Waterland

Jeremy Irons, everybody's favorite morose Englishman, plays a high school teacher who basically has a nervous breakdown (more like a meltdown) in class; and over the course of several class sessions, tells his pupils his own life story, growing up in rural England in the post-war years. This includes his high school sweetheart, to whom he is married, and his mentally retarded older brother.

The movie consistently takes turns for the weird. The teacher's wife has a habit of snatching unattended babies and bringing them home; we learn that she is unable to have children, but the reason for this is not revealed until a climactic scene that some viewers may find very difficult and painful to watch.

The teacher actually brings his students, physically, into the setting of the story at one point ... there they are, walking around, looking at things... a class field trip into the teacher's past. A very young Ethan Hawke plays a troublesome student who connects with Jereme's character by the end of the story.

Most of the surrealistic elements work well, others are just ... odd. For example, at one point, Jeremy Irons' character pauses in the middle of his narrative, because one of his female students who is sitting at a desk in the classroom is completely naked. Okay ... maybe there was supposed to be some kind of symbolism behind this image, but it seemed a little gratuitous.

Overall, I'd have to give it **** of *****.

Tom Crick (Jeremy Irons)'s wife Mary is obsessed with having a baby even thought she's well past her time. He's a history teacher struggling with know-it-all student Matthew Price (Ethan Hawke) and a restless class. He recounts his youth in the Fens in England to his class enticing them with a tale of murder. The younger versions are played by Grant Warnock and Lena Headey.

The modern day story is highlighted by the push and pull of Jeremy Irons and Ethan Hawke with Cara Buono as the teacher's pet. Director Stephen Gyllenhaal uses locations as a way of bringing the class into his story. The modern class interacts with the old stories like they are actually inside the stories.

The big discovery is Lena Headey. It's her first big film and she crushes it. She and Grant Warnock have good chemistry as young lovers. The movie is generally dreary. It's tone dark. The old story has a sense of foreboding. Mary's madness is foreshadowing something sinister in their past.

The pace is slow and takes a little too much pleasure in withholding its secret. It needs to be more interesting especially in the middle. It meanders as Hawke and Irons walks down memory lane. It isn't the most exciting thing to watch them talk about the past. A more straight forward return to the old story is probably better. Once it goes back to Headey and Warnock, the movie moves along fine. Every time it goes back to Hawke and Irons, the movie slows down because the present storyline isn't the compelling part.

Jeremy Irons,in another in a long line of outstanding performances, plays a high school history teacher who becomes as disillusioned as his students with dry facts and figures and takes them on a field trip though his mind as he relates his own personal family history to them.This is a fascinating,thought provoking film.At one point,fellow teacher John Heard asks him what to tell parents who want to know why their kids should be learning history if it isn't going to help them get a good job when they graduate.The answer to this question is the main reason why parents should stick to parenting and teachers to teaching.Great music score and excellent cinematography,this film is a rewarding experience.

This film is a complex intricate look at sexuality, history, Freud, and superstition all based in the living metaphor of England's fen land, or marshes. It is no coincidence Swift chose to set this incredible story about navigating the labyrinths of jealousy and history- personal and local, using a landscape riddled with secret channels and muddy hidden waters.

The acting is superb, and like Ian McEwan's Atonement, looks unflinchingly at the depths of personal tragedy, and history, and their long lasting effects on us as humans, all in the context of historical events.

The Fenland is an area deeply steeped in history, going back before the Romans.The film touches literally the taboo of early sexual longing ( male and female)and leaves us to look at the costs of opening Pandora's's box.

Swift is a gifted and beautiful writer and I have read this book several times. The film is a credit to the book, which is an unusual statement for films. The film complements the book much in the same way the film of Unbearable Lightness of Being complemented that book.

This is a masterful work.

And this movie excels in bringing this to life in a believable way. Jeremy and his wife Sinead excel as the older couple in this as do their younger selves portrayed by different actors. There is a wonderful love story threading through the whole movie and you are not too sure where it is heading. Jeremy plays a history teacher in the US, I understand that the book had him teaching in England where the first half of the movie takes place. Waterland refers to land that has been reclaimed from the ocean and is extremely flat with streams and water running through it. He is married to his childhood sweetheart and they have both been traumatized by an event that took place while they were in their teens. There is an aura of sadness around them 20 years later as they arrive at the doorway to middle age and the long held pain within the wife starts to manifest itself in strange ways. I see the waterland of their youth as allegorical in this, the reclaiming of their lives from their childhood tragedy. Some of the history lessons were a little awkwardly done, I found them forced and a key plot twist I could see from a mile away, but on the whole this movie captured my attention and I gave it an 8 out of 10. It would not be to everybody's taste.