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IMDbPro

Havana

  • 1990
  • R
  • 2h 24min
CALIFICACIÓN DE IMDb
6.1/10
8.8 k
TU CALIFICACIÓN
Lena Olin and Robert Redford in Havana (1990)
After six decades in show business, Robert Redford announced that 2018's 'The Old Man & the Gun' will be his last performance. The role is a familiar one for the screen legend: a con with conviction. Let's travel "Through the Lens" to explore how Redford developed this character and how this on-screen persona perfectly culminates in his cinematic swan song.
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Ver Robert Redford: The Con With Conviction & the End of a Legendary Screen Persona
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En la Cuba de los cincuenta, un jugador profesional se enamora de una mujer que está muy involucrada en el movimiento revolucionario.En la Cuba de los cincuenta, un jugador profesional se enamora de una mujer que está muy involucrada en el movimiento revolucionario.En la Cuba de los cincuenta, un jugador profesional se enamora de una mujer que está muy involucrada en el movimiento revolucionario.

  • Dirección
    • Sydney Pollack
  • Guionistas
    • Judith Rascoe
    • David Rayfiel
  • Elenco
    • Robert Redford
    • Lena Olin
    • Alan Arkin
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.1/10
    8.8 k
    TU CALIFICACIÓN
    • Dirección
      • Sydney Pollack
    • Guionistas
      • Judith Rascoe
      • David Rayfiel
    • Elenco
      • Robert Redford
      • Lena Olin
      • Alan Arkin
    • 52Opiniones de los usuarios
    • 20Opiniones de los críticos
  • Ver la información de producción en IMDbPro
    • Nominado a 1 premio Óscar
      • 3 nominaciones en total

    Videos1

    Robert Redford: The Con With Conviction & the End of a Legendary Screen Persona
    Clip 5:10
    Robert Redford: The Con With Conviction & the End of a Legendary Screen Persona

    Fotos30

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    Elenco principal51

    Editar
    Robert Redford
    Robert Redford
    • Jack Weil
    Lena Olin
    Lena Olin
    • Bobby Duran
    Alan Arkin
    Alan Arkin
    • Joe Volpi
    Tomas Milian
    Tomas Milian
    • Menocal
    Daniel Davis
    Daniel Davis
    • Marion Chigwell
    Tony Plana
    Tony Plana
    • Julio Ramos
    Betsy Brantley
    Betsy Brantley
    • Diane
    Lise Cutter
    • Patty
    Richard Farnsworth
    Richard Farnsworth
    • Professor
    Mark Rydell
    Mark Rydell
    • Meyer Lansky
    Vasek Simek
    • Willy
    Fred Asparagus
    • Baby Hernandez
    Richard Portnow
    Richard Portnow
    • Mike MacClaney
    Dion Anderson
    Dion Anderson
    • Roy Forbes
    Carmine Caridi
    Carmine Caridi
    • Captain Potts
    James Medina
    • Corporal
    Joe Lala
    • Cuban Businessman
    Salvador Levy
    • Menocal's Lieutenant
    • Dirección
      • Sydney Pollack
    • Guionistas
      • Judith Rascoe
      • David Rayfiel
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios52

    6.18.8K
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    Opiniones destacadas

    tcabarga

    Mostly effective and plausible rethinking of Casablanca

    Many viewers have noted that Havana is essentially Casablanca in the Caribbean, which is certainly true. But I found the same apocalyptic tension in Havana as in Casablanca, although not quite as effective the second time around. Others criticized the dialogue. I thought it was exceptionally mature, and subtle, which may be what threw some of the reviewers in this forum, who maybe would have wanted something more bombastic. The plot development was very compressed - things had to happen very quickly, and so some thought they happened far too quickly. But I thought Olin in particular showed all of the pain and turmoil necessary to make her quick transitions of emotion believable. You have to believe that the times were so tumultuous that people had to adjust very quickly to changing circumstances. As for Jack falling in love with Bobby so fast, that's entirely believable, and the look they exchanged at the party where Jack meets her husband for the first time was our signal that this love affair was happening, and was one of those insane passions that overtake people, not infrequently, and in this case, again, against the apocalyptic backdrop of this incipient revolution, which made all involved feel very much at loose ends, ready for, or dreading, the vast changes about to happen to them. I though the end was too dragged out, but other than that, the movie mostly plausible.
    grosst001

