The Sea Wolf

The film narrates how a cocky young (Christopher Reeve) and a beautiful girl (Catherine Mary Stewart) are shipwrecked and picked up by a ship called ¨the Ghost¨commanded by captain Larsen (Charles Bronson) , a ruthless but clever seaman , reader of Shakesphere , Nietzsche , Darwin and Milton (The lost time). The couple become themselves in accidental passengers confronting wits and taking on brutal sailors (Clive Revell) and only helped by an alcoholic doctor (Len Cariou) and a good seaman (Mark Singer).

The picture is a fine television adaptation of the famous homonymous novel by Jack London scripted by Andrew J. Fenady (producer too , along with Ted Turