Agrega una trama en tu idiomaJapan is caught in the middle of a three way battle between Godzilla, the divine Mothra, and her dark counterpart Battra.Japan is caught in the middle of a three way battle between Godzilla, the divine Mothra, and her dark counterpart Battra.Japan is caught in the middle of a three way battle between Godzilla, the divine Mothra, and her dark counterpart Battra.
- Dirección
- Guionistas
- Elenco
- Premios
- 1 premio ganado y 3 nominaciones en total
Opiniones destacadas
The 90's series makes way for Mothra. This time she's from the cosmos, as are her mini-twin lady friends. We're also introduced to Battra. One of the best things about this film is way each monster teeters between hero and villain. Each has a mission of their own, but they aren't exactly evil. It makes for much more interesting fights, and even a little depth to monster smash ups. The film begins as a strange Indiana Jones adventure film. Crumbling temples, rickety bridges etc. It adds for a little bit of unexpected fun before entering the world we are familiar with. Almost like if a Bond film started with a monster attack. Sure it's cheap and unoriginal, but for a film that has some boxes to tick, it's nice to have some variety. There is a heavy feminine touch to this movie. Toho trying to bring in the ladies to push up the box office receipts. The monsters have a lot more love and care, and we see a broken family at the heart of all this. This film really made me sit up during the destruction scenes. In broad daylight, it still looked real. The filmmakers now confident to compose images of monsters in the background and people in the foreground. It allows for some tremendous shots of absolute chaos, and stops the streets from seeming too empty.
GODZILLA AND MOTHRA: THE BATTLE FOR EARTH is a follow-up to GODZILLA VS. KING GHIDORAH and a remake of sorts of the '60s kaiju GODZILLA VS MOTHRA. This is hugely entertaining kid's movie, filled to the brim with colourful special effects, spectacular scenes of destruction, and an engaging human storyline to boot.
The film's influences are many and varied, as you'll soon guess with the opening sequence featuring an Indiana Jones-style character raiding the ancient ruins at Angkor Wat. Before long we're knee-deep in a storyline involving a crashed meteorite, a reawakened Godzilla, the eruption of Mount Fuji, the emergence of a world-destroying creature called Battra, and of course Mothra himself.
Special emphasis is given to the character of Mothra, who is as hilarious as ever. As much as I love the giant furry moth, there's something undeniably hilarious about the creature in caterpillar form too, especially when hanging on to Godzilla's tail. I like the way the writers hark back to the '60s movies with the presence of the tiny twins and Infant Island; all good stuff. Plus, there's more giant monster action here than in the last film, although there's still time for plenty of human characters to get involved in a wider-reaching plot than usual. The message here is of the usual "save the environment" variety but it doesn't get in the way of what is a hugely enjoyable piece of entertainment.
The film's influences are many and varied, as you'll soon guess with the opening sequence featuring an Indiana Jones-style character raiding the ancient ruins at Angkor Wat. Before long we're knee-deep in a storyline involving a crashed meteorite, a reawakened Godzilla, the eruption of Mount Fuji, the emergence of a world-destroying creature called Battra, and of course Mothra himself.
Special emphasis is given to the character of Mothra, who is as hilarious as ever. As much as I love the giant furry moth, there's something undeniably hilarious about the creature in caterpillar form too, especially when hanging on to Godzilla's tail. I like the way the writers hark back to the '60s movies with the presence of the tiny twins and Infant Island; all good stuff. Plus, there's more giant monster action here than in the last film, although there's still time for plenty of human characters to get involved in a wider-reaching plot than usual. The message here is of the usual "save the environment" variety but it doesn't get in the way of what is a hugely enjoyable piece of entertainment.
With this movie of the Heisei (1980s-1990s) series, I think Toho studios was on a role. With cool special effects and beautiful music, this became one of the top 10 grossing Godzilla movies. Who wouldn't like to see a rematch between Godzilla and Mothra. This movie is an update of the 1964 version of "Mothra vs. Godzilla."
