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5.9/10
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Agrega una trama en tu idiomaAn abnormal taxi driver lusts for blood every rainy night, and several young women are killed as a result.An abnormal taxi driver lusts for blood every rainy night, and several young women are killed as a result.An abnormal taxi driver lusts for blood every rainy night, and several young women are killed as a result.
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Dr. Lamb is CAT III psychological crime horror film, Shot in 1992 by Danny Lee and Billy Tang is a mixture of true crime procedural and gore movie based on the true life murders that took place in Hong Kong during several months. The film follows cab driver Lam Gor-Yu (Simon Yam), who chops up victims and engages in the odd necrophiliac action. He is a twisted psychopath who spends his spare time killing, mutilating, and raping women. The movie is quite different, most notorious films from the golden age of Hong Kong horror than trying to be a "Taxi Driver"-wannabe/rip-off. For those interested to check out Category III rating, which is equivalent to the old X's or current NC-17's in the U.S, then Dr. Lamb is a good start followed by 2 of my favourites Untold Story (1993) and Ebola Syndrome (1996).
I have had the pleasure of seeing Simon Yam in more than a few films: My Left Eye Sees Ghosts, Election, Triad Election, Exiled, and more. Seeing him as the psycho serial killer in a Chinese true crime adventure was a real pleasure.
I have also seen many film's with Danny Lee: John Woo's The Killer, with Simon Yam and Kent Cheng in Run and Kill, and with Chow Yun-Fat in Code of Honor. As the detective in charge of this case, he puts forth another very good performance.
Lee also produced and directed this film along with "Billy" Tang.
This is a Cat III film, so the violence is extreme. There is a lot of blood and gore as he dismembers his victims. There is also nudity and necrophilia.
Based upon a real story, this taxi driver, who was excited from the rain and thunder, was a real psycho. Yam was perfect in the role.
I have also seen many film's with Danny Lee: John Woo's The Killer, with Simon Yam and Kent Cheng in Run and Kill, and with Chow Yun-Fat in Code of Honor. As the detective in charge of this case, he puts forth another very good performance.
Lee also produced and directed this film along with "Billy" Tang.
This is a Cat III film, so the violence is extreme. There is a lot of blood and gore as he dismembers his victims. There is also nudity and necrophilia.
Based upon a real story, this taxi driver, who was excited from the rain and thunder, was a real psycho. Yam was perfect in the role.
As with many other viewers who commented here, I have to report a little baffled by the film's ungodly reputation as a virulent, nasty shocker. I was likely treated to the cut Hong Kong version but it's easy to spot out the trimmings: various scenes of our titular serial killer dissecting with a scalpel his deceased victims. We see a breast being surgically removed and stored in a jar. Incisions across different body parts. There is repeated strangulation and a tame bout of necrophilia as depraved closure. Presumably these are extended in the uncut version for added effect.
The point remains however: this is nothing like say The Untold Story if that's what you're looking for. Simon Yam exudes a petulant insanity that veers closer to clingy and pathetic than Anthony Wong's brutal monstrousness. And a lot of the film, given Danny Lee's daft involvement, is another awkwardly comedic policier about unorthodox cops matching the killer in senseless violence.
So if you are in it for brutality's sake, you will know where to find it elsewhere. But if you have cinematic stakes in the films you watch and moreover have been developing an aesthetically preoccupied eye, you may be strangely fulfilled.
Our killer is a night shift taxi driver and every night seems to rain hard, which means we get a lot of latenight city blues played on nocturnal asphalt.
The kills are a treat to watch: inside the car parked nowhere and every glass panel drenched with rain and illuminating flashes from faraway neon, hands and bodies convulsing as though a sexual sauna is going on.
And back in the killer's apartment, rays of light piercing through calligraphy painted on a blue wall.
And once the last victim makes a getaway, a frantic chase through pouring rain across a park like straight from a giallo.
Everything that has to do with violence and dying is sensual blues, purely stylized in a way that is erotic to watch. In film terms, this will remind you of the rain-soaked/ neon-bled yakuza films of Takashi Ishii in Japan. A bit of 80's Mann and Wong Kar Wai, minus too much urbane poetry.
