn is the worst of the lot. It was the giant robot that did it for me. Why did these people make loads of films about dodgy stop motion robots?

    It says on the cover of the box "From the makers of Robotjox and Arena," like this is some badge of honour, trust me it is not. Robotjox had a touch of class but this movie is cack. Watch it for its badness. It seems to have been filmed in an old warehouse, that just happens to have a huge hulking robot rusting away in the garden. Aaaahh

    BAD BAD MOVIE. Damn you Transformers you caused these films to be made.
    wellthatswhatithinkanyway

    Is life meant to be that unfair...?

    STAR RATING:*****Unmissable****Very Good***Okay**You Could Go Out For A Meal Instead*Avoid At All Costs ...I don't know what other people (other IMDB reviewers,for example)might think of me,judging me by myself or by my reviews,but I've never thought I was that much of a demanding individual.I've always thought I was quite easy going and undemanding as a person.I try not to winge when things don't go my way,or if I have to do a job for other people.I know other people who've tossed stones at old people's houses,or taken drugs like draw and got pregnant at an early age.Yes,stones are readily available for those nasty,thoughtless people to throw at their own pleasure,yes,draw and sex are there to be consumed whenever the mood suits them.So,okay,I decide to take a risk..I decide to spend a fiver of my hard earned money on a video I had'nt previously seen,which on impulse,I would never usually do.I buy it from this really convienient store in the market,which is'nt perhaps majorly up to date,but still sells old or forgotten films,at cheap prices,which I think is really ace.Judging by the cover and the Sci-Fi genre attached to it,heck,even by the supposedly brilliant plotline on the back of it,I thought Crash And Burn would be a risk worth taking.

    Then,after I've seen Coronation Street,I race upstairs to watch this baby.Hello,what's this?Not 2 seconds in,and already I've noticed this is'nt shot like a regular film.That's probably one of the biggest,in my many ,complaints about Crash And Burn:if every other film can manage to be shot like a proper film(even the realy,really bad ones)why the hell can't this one pull itself together and do the same thing?This is shot like a poloroid-cum-video recorder.That was my first step towards getting really angry and fed up with this film.In fact,it was the main thing that bugged me about it throughout.Not once did it appear to improve.I'm aware it has the (V)for video symbol by it,but what,is that a direct excuse for crappiness ?(does this serve as a direct example with the Billy Blanks dud 'Tough And Deadly?).

    And,what from the back looked like it was going to serve like an original and exciting Sci-Fi venture went totally downhill from there.The special effects were diabolical,the acting was abysmal,the dialogue was atrocious , although the end line 'you really felt for her?Well,she'd only break your heart...then tear it out'had some credit to it.But that only led to a glaring implausibility error that the hero had had sex with the female robot and not noticed she was'nt a real person.And that only lead to the fact this was the only movie I knew that thought it was being clever by giving a human-looking-robot it's own name,a synthoid.Every other Sci-Fi movie calls them cyborgs.And that only led to the fact that the main 'synthoid' in question is a pathetic Terminator rip-off,that gets done in at the end by an impressive giant robot,which we only see for a brief glimpse then disappears,presumably to a better movie because this giant robot has much more talent than all the actors in this drivel.He was cool. , He quashes him in a standard better suited to the Wrigley's Spearmint gum adverts ,the only thing missing was the 'pluuurp'sound.

    It really is very unfair.All I asked for was decent entertainment.Society,and hollywood,really should set better examples than this.*
    5lost-in-limbo

    "His noodle is fried".

    At least it doesn't live up to its title, which is a good thing. Crash and burnnnnnn. On the other hand it might have been more exciting if it did. I don't know, but I remember liking this straight-to-video b-grade action / Sci-fi fare by Charles Band when I saw it for the first time many moons ago, but upon my recent re-watch I was left slightly under whelmed. Boy did it take awhile for something remotely riveting to occur. My excitement early on arose from catching a glimpse of a movie poster of "The Angry Red Planet" on the wall. Not once, but twice. Outside a pouting Megan Ward and Jack McGee (in a truly offensive mood), everyone else acts robotic. Is this to throw us off…? I don't think so. Bill Moseley is the life of the party… as what starts off as uncharacteristic (in a slumber mood) later on has you thinking now I'm watching Moseley perform. Paul Ganus is your typical handsome, but stoic lead who catches the eyes of the ladies (young and old). He doesn't do much at first, other than look serious. All in a good days work. Actually I guess sex was on mind. Nothing else. Nothing more. As after getting that out of the way (about mid-way through the movie), while lying in bed (for about 10 seconds) his character was thinking straight (well its either that or he's considerably slow off the blocks) and it came to him that something wasn't quite right (during a "heart-pounding" test set-up to find out if everyone trapped in this remote TV station was who they said they were). Now that he knows who the evil corporate Sythnoid robot in disguise is. Although we the audience (and Ward) have already figured that out long ago. It's time to be a hero. Jump out of bed, break the emergency glass and grab the shotgun. Then get pummelled and shot. Talk about an effective hero. However this is when things do liven up. Nasty jolts, stupid one-liners, robots going haywire and Ward making everyone around her look like dummies. "Hey, kiss this!". Director Charles Band does an economical job with J.S Cardone's material and recycles Richard Band's music talents. Visually is works cementing a futuristic wasteland, as the setting is taut and the paranoid unease is felt. In the dying stages you can see where most of the money went to and the effects of the battery powered tinbot put those recent CGI drenched transformers films to shame. Mildly amusing low-rent Full Moon fodder.

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    Argumento

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    ¿Sabías que…?

    Editar
    • Trivia
      The two hookers were also drug users in an earlier draft of the script, but Charles Band requested that this aspect of the screenplay be toned down because he thought the hookers as initially conceived were too vulgar and over the top.
    • Errores
      Reflected in the window behind Quinn when Winston is looking for Arren in the dark.
    • Conexiones
      Edited from Desafío en el valle de la muerte (1989)

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    Detalles

    Editar
    • Fecha de lanzamiento
      • septiembre de 1990 (Estados Unidos)
    • País de origen
      • Estados Unidos
    • Idioma
      • Inglés
    • También se conoce como
      • Crash and Burn
    • Locaciones de filmación
      • Alabama Hills, Lone Pine, California, Estados Unidos
    • Productora
      • Full Moon Entertainment
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

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    • Presupuesto
      • USD 1,000,000 (estimado)
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

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    • Tiempo de ejecución
      • 1h 25min(85 min)
    • Color
      • Color
    • Mezcla de sonido
      • Ultra Stereo
    • Relación de aspecto
      • 1.66 : 1

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