Mothra's egg is exposed after a storm (or meteorite) hits it. A trio of explorers try to bring the egg to Japan under the influence of a greedy entrepreneur (sound familiar?). Godzilla appears out of the ocean to attack the explorers' ship, which is hauling the egg. The egg hatches into Mothra and the two do battle. The Peanuts, who played Mothra's twin priestesses in the 1964 movie, were succeeded by the Cosmos. They talk in unison, as usual. Dressed in pink with braided hairs and wearing Mothra signs, they bring back the traditional "Mothra's Song." If you're interested on buying a Godzilla soundtrack, see if you can track down the record version of this song, performed by the Cosmos with music by Akira Ifukube. It rocks! The song is sing in Malaysian, as always. However, in the record version, the Cosmos sing a verse of the song in Japanese. With echoing concepts from the original film this movie introduced a new monster, Battra (Mothra's evil twin), who is out to destroy earth but ended up helping Mothra battle Godzilla. How depressing to see the main guy Takuya (Indiana Jones?) in the film rooting for Mothra and Battra while battling Godzilla at an amusement park with his annoying ex-wife Masako and his irritating daughter Midori. She talks to the Cosmos and Mothra like she was talking to any human being. Where's her astonishment? Somebody should buy her a Godzilla toy and send her home!
Plenty of monster action, but I would have like to see Godzilla stomp on the city more and Mothra and Battra take a few more beatings from Godzilla, to the shock of the humans watching. And, I would have liked to see the Cosmos and their purpose emphasized more positively. They care for the Earth and wanted to appeal to its leaders to save the environment, but then again call for Mothra to save them from the entrepreneur while destroying Tokyo in the process??
Many of the characters in this movie is a little off-the-wall, with the exception of Miki Saegusa. She delivered another solid performance, helping to enhance the suspense of this story. She uses her psychic powers again, this time to track down the Cosmos.
Some sounds effects were a little off, like Godzilla's radiation beam sounding like it needs tuning and the larvae stage of Mothra sounds like it is on roller skates. But hey, this Godzilla flick is an satisfactory source of entertainment on a boring, weary weekend.
Grade C+
Mothra's egg is exposed after a storm (or meteorite) hits it. A trio of explorers try to bring the egg to Japan under the influence of a greedy entrepreneur (sound familiar?). Godzilla appears out of the ocean to attack the explorers' ship, which is hauling the egg. The egg hatches into Mothra and the two do battle. The Peanuts, who played Mothra's twin priestesses in the 1964 movie, were succeeded by the Cosmos. They talk in unison, as usual. Dressed in pink with braided hairs and wearing Mothra signs, they bring back the traditional "Mothra's Song." If you're interested on buying a Godzilla soundtrack, see if you can track down the record version of this song, performed by the Cosmos with music by Akira Ifukube. It rocks! The song is sing in Malaysian, as always. However, in the record version, the Cosmos sing a verse of the song in Japanese. With echoing concepts from the original film this movie introduced a new monster, Battra (Mothra's evil twin), who is out to destroy earth but ended up helping Mothra battle Godzilla. How depressing to see the main guy Takuya (Indiana Jones?) in the film rooting for Mothra and Battra while battling Godzilla at an amusement park with his annoying ex-wife Masako and his irritating daughter Midori. She talks to the Cosmos and Mothra like she was talking to any human being. Where's her astonishment? Somebody should buy her a Godzilla toy and send her home!
Plenty of monster action, but I would have like to see Godzilla stomp on the city more and Mothra and Battra take a few more beatings from Godzilla, to the shock of the humans watching. And, I would have liked to see the Cosmos and their purpose emphasized more positively. They care for the Earth and wanted to appeal to its leaders to save the environment, but then again call for Mothra to save them from the entrepreneur while destroying Tokyo in the process??
Many of the characters in this movie is a little off-the-wall, with the exception of Miki Saegusa. She delivered another solid performance, helping to enhance the suspense of this story. She uses her psychic powers again, this time to track down the Cosmos.