    Amazingly Accurate

    I did not see this movie when it first came out 21 years ago, but saw it recently on a cable television station.Having been in my 30s when Cuba had its revolution, I was truly amazed at how accurately the film portrayed the regime of Batista. It was corrupt and brutally treated the citizens of that island country. I appreciated the acting of Redford --- actually underplaying the role. The gambling casinos in Cuba were actually run by the Mafia and made billions for them and for Batista. The photography was excellent When it was obvious that the Castro forces were winning the war, the Batista followers fled to South Florida. I truly wish I had seen this picture when it first came out.
    7ddelamaide

    It's all about the passion

    How does a cool professional gambler show passion? He gives up the Big Game to rescue his beloved. How can a passionate woman reconcile the two loves of her life--the noble hero and his cause and the man who makes her feel most like a woman? Yes, it's Casablanca revisited. And Lena Olin portrays her ambivalence as ably as her Swedish compatriot, Ingrid Bergman. Fault the script for not delivering the depth of Casablanca, the humor--Alan Arkin could have been the equal of Claude Rains but didn't get the lines. But the cinematography makes pre-revolutionary Havana palpable, in its glamour and seaminess, its whiff of a bygone era. Who wouldn't want to drive a Cadillac convertible onto the ferry at Key West and debark in Havana?
    Kirpianuscus

    the flavor

    I love it for its ...flavor. For Lena Olin and Robert Redford. For the clash between romance and politic. For the old image of people in the womb of bad times. And for a Cuba who was so easy lost. And that is all.
    coboconk

    Better than mediocre

    Havana is a favorite of mine. Sure it's a slick Hollywood movie but I thought Redford and Olin were marvelous together and fit their roles perfectly. Doesn't it seem natural to find Redford in exotic Havana playing cards on the eve of the revolution? And doesn't Olin's intelligence , charm, and beauty fit her role ? The supporting cast were flawless and the intriguing plot stood on it's own merit. The sentimental ending was superb and the musical score which received an academy award nomination was brilliant. Better than mediocre.

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    Argumento

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    • Trivia
      Actor Raul Julia appeared in a significant supporting role in the film without any credit or billing at all in the film. Julia chose to be uncredited because producers for contractual reasons could not accommodate Julia's request for him to be billed second alongside Robert Redford, as the top two above-the-title star-teaming credits had already been signed over to top first-billed Redford and second-billed actress Lena Olin, with the third billed credit already having been contracted to actor Alan Arkin. According to the "LA Times," Raul Julia's agent Jeff Hunter said: "Our usual above-the-title credit wasn't available. So, we decided not to take any credit at all." Director Sydney Pollack said told the same paper: "The only billing left for Julia was to be stacked with the rest of the names . . . his agent felt that would be a step backward" and there is a dilemma when there is "an actor on the ascendancy, like [Raul] Julia, and you ask the actor to do a role that's somewhat smaller [than their emerging star status]." Julia had found rising-star status since his performance in the Academy Award winning film El beso de la mujer araña (1985).
    • Errores
      Although the film is set in 1958, the garage scene uses a 1961 re-recorded version of Rum And Coca Cola by The Andrews Sisters. This version was recorded for Dot Records, two years after the movie's setting.
    • Citas

      Professor: Take the advice of an old man. There's nothing like a woman, or two. They love men. Even jerks. The biggest jerk you ever knew somewhere somehow has a woman that's nuts over him. Women are perfect. The rest is bullshit.

    • Conexiones
      Featured in Siskel & Ebert & the Movies: The Rookie/Berkeley in the Sixties/Edward Scissorhands/The Grifters (1990)
    • Bandas sonoras
      Round and Round
      Written by Lou Stallman & Joe Shapiro

      Performed by Perry Como

      Courtesy of RCA Records

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    Preguntas Frecuentes19

    • How long is Havana?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 14 de diciembre de 1990 (Estados Unidos)
    • País de origen
      • Estados Unidos
    • Sitio oficial
      • Universal Pictures Home Entertainment
    • Idiomas
      • Inglés
      • Español
    • También se conoce como
      • 哈瓦那
    • Locaciones de filmación
      • Dominican Republic
    • Productora
      • Mirage Enterprises
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • USD 40,000,000 (estimado)
    • Total en EE. UU. y Canadá
      • USD 9,243,140
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 2,175,360
      • 16 dic 1990
    • Total a nivel mundial
      • USD 9,645,440
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      2 horas 24 minutos
    • Color
      • Color
    • Relación de aspecto
      • 1.85 : 1

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