El Informe Pelícano

Love it. It's an enjoyable story and Julia & Denzel are a deligt to see.

Another John Grisham novel becomes an entertaining thriller that opens with the murder of two Supreme Court justices. A Tulane law clerk suspects that the killings are too much of a coincidence and suggests that a Louisiana oil magnate and the White House may be involved. Determined to find out the truth, the clerk's research puts her life in danger, which is clear enough when her law professor is killed. Julia Roberts spends most of the film on the run, dodging killers and murder plots. Denzel Washington is a reporter who get pieces of information from an unknown source and eventually Roberts and Washington team up to investigate the assassinations. The film has complicated twists as Roberts and Washington work together to stay out of harm's way as their investigation points its compass at the White House. The supporting cast is great as are all the tech credits and James Horner contributes a nice music score.

JULIA ROBERTS is a damsel in distress when she writes a brief, theorizing what and who was behind the murder of two Supreme Court justices. DENZEL WASHINGTON is the investigative reporter who sees some merit in her theory and reluctantly decides to offer his help in tracking down the bad guys.

It's based on a terrific John Grisham thriller and given a well crafted script, good performances and taut direction from Alan J. Pakula. I'm not a fan of either Roherts or Washington, so for me to praise this movie shows you how suspenseful and entertaining it is as a thriller.

The overrated Julia Roberts is a huge box-office star who never once appealed to me despite her enormous popularity and Denzel Washington is a competent actor who sometimes does extra fine work--but neither one would win a popularity poll with me.

So, with that personal bias showing, I still give THE PELICAN BRIEF a respectable rating because it does what it sets out to do--it keeps you hooked until the ending after a few unexpected plot twists totally in keeping with this kind of story where the heroine is in peril because she knows too much.

Well worth a view.

Back in 93 when this film rocked box offices, I was 13 and obsessed with it. I was such a weirdo lol. It was mostly Julia Roberts and she is still one of my favorite actresses. She stars as Darby Shaw a young law student having relations with her professor. She creates a document called the pelican brief as an explanation of why some Judges were murdered. Her lover passes it off to his friend in the bureau and it begins to circulate leaving dead bodies in its wait, Including her boyfriend. Suddenly she's on the run and finds solace when she reaches out to an investigative reporter played by a solid Denzel Washington. Together they must try and survive so that can get the truth out. Watching it now it's still quite entertaining but Roberts is a little over emotional and the actual brief is never fully explained. It's undoubtedly fun but their characters and the plot aren't developed enough to truly be effective. The end it's smart popcorn entertainment.

Budget: $45m Domestic Box Office: $101m Worldwide Box Office: $195m

3.5/5

John Grisham's bestseller becomes paranoia thriller directed capably by Alan J. Pakula. "Eager beaver" Louisiana law student Julia Roberts does some home research trying to connect the backgrounds of two Washington, D.C. Supreme Court Justices who were murdered; her theories regarding the two men--who wanted them dead and why--turns out to be scarily accurate. The brief manages to get into the hands of top Presidential aides, and soon a contract is put out on her life. Shady political business is mixed with detective yarn and a (semi) love story between Roberts and stalwart newspaper journalist Denzel Washington, who is excellent. Smoothly done commercial package, well-paced and entertaining, though exceptionally far-fetched (which parlays into the enjoyment factor). Roberts pouts too much, and her first meeting with Washington (talking in a weepy whisper) is awful, but there is chemistry between the two and they help gloss over the more nonsensical parts of the script (such as a chase through a parking garage--full of cars but no witnesses--and the ridiculous, fatuous way the writers explain Roberts' seemingly unending credit and cash flow--"I have the money my father left me"). The supporting cast is filled with recognizable character actors all playing two-faced sons-of-bitches, with the minor exception of John Lithgow doing a nicely benign turn as the editor at Washington's paper. *** from ****