Piratas

This film is one of Polanski's masterpieces. He did to pirate movies what Sergio Leone did to western: showing the opposite of the usual sancticised glamorous movie portrayal of an era, yet achieving an epic effect, and images you want to see again and again.

But a difference to Leone, beyond a high dose of irony and situation comic, is the bittersweet ingredient of the Central-Eastern-European experience, of lack of success and constant failure, constantly hitting all of our heroes in the film.

Memories of living under communism might have also played a role in the (for me) most memorable part of the movie, the failed mutiny followed by the successful mutiny aboard the Spanish ship: the way the aristocrats have power over the people, and make Captain Red and The Frog eat the rat. And then, hilarious juxtaposing, the mutiny is like a parody of a communist revolution.

But the best thing about the film are the actors. Walter Matthau is at his best as the grumpy old liar Captain Red, Damien Thomas is terrific as Don Alfonso the hyper-arrogant Spanish aristocrat who'll never loses his superiority, Roy Kinnear the embodiment of ugliness as the Dutch, and also the young no-names Cris Campion (playing The Frog, the naive young Frenchman at Captain Red's side) and Charlotte Lewis (playing the even more naive daughter of the governor).

Pirate movies are few and far between. Its hard to get people to buy off on a script containing ~40 minutes of "Arrrr" and "Aye Matie".

However, Pirates is just a great fun romp through being a nasty, dirty, pirate. This is one of Walter Matthau's best roles. He literally becomes Captain Red. At no moment do you associate this man w/ any of this other roles.

Too many jokes and gags to list, but not a comedy in the traditional sense. It is an adventure first with humor thrown in.

Less of a comedy and more adventure than Yellowbeard. Darker, deeper, better, and less glitzy than Cutthroat Island. All around, a great classic pirate movie and virtually defines the genre.

Captain Red (Walter Matthau) runs a hardy pirate ship with the able assistance of Frog, a dashing young French sailor.

Featuring a peg leg, cannibalism, a mutiny... this has everything that a pirate film should have. Fans of the Johnny Depp films may like this -- many of the scenes look like the exact same sets were used.

Written and directed by Roman Polanski and unlike anything else he has down. I could draw a line to "MacBeth" because of the period costumes, but that is the biggest connection i can force. Roman Polanski conceived this film several years before he actually made it. He had hoped to cast Jack Nicholson as Captain Red, and himself as The Frog. I think I would have enjoyed that more.

Watch this movie. Walther Matthaus acting is quite superb. People are talking about Pirates of the Carribean these days, and Depps performance, which is also quite funny but it is my opinion that Matthau personifies that which Depp (tries to) plays in PotC. Matthau is the perfect old-school pirate drunkard and simply hilarious. As an extra notable performance is Frog (Cris Campion) playing a french retard which falls in love with the fair Maria-Dolores. This Polanski film is a gem. I cant call it the best pirate movie ever made because i haven't seen them all, but i can tell you that its the best I've seen yet, and i suspect that it will stay that way. Its just a shame that it never got the credits that it deserved.

Pöetzsch

I agree with many of the comments here, but most have opted to concentrate on Walter Matthau's (forgive the spelling if it's wrong) delicious performance as Captain Red. While it is undeniably brilliant - a few dodgy accent moments aside - especially when you consider how few risks many actors take with their casting, I would like to draw attention to a fine performance by Cris Campion as The Frog. When I was watching this again the other day and getting my girlfriend to watch it, she at first despaired when I told her the frog was the romantic lead. I told her to have patience, and at the end she could, after all, see why he was the object of Dolores' love. Head and shoulders above nearly all young actors around at the moment, Campion exudes passion, swashbuckling- derring-do and smouldering charm as well as being an excellent foil for Matthau's comic exertions. This makes his love story with Dolores all the more heightened and genuinely affecting. In many modern "buddy" films, the onscreen duo have no chemistry and are simply put together to maximise box office interest, but Matthau and Campion are a perfectly matched pair, the frog's unfaltering loyalty to his captain matching Red's utterly selfish backstabbing. You get the feeling that if there is one person in the world that Red would not betray, it might be the frog - even if he might eat him!