Some sounds effects were a little off, like Godzilla's radiation beam sounding like it needs tuning and the larvae stage of Mothra sounds like it is on roller skates. But hey, this Godzilla flick is an satisfactory source of entertainment on a boring, weary weekend.
Grade C+
This movie starts out pretty good, with realistic looking meteor falling to earth, but that's the end of good special effects for this film. Special effects director Koichi Kawakita must have been absent the day they shot this movie (although he is credited), because his previous film (Godzilla vs King Gidorah) was lot better than this one.
The only reason I could think of for this movie's special effect being so bad was that it was rushed for summer season when kids are off school. These movies are primarily targeted I believe for elementary school kids which I think is grave mistake on Toho's part, because many children enjoyed Gamera 3 which was not catering to younger audiences.
Asides from the above, this movie has more than few things in common with the original Mothra vs Godzilla (1964).
1. There's a corrupt real estate developer as the main protagonist.
2. A typhoon exposes Mothra's egg.
3. Two man and a woman goes on an expedition to Infant (Mothra) island.
4. It's two monsters against one Godzilla.
5. Actor Akira Takarada stars in both movies.
This DVD comes together with Godzilla vs King Gidorah which Toho created as their 60th anniversary project, which is one of the best Godzilla movie of the '90s.
The only reason I could think of for this movie's special effect being so bad was that it was rushed for summer season when kids are off school. These movies are primarily targeted I believe for elementary school kids which I think is grave mistake on Toho's part, because many children enjoyed Gamera 3 which was not catering to younger audiences.
Asides from the above, this movie has more than few things in common with the original Mothra vs Godzilla (1964).
1. There's a corrupt real estate developer as the main protagonist.
2. A typhoon exposes Mothra's egg.
3. Two man and a woman goes on an expedition to Infant (Mothra) island.
4. It's two monsters against one Godzilla.
5. Actor Akira Takarada stars in both movies.
This DVD comes together with Godzilla vs King Gidorah which Toho created as their 60th anniversary project, which is one of the best Godzilla movie of the '90s.
Number four in the Heisei Godzilla movies, and it's the return of Mothra!
However, there's a new monster thrown into the mix, the creature known as Battra!
Big G isn't too bad in this one. I'm not too sure about the sound of his atomic heat beam. I think it needs checking.
Mothra is back, but her larva form doesn't move in the way it did before. It's like she'd just propelled on rollers.
Battra is a very good newcomer. I don't know which form I like best, the larva or flying forms.
This is a good movie, but it's not the best.
However, there's a new monster thrown into the mix, the creature known as Battra!
Big G isn't too bad in this one. I'm not too sure about the sound of his atomic heat beam. I think it needs checking.
Mothra is back, but her larva form doesn't move in the way it did before. It's like she'd just propelled on rollers.
Battra is a very good newcomer. I don't know which form I like best, the larva or flying forms.
This is a good movie, but it's not the best.
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¿Sabías que…?
- TriviaMothra stars in the movie because a poll showed that she was the most popular monster among women, who made up the bulk of movie-going audiences. The lighter tone, the family-oriented romance story, and child main character were all put into the movie to appeal more to a crowd of women and children. These factors contributed to the film's box office success, becoming the most successful Heisei film and bring in profits not seen since the the golden age of the early 1960s.
- ErroresWhen the larva Mothra bites Godzilla's tail in the ocean, look closely at the base of the tail as it's tossing Mothra upwards. You can clearly see the tail is a separate prop on some kind of support that has distorted it's shape - widening it unnaturally.
- Citas
Miki Saegusa: [using her psychic powers to locate Cosmos] Wait, turn off the radio! I can hear it... their song... it's close!
- Versiones alternativasThe US version cuts a majority of the ending credits, shortening the runtime from 102 minutes to 100 minutes.
- ConexionesEdited into Godzilla Tales: Godzilla & Son Exterminators (2020)
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- How long is Godzilla and Mothra: The Battle for Earth?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Godzilla and Mothra: The Battle for Earth
- Productora
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total a nivel mundial
- USD 35,566,037
- Tiempo de ejecución
- 1h 42min(102 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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