El fantasma de papá

This movie is far and away the BEST and GREATEST movie ever made. I may not know all that there is to know about cinematic technique. I hold no degree in Film or Photography. I have not studied writing, acting or directing, nor have I watched many so called "classic" films. However, I still feel that I am qualified to say that Ghost Dad is the pinnacle of achievement in the realm of motion pictures. Bill Cosby is a genius, and offers a finely tuned performance which recalls the "ghost" of all of his viewers' "dads." Wonderfully cast, superbly directed, touchingly photographed, and ably written, this film will no doubt stand the test of time to supplant "Citizen Kane" at the top of the cinematic hierarchy.

I don't care what anyone else has said this is a great movie. I have seen this movie several times and Bill Cosby is funny, A single dad trying to raise 3 children until he has his accident and becomes a ghost. The adventures that Cosby goes through in this movie while he is a ghost are interesting. It is a great film for children of all ages. So, see this movie if you haven't already and I think you will be very surprised at the adventures of Cosby and the other Characters in this film.

After the colossal artistic and commercial triumph of Leonard: Part 6, "The Cos" decided to make his next film a more organic, "Art-House" picture and proves once again that he has the cinematic midas touch. In a premise that might seem silly in other hands, Cosby and director Sidney Portier deftly weave a tightly knit tapestry of familial melodrama and undead hijinks. The lush cinematography lends a documentary feel to the proceedings, a much needed dose of gritty reality which helps immeasurably when dealing with the afterlife. Cosby's bravura performance is both ferocious and demure in equal measure, but always REAL. Also, the underlying message of fatherly responsibility seems remarkably apt in these times of the "Baby Boy" syndrome. An often overlooked masterpiece in the Cosby canon, Ghost Dad is without a doubt a labour of love from one of the cinemas greatest pioneers.

This is a fun family movie, but the plot isn't solid. This movie left me with a lot of questions. What was up with the cab driver and who does he think he is? Why did Stuart threaten his best friend's father? That's pretty bold of him to do that. Why at one point, could Elliot talk weird in one part and talk normal in another? Also when the company comes over to visit, it's day time, and some minutes later, when Stuart calls, Elliot went to his house and the sun was already down long ago. That reminds me, if Stuart threatened me like that, he would have his bratty self have the police called on. And, not all was resolved in the end. Elliot lost his job, Danny lost a friend of his, and Diane lost a potential boyfriend. Still, nevertheless, Elliot's extremist and eccentric behavior was definitely funny. Though plagued by errors, this makes for a good family film and is better than Home Alone 4.

Bill Cosby hasn't had much luck in his movie career, which may explain this (not unsuccessful) attempt to carry his familiar middle-class-family-man TV image over to the big screen. In the film he plays a single, somewhat neglectful father of three children who learns a few belated lessons in parenthood after a fatal taxi ride turns him into a reluctant ghost. Of course he can only be seen in darkened rooms, which leads to a lot of ectoplasmic slapstick and some predictable puns ("…over my dead body!") The film is strictly sit-com material, but at the same time is too undemanding to warrant any real criticism, and under Sidney Poitier's slick, superficial direction it moves quickly to a happy ending, with the help of a few clever (if economical) special effects. It might, however, have an unexpected side effect on a younger audience: having a dead dad is made to seem such fun that some kids might begin to want one themselves.