Miss Marple (1984-92): The Mirror Crack'd from Side to Side

I can hardly believe that three British people above have referred to the beautiful Claire Bloom as and American actress. One of them credited her being American with having enlivened the proceedings, and one blamed her being American for faults in the production.

Can it be that British people don't know that she is regarded in the United States as one of the most distinguished English actresses? She made her debut in Charlie Chaplin's LIMELIGHT. And could anyone seeing her as Lady Marchmain in BRIDESHEAD REVISITED imagine that she was anything but English? She also appeared on British television as Joy Davidman in SHADOWLANDS.

I think on seeing the 1981 Hollywood version and the 1992 version I do feel that being 'British myself that it is much better to keep to the authors way of telling the story as this is Agatha Christies way and that is why she is so popular. As for Joan Hickson playing the part of miss Marple I feel she is perfect and that Agatha Christie was right in her choice and of course she must be right. As to the plots they are meant to be intriguing and complicated not to be made easy to work out .

And so the fabulous BBC productions of the Miss Marple stories draw to a close... perhaps not the best of Christie's stories, but it still offers many delights as a piece of television, including the reappearance of a host of familiar characters from previous outings. It would appear this was Watford's last screen appearance before her death in 1994, and watching her recreate Dolly Bantry is therefore bittersweet. The timing, intonations and tiny details she brings to the part are delicious (as they were in The Body In The Library), and all her scenes with Hickson are quite wonderful. The story is probably a tad convoluted, yet it really is the small details that make it another triumph - Dolly and friends' reaction to the marble bathrooms; Mrs. Brogan's hilarious 'buttering' (totally authentic); Hickson's disapproval of Miss Knight's fussing. Slightly confusing that Castle's clever depiction of D.I. Craddock has now become another of Jane Marple's nephews (they weren't related in A Murder Is Announced), but it's still a joy to see him return in another cloud of cigarette smoke.

So, all this and one last brilliant, expertly crafted portrayal of "the Marple woman" by Joan Hickson. Now all we need is for someone to revisit Ms. Hickson's career and issue some of the many films she appeared in on DVD.

So, here we are with the redoubtable Miss Marple, a lovely Claire Bloom and a fine cast. Some of the neighborhood regulars are back, like Ms. Bantry, the maids, Inspectors Slack and Craddock. It is fun to be at Gossington Hall again, albeit under new owners. Of course, that's key to the storyline and adds to the interest. I liked Ms. Bantry before and again in this. The relationship between her and Ms. Marple is interesting. Somehow, their talks offer up a spark that leads to a rewarding line of inquiry. Inspector Slack is always an entertaining character, in attitude expressing looks, droll remarks and the die hard approach he always takes, many times in error.

One review here mentions a part of the book that greatly impressed me as well. It was a description of Heather Badcock. In the allusion to her village parallel, Alison Wilde, she says, "… She didn't know what people were like. She'd never thought about them. And so, you see, she couldn't guard against things happening to her. It comes really from being self-centered and I don't mean selfish by that. You can be kind and unselfish and even thoughtful. But … you never really know what you may be doing … most people have a sense of protection. They realize when it's unwise to say or do something because of the person or persons who are taking in what you say, and because of the kind of character that those people have. But as I say, AW never thought of anybody else but herself. She was the sort of person who tells you what they've done and what they've seen and what they've felt and what they've heard. They never mention what any other people said, or did. Life is a kind of one-way track, just their own progress through it. Other people seem to them just like – like wallpaper in a room. I think HB was that kind of person."

And of Ms. Badcock particularly, "… she wasn't a considerate woman. Kind, yes. Considerate – no. She would be fond of him (her husband) and look after him when he was ill and see to his meals and be a good housekeeper, but I don't think she would ever – well, that she would ever even know what he might be feeling or thinking. That makes a lonely life for a man."

However, Ms. Marple did speak most of this in this adaptation, which was revealing of the woman's vulnerability to danger.

Some say this is a weaker entry in the BBC Marple lineup, but I don't see it like that. The 1980 version with Taylor/Hudson et al. and Lansbury as Ms. Marple strayed more from the book - well, it's the Hollywood treatment. Some compare this BBC version to that since it came along later, but shouldn't. The BBC series is entirely truer. They did it right. The village and settings are always wonderful. I enjoy it thoroughly, one for the collection to see regularly. This gets a "well done" from me.

The village is all of a buzz at the news that the Hall has been bought by American film star Marina Greg and her husband Jason Rudd. When Greg throws a garden party of the locals it ends badly whenever a local woman from the St John's suddenly falls ill and dies. The autopsy finds that she has been poisoned and that it most likely came from a drink – a drink intended for Marina Greg. With such a high profile murder on his hands, Superintendent Slack calls for help in the form of DI Craddock, who also happens to be the nephew of one Miss Marple. With her insightful mind and his detective work the future is bright but the ongoing threats against Greg shows that time is not on their side.

It is ironic that some fans of the BBC's Miss Marple don't rate this film as highly as some others because personally I think this is one of the more enjoyable ones I have seen recently, probably for the same reasons that others don't. It might be the presence of American accents, or the use of the film world as a backdrop or the use of humour within the plot and characters but somehow this film had more life and energy to it than some of the other films. The plot moves along quickly and we have the death within thirty minutes rather than the usual hour; this means we spent little time dawdling before the story starts. After this point it keeps up a good pace and is enjoyable from start to finish. The mystery itself benefits from the pace and avoids the trap of being deadly dull, becoming something that feels a bit lighter and more entertaining – although fans of CSI will still struggle with the rather sedentary pace it still has in common with the rest of the series.

The addition of comedy to the character of Miss Marple is welcome, as is the way she is a bit edgy and rude at times (well, by comparison anyway). Hickson takes to this well – playing off her housekeeper well and having a frustration that I hadn't seen before. Castle works well as her nephew and leads the investigation well as a sort of sidekick to her. The presence of Bloom and Newman add a bit of class to proceedings and by virtue of being American help to loosen the rather tight corset that this series always wore. I thought Gregory's (Fenn) accent was awful but when I found out he was American I realised that it must just be an all round bad performance rather a problem with accents. Support is roundly good and all do their bit to keep the film moving by never being too stiff or "English".

Overall this is not the film that will win fans of the MTV mystery series (CSI etc) but it is one of the lively films from the BBC Miss Marple series. The story, characters and tone all work together to produce a rather flowing story that has more interest and pace to it than I have seen in other Marple films and it made it more fun than usual.