So as far as gruesome nastiness goes, this is Category II at best. Watch as a stylized crime flick.
The point remains however: this is nothing like say The Untold Story if that's what you're looking for. Simon Yam exudes a petulant insanity that veers closer to clingy and pathetic than Anthony Wong's brutal monstrousness. And a lot of the film, given Danny Lee's daft involvement, is another awkwardly comedic policier about unorthodox cops matching the killer in senseless violence.
So if you are in it for brutality's sake, you will know where to find it elsewhere. But if you have cinematic stakes in the films you watch and moreover have been developing an aesthetically preoccupied eye, you may be strangely fulfilled.
Our killer is a night shift taxi driver and every night seems to rain hard, which means we get a lot of latenight city blues played on nocturnal asphalt.
The kills are a treat to watch: inside the car parked nowhere and every glass panel drenched with rain and illuminating flashes from faraway neon, hands and bodies convulsing as though a sexual sauna is going on.
And back in the killer's apartment, rays of light piercing through calligraphy painted on a blue wall.
And once the last victim makes a getaway, a frantic chase through pouring rain across a park like straight from a giallo.
Everything that has to do with violence and dying is sensual blues, purely stylized in a way that is erotic to watch. In film terms, this will remind you of the rain-soaked/ neon-bled yakuza films of Takashi Ishii in Japan. A bit of 80's Mann and Wong Kar Wai, minus too much urbane poetry.
So as far as gruesome nastiness goes, this is Category II at best. Watch as a stylized crime flick.
DOCTOR LAMB is another HK freak-show - this one is about a sick freak who kills chicks and videotapes and photographs the after-product. That's really all there is to this one. Not as memorable or as sick as THE EBOLA SYNDROME or THE UNTOLD STORY -in fact, DOCTOR LAMB plays out very much like THE UNTOLD STORY as it is told in flash-back sequences, where Yam tells the cops of his "misdeeds" after being caught, interrogated and tortured. Some decent scenes of necrophilia, dismemberment, etc...not a bad film if ya dig this sort of thing, just not as memorable as the aforementioned films. Simon Yam puts on a great performance as a psycho whack-job, but this one left me a little cold, so-to-speak...Worth a look as far as HK Cat III stuff is concerned, but don't expect too much. 7/10
P.S. - thanks to "extreme" film guru EMBALMER for alerting me to my Simon Yam/Anthony Wong mix-up that has since been corrected in this review - I've been watching too much of this stuff lately ;)
P.S. - thanks to "extreme" film guru EMBALMER for alerting me to my Simon Yam/Anthony Wong mix-up that has since been corrected in this review - I've been watching too much of this stuff lately ;)
The 'crime confessional' story device used here was much imitated over the next few years but this was the one that started the cycle. A taxi driving serial killer is caught and then, as he details his litany of crimes, the bulk of the movie plays out in flashback.
Most of the crimes take place at night and in the rain, and the reflected glare of wet windows lends everything an eerie Vaseline sheen of ickiness which accentuates the horror. The killer revels in the gory details of his crimes and the movie wallows right along with him, making a spectacle of every flying blood spatter. This is a gruesome exploitation movie and not for the timid, but quite compelling for its type.
Watch at your own risk.
Most of the crimes take place at night and in the rain, and the reflected glare of wet windows lends everything an eerie Vaseline sheen of ickiness which accentuates the horror. The killer revels in the gory details of his crimes and the movie wallows right along with him, making a spectacle of every flying blood spatter. This is a gruesome exploitation movie and not for the timid, but quite compelling for its type.
Watch at your own risk.
¿Sabías que…?
- TriviaBased on the life of Hong Kong serial killer Lam Kor-wan. He was arrested in 1982 after murdering four women.
- ErroresThe videotape of the final murder contains moving shots which would be impossible without someone to operate the camera.
- ConexionesReferenced in Xiang Gang qi an: Xi xue gui li wang (1994)
- Bandas sonorasDream Person
Performed by Guang Bai
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