Alien 2: El regreso

THE sci-fi movie. It's nearly perfect in every way: storyline, characters, menacing threat, suspense, action, direction, music, emotion, etc... It's always been a favorite of mine and still is. To me this is not just a film, it is an experience. The adrenaline pumps like in no other film and rarely have we had the chance to see a heroine as compelling as Sigourney Weaver. She can kick anyone's ass and still keep a heart and soul. (Why she didn't win the Oscar back in 1986 is beyond me.) When the action starts, you're in for the ride of your life. Truly a milestone in movie making. Now if they could only release it on DVD...

There are really good movies and then there's that select few that change your life. For me movies like Jaws, Raiders of the Lost Ark, JFK, Titanic and Star Wars did that. By viewing a movie you see life in a different light. Aliens also did that to me. I didn't think a movie could scare me as much as Halloween did but this one certainly did that and more. The atmosphere in this movie, and the lighting and cinematography and of course the direction are top notch, and some of the scenes are some of the scariest I've seen in my life time. But what puts this movie over the top as one of the all time greatest films ever made is the casting.

Sigourney Weaver is terrific but it is her supporting cast that shines and makes you feel like you know the crew that is heading to that desolate planet.

Paul Reiser is perfect as Burke,the slimy corporate kiss ass that cares about profit before human lives. Lance Henriksen shines as Bishop, the cyborg with a heart. Jeanette Goldstein is the rough around the edges female marine that more than holds her own with all the testosterone floating around and Michael Biehn ( another Cameron favourite )is the perfect quiet leader that leads by example and not so much a loud demonstrative voice. But the show stopper in this flick ( just as he always is in any movie that he is in ) is Bill Paxton.

Paxton and Cameron have worked on Terminator 1, True Lies, Titanic and Aliens and Bill is one of those actors that steals scenes from every actor and was always a recognizable face even before Titanic. Here, his Hudson character is the comic relief but he is also perhaps one of the true characters that we can all identify with. His tough exterior is nothing more than camouflage for his frightened fragile interior. He realizes the dire situation that they are all in and he can't hide his fear. When he finds out that they won't be rescued for at least seventeen days, his response is " Hey man, we're not going to survive 17 hours man! Those things are going to come in here and they're going to get us and..... " ( Ripley ) This little girl survived longer than that with no weapons and no military training. " ( Hudson ) " Why don't ya put her in charge!!! "

Paxton is a gift to any and every movie that he is in and this is his finest work. He should have won a best supporting actor that year. And if you haven't seen this movie, rush to see it if only for Bill Paxton. He steals the show. But if a tightly wound, brilliantly technical and unbelievably scary movie is your thing, then you can't go wrong here. This is easily a ten out of ten, and one of the best ever made. If Spielberg is the king is Hollywood, then Cameron is his heir apparent. Oh, and one more thing, Paxton will win an Oscar one day.

I am just going to add my voice to the chorus of praise for this movie. It is as near to being perfect as any I have ever seen. I will not say that it is much better than Alien - which is just about near to being perfect also. But I do love all the characters in this movie. I have rarely seen a movie where all the characters were so well developed. Even most serious dramas seldom develops each character so completely. None of these characters are stereotypes even Paul Reiser as Burke, although the slimy company/government man villain is a prerequisite in disaster type movies. I would almost say that my favorite is Michael Beihn as Hicks, just because I like his work & consider him to be underrated. But I also like Lance Henriksen as Bishop, William Hope as Lt. Gorman, Bill Paxton as Hudson, and of course, Jenette Goldstein as Vasquez. I liked all of these characters. I cared about their lives & deaths. The final scene for Gorman & Vasquez still chokes me up after seeing it many times.

I am not ignoring Sigourney Weaver or Carrie Henn. Ripley is the template for the modern action heroine. In the 24 years since Alien, few have been able to measure up to Sigourney Weaver's Ripley. Even in Alien 3 & 4, Ripley was still powerful, despite the 3ed rate quality of the movies. As for Carrie Henn as Newt, she was the emotional heart of Aliens. Cameron's ability to develop well rounded characters does not detract from his ability to create great action scenes or to scare the audience out of a several years of growth.

James Cameron is an extremely talented action director because not only does he know great action, but he always backs the action up with a great story and interesting characters. Aliens is his finest achievement, as far as I'm concerned. Of course, I should specify: Aliens Special Edition is his finest achievement.

In 1986 several scenes were cut to keep the movie's run-time reasonable but there was one scene that was incredibly foolish to leave out. The scene I refer to is near the beginning where Ripley learns that her daughter has died while she was away in 'hypersleep' for 57 years. "I promised her I'd be home for her 11th birthday," cries Ripley. This is a very moving scene that adds a great deal the character's depth and makes more sense to why she cares for a little girl named Newt later in the film. She's seeking penance through Newt with her love and determination to keep her alive at all costs. The theatrical edition obviously doesn't elude to any of this, and even cheapens the relationship between Ripley and Newt- just a little bit. James Cameron has said that all of his movies are love stories, and Aliens is a story of parental love. He has also said that the special edition is his intended (if not definitive) version of the film. For about five years or so the Special Edition was the only version of Aliens you could get on DVD. It should have stayed that way.

