Waterland

And this movie excels in bringing this to life in a believable way. Jeremy and his wife Sinead excel as the older couple in this as do their younger selves portrayed by different actors. There is a wonderful love story threading through the whole movie and you are not too sure where it is heading. Jeremy plays a history teacher in the US, I understand that the book had him teaching in England where the first half of the movie takes place. Waterland refers to land that has been reclaimed from the ocean and is extremely flat with streams and water running through it. He is married to his childhood sweetheart and they have both been traumatized by an event that took place while they were in their teens. There is an aura of sadness around them 20 years later as they arrive at the doorway to middle age and the long held pain within the wife starts to manifest itself in strange ways. I see the waterland of their youth as allegorical in this, the reclaiming of their lives from their childhood tragedy. Some of the history lessons were a little awkwardly done, I found them forced and a key plot twist I could see from a mile away, but on the whole this movie captured my attention and I gave it an 8 out of 10. It would not be to everybody's taste.

A wondrous journey into a dark and troubled mind. Jeremy Irons is in his prime acting form here, as a teacher. Here he tries to enlighten his students with brooding flashbacks of his troubled teen life. The director also allows the students to interact with the flashbacks creating a dreamy, wondrous gloss over some very disturbing imagery. If you loved the Cell and Seven than this may have been one you missed. A must see.

Here is one of the best films of the 1990s. I remember the first time I saw it, I wasn't too sure what to think. I've seen it countless times in the last six or so years, since that first viewing. I am completely in awe every time I watch it. In awe of the way Jeremy Irons conveys sadness better than any actor working today. In awe of the hypnotic score, the sense of mysterious longing it evokes. In awe of everything here...

I swear this film breaks my heart every time I see it.

Jeremy Irons, everybody's favorite morose Englishman, plays a high school teacher who basically has a nervous breakdown (more like a meltdown) in class; and over the course of several class sessions, tells his pupils his own life story, growing up in rural England in the post-war years. This includes his high school sweetheart, to whom he is married, and his mentally retarded older brother.

The movie consistently takes turns for the weird. The teacher's wife has a habit of snatching unattended babies and bringing them home; we learn that she is unable to have children, but the reason for this is not revealed until a climactic scene that some viewers may find very difficult and painful to watch.

The teacher actually brings his students, physically, into the setting of the story at one point ... there they are, walking around, looking at things... a class field trip into the teacher's past. A very young Ethan Hawke plays a troublesome student who connects with Jereme's character by the end of the story.

Most of the surrealistic elements work well, others are just ... odd. For example, at one point, Jeremy Irons' character pauses in the middle of his narrative, because one of his female students who is sitting at a desk in the classroom is completely naked. Okay ... maybe there was supposed to be some kind of symbolism behind this image, but it seemed a little gratuitous.

Overall, I'd have to give it **** of *****.

This is a dark brooding movie that hooked me the first time I saw it. I've enjoyed watching it a number of times ever since.

Jeremy Irons is, as Leonard Matlin indicates in his review, superb in his role. There's a great deal of darkness and certainly some degree of socially deviant behavior in the film. But it's very much the darkness that provides the drama and meaning to the story.

It's a beautifully photographed film. I thought Lena Headey was quite good in addition to being stunning. Sinead Cusack and all of the supporting cast were quite good. It is an eccentric film, but I believe it comes through as a very fine piece of film making.

It strikes me as being very underrated by the users' ratings. This is probably due in the main to the darkness of the film and its most definite lack of Hollywood style optimism. The lower ratings might also be due to what might be interpreted as a conservative message. I am not a political conservative--God forbid! However, the message that there can be unforeseen and terrible consequences from our actions is something that all of us could well profit from. Very fine movie, but certainly not for those that dislike "the bad taste of things"--or the tragedies of life.