Hombre mirando al sudeste

I think that the question, "Is he really from outer space?" is irrelevent to the movie--what matters is that the man, Renates, is completely foreign. It's not a feel-good movie, it's a thought-provoking movie, one that brings up the question, why is compassion so foriegn to us, and why do we fear the compassionate? Those with power (the doctors) are so afraid to lose that power that they force their subjects into a forgetful stupor and deny their humanity--just as the military under Videla and the junta tortured over 30,000 people only two decades ago. This film is a brilliant commentary on human nature and modern Argentine history.

I don't normally bother to write comments like this but I was shocked by the other reviewer's perspective. I think perhaps he likes things spoonfed to him. Regardless, this is a fairly obscure film. It's Argentinian. It's a so-called "art movie". It doesn't feature any well known actors. The plot and many of the scenes were reproduced in the recent Hollywood version. Several other scenes have been lifted wholesale and used in other Hollywood movies. That alone suggests that the movie has merit (particularly in terms of story and direction). Over and above that, the acting is very good, and the pace, while slow, builds inexorably. There is no succinct resolution to the plot. That is the point. You have to think for yourself and it is a deeply thought provoking story. I think the central theme is a meditation on thought defining reality and seems to reference the Buddhist belief that our lives are a creation of our minds. But like any good work of art there are many layers open to interpretation. There are no overt references but this being an Argentinian affair, the tone of the movie reminded me of Jorge Luis Borges and Adolfo Bioy Casares. It's philosophical, and quite surreal in places. Some of the scenes are straight out of a Goya painting, and some of the camera motions are so graceful- almost imperceptible sometimes- that I thought of Kubrick. There's an awful lot going for this film. I don't want to ruin the story for anyone but I do rate it very highly.

This is the movie that brought recognition for the first time to Eliseo Subiela. Many times described as "ET" for adults, that cliche is both accurate and misleading. As I write this, a movie with an identical premise is being advertised in the States (K-PAX). I hope lawyers have a field day. The mysterious patient Ramses, who has suddenly appeared in this Argentinian clinic, is convinced to have come from another world. Capable of rational thought and of an apparent high IQ, a doctor begins a treatment to cure him from his dellusion. But does he need to be cured? Isn't the doctor more insane that his patient? Haven't we forgotten what it means to live and enjoy life? The movie moves slowly, but keeps itself interesting. The dialogue is sometimes too academical to be believable (even in Spanish), but its intentions are more powerful than the presentation. Except for Beethoven's Ode to Joy sequence, the movie is not very cinematic, but once again, it never feels to drag. The depiction of the asylum is also one of those you won't see in your typical Hollywood movie: as we see how the dead corpses of the inmates are carried over to be used for medical studies.

For those of you who have seen K-Pax, please watch this one. In 1986 Eliseo Subiela made this intriguing, intelligent film dealing with the human condition and its contradictions. It has long been known to spanish-speaking audiences, so it's a shame to see a pale copy like K-Pax being lauded (or at least being credited with the idea).

An outspoken, gifted stranger suddenly "appears" at an insane asylum, claiming to be from another planet. Each day he stands in the open yard facing southeast to receive telepathic messages from his home. His presence has a profound effect upon the psychologist who is treating him for his delusions. But is the patient REALLY delusional? Or could his extraordinary story be quite possibly true? That is the crux of "Man Facing Southeast", a remarkable apologue from Argentina concerning sanity and madness, Heaven and Hell, faith and incredulity, presented with unmitigated perspicacity and intelligence. The film never talks down to its audience, and its message is delivered with a clarity that is both subtle and stunning. Warm, touching, and inspirational, it is firmly entrenched in my personal Top Five "Favorite Films of All Time" list. Apparently first-time viewers should be certain to rent or purchase the subtitled version and NOT the English-dubbed version.