Aliens is a unique film experience: it's genuinely thrilling and exciting, unlike a lot of movies where people shoot the evil monsters and there's disgusting blood and rapid gunfire, and it's really meaningless. In Aliens' case, the aliens are very threatening and more than just target practice. We don't see any aliens for over an hour, but once we do, it's a huge payoff. By that time, we get to know some interesting characters: Hicks (Michael Beihn), a take-charge marine who also turns out to be sweet and sincere, Hudson (Bill Paxton), a braggart who turns out to be a coward and complains most of the time, Vasquez (Jeanette Goldstein), the iron-willed woman soldier who proves to be one of the bravest characters in the film, Bishop (Lance Henrikson), a robot that is very helpful for everyone's survival, Burke (Paul Rieser), the slimy company man who the audience loves to hate, and of course, the adorable little Newt (Carrie Henn), a girl who has survived unspeakable horror. Holding the whole film together is Ripley, played by Sigourney Weaver in her surprise-Oscar-nominated performance. I think the only reason why the audience cared for her in the first film is because she was the only person left and we wanted her to live. But for this film, James Cameron added so much to her. With all this investment in characters, we're really concerned for their well-being. We don't want those aliens to get them. Some die, and I'm always truly bummed out when it happens.

Filled with amazing performances and an abundance of thrills, Aliens is one of the greatest of any genre it attempts: whether it's action, sci-fi, horror, or even drama. I personally liked it better than the first film, but it's really like comparing apples and oranges. I prefer the special edition and don't see why anyone should view the other version instead.

My rating: 10/10

Series note: It is strongly advised that you watch this film only after seeing Alien (1979). This is a direct continuation of that story.

57 years after the events of the first film, Ellen Ripley (Sigourney Weaver) is found and awakened from hyper sleep to discover that a terraforming colony has been set up on LV-426, the planet wherein she and her fellow crew of the mining cargo spaceship Nostromo first encountered the titular aliens. When Earth-based communications loses contact with LV-426, a band of marines are sent to investigate, taking Ripley and a representative from the company that financed the colony, Carter Burke (Paul Reiser) along for the ride.

For the difficult job of following up Ridley Scott's excellent Alien, director James Cameron decided to go a completely different route--to make a fast moving, slightly tongue-in-cheek, boisterous action extravaganza. Remarkably, he was able to do that while still maintaining a stylistic and literary continuity that melds Aliens seamlessly with the first film.

Ripley is much more fully developed in this film, although unfortunately, some of the most significant scenes were deleted from the theatrical release (if at all possible, watch the 2-hour and 37-minute director's cut instead). Cameron fashioned Aliens into a grand arc where Ripley's actions at the end of the film have much more meaning as she's not only fighting monsters, but also fighting to retain a semblance of something she lost due to her 57-year hyper sleep. As in the first film, she is still the most intelligent, courageous and resourceful member of the crew, but she has much more colorful company.

The marines accompanying Ripley back to LV-426 may be too cartoonish for some tastes (as for viewers of that opinion, most of the action and the film overall is likely to be too cartoonish), but for anyone more agreeable to that kind of caricatured exaggeration, it's a joy to watch. I'm a big fan of both Bill Paxton and Lance Henriksen, and both turn in wonderfully over-the-top performances, at their diametrically opposed ends of the emotional spectrum--Paxton as the spastic surfer/redneck and Henriksen as the intense, moody sage, with a surprising reality and an even more surprising conscience to go along with it. We also get a cigar-chomping Sergeant, a crazy, butch Private, and a complex, pensive Corporal as main characters, and a mysterious, bright young girl (played in a terrific performance by Carrie Henn). Much of the center section of the film hinges on the interrelationships of these characters, despite the action trappings going on around them.

Cameron carries over the crypt/labyrinth motif of the first film, and adds a metaphorical descent into the bowels of hell in the climax. The action throughout is suspenseful. Aliens contains one of my favorite "cat fights" in any film. It's also worth noting the influence this film may have had on Paul Verhoeven's Starship Troopers (1997)--although admittedly, we could say that Cameron was influenced a bit by the Robert A. Heinlein book, as well. Throughout all of the varied action sequences, as well as the important early scenes of colonists on LV-426, Cameron is able to clearly convey the logistics of very complex sets, so that viewers remain on the edges of their seats.

Part of what makes the monsters so effective is that we're not told too much about them. We only get glimpses into their physiology's, their behavioral patterns and their intelligence. Cameron gives us just enough to become wrapped up in the film, but not so much that we become overly familiar with the aliens, or start to question the logic behind the film. He also smartly carries over some devices from the first film that were abandoned to an extent, such as the acidic blood of the aliens, and he supplies answers to the few questions that the first film raised, such as why the blood doesn't corrode instruments and objects when a dead alien is examined.

Aliens is yet another example of a sequel that is just as good as an original film in a series. Just make sure you watch both in order, and try to watch the director's cuts.