El presagio infernal

Sorority House Massacre could be forgiven for shamelessly aping other horror films such as Halloween (and it's first sequel) and The Eyes of Laura Mars, but it has the audacity to bring absolutely nothing original to the plate at all which makes the whole film feel like watching paint dry.

In the film, we have a young sorority girl plagued with visions of her insane brother who killed her family and, now, wants to come after her and her sorority friends after breaking out of an asylum. Clearly, not the most original plot in the world, but if Sorority House Massacre had at least attempted to bring in some fresh characterizations, interesting dialogue, or maybe an inspired sequence of suspense or two, it wouldn't have felt so stale.

I had resisted renting this for a long time, expecting something very typical and stupid. And in some ways, it was pretty campy (watch for the dress-up session!) but once the horror gets started, it gets pretty good.

Beth, a girl plagued by obscure but genuinely creepy nightmares, moves into her new sorority, just when most of the girls leave for Memorial Weekend. She stays back with three others, who, that night, are joined by four guys for a night of fun. Seems pretty typical, right? Yeah, I suppose. But it does get good.

Through some study on the dreams, and memories, Beth realizes that this is the house she used to live in until her brother killed the family and attempted to kill her. And, surprisingly, it's not one of those "what a coincidence!" things when the crazy brother escapes the local asylum. It seems as if the the brother and sister have some connection in their dreams, and he knows she is at the house. So he breaks free (pretty easily) and goes on a hunt for her, but only after wreaking havoc in town, stealing a car, and breaking into a hunting store to get a knife and kill the owner.

It's nighttime, and it looks like Beth's dreams are becoming reality. They even find a hidden knife under a brick in the fireplace that she thought she imagined. Then the brother gets there, and the fun begins.

It's not stalk 'n slash, though, except for a few. Three guys are killed off, and then, when making out with her boyfriend, a girl is killed in a tent, and her boyfriend buck naked, escapes, gasping, "Some guy just killed Tracy!" Okay, so it is pretty campy, especially because he remains naked for a few minutes before miracuously finding some (girls?) pants in one room. Then the surviving four realize that they are trapped...with the killer...in the house....

Very good from there. The characters are likeable, and the killer is very twisted. It's great when he sees each of his victims as a family member he killed, right down to the end of the climax, which ends so well with Beth saying something like, "Get away from me, you sick son of a b*tch!" when she finally finds a knife while he is pulling her towards him.

Overall, an innovative movie, if you can look past the many stereotypes, and the cheese. The acting isn't terrible, and the characters become likeable, especially the last two girls. Definitely check this out, just for the really great horror towards the end.

"Sorority House Massacre" (1986) combines the plot of "Halloween" (psycho killer escapes asylum and goes after his little sister) with the sorority house setting of "The House on Sorority Row" (1983) and "Black Christmas" (1974). But the production values are subpar by comparison, sparking some to call it the worst 80's slasher film.

It's true that the movie starts shaky with filmmaking akin to an old soap opera, but it builds some suspense in the second half. And there are a few gems, like when Beth's sorta-date (the short, dark-haired guy) says, "I just like being with you." This shows that the writer actually put in some effort despite the Grade B (or Grade C) production values. The fact that there's no camp and everything plays out deadly seriously is a plus.

The film is short and sweet at 1 hour, 14 minutes; it was shot in Los Angeles.

GRADE: C

An authentic whack job (John C. Russell) wants out of the mental asylum he is in. Once he escapes he goes to a sorority house where he seems to have a certain connection to a college girl named Beth (Angela O'Neill).

In the end this movie is better than it should have really been. Does have some good imagery during the dream sequences, but takes too much from A NIGHTMARE ON ELM STREET and way too much from HALLOWEEN. I thought a big thing that would have worked for the movie was adding some back story to the characters. We do get Beth's, but none of the other characters seem to have much of a back story. None of the male college students have any. Because of this the only characters I really cared about were Beth and John (Vinnie Bilancio). John just seemed to be a nice guy, but man I wanted to get deeper into his character than what I got. You may say that's what you get for watching a slasher. Maybe, but I am not going to lower my bar just because I am watching a slasher flick. They too can have well-developed characters. I also think by doing this it may have extended the running time a little as it comes in at only 74 minutes.

Anyways, on a side note they end up watching SLUMBER PARTY MASSACRE, which I do recommend watching and writer/director Carol Frank worked as assistant to the director in that film. As well when some of the college girls decide to go through Cindy's clothes who has gone away for the weekend you are welcomed to Shoulder Pad City. Ahhh the 80s.

(**1/2 out of *****)

This is the only movie in the slasher-slashes-girls-in-their-nighties series -- which includes the "Slumber Party Massacre" movies and Jim Wynorski's "Hard to Die" (he also directed the sequel to this one) -- that stands on its own. It has nothing to do with the others, and, storywise, it's better. Angela O'Neill plays a traumatized college girl who has sleeping and waking nightmares about a madman who murdered his family, except for one sister (guess who it is), twelve years ago in the house that is now O'Neill's sorority house. When she and three of her sorority sisters are left alone for the weekend, her dreams come true when the same nutcase escapes from the mental hospital and comes back home to finish the job. I'm not gonna lie to you -- this is far from great -- but, it is surprisingly suspenseful in parts, the characters are fairly likable, and, unlike most of these other movies, the script does a believably good job of keeping the girls trapped in the house. There is a silly dress-up montage (including the obligatory topless scenes), the obligatory false-scare climax (including a totally unnecessary final murder that ticked me off), and lots of scenes of knives going into stomachs and backs. Otherwise, the T&A is not as rampant as in the other nightie slashers, but the story is (slightly) more rewarding.

HIGHLIGHT: One sorority chic and her boyfriend are fooling around in a tent in the backyard when the killer ruins all their fun by slashing up the tent and stabbing the girl right between the -- well, not the eyes -- and her boyfriend ditches her and runs, screaming and buck-naked, back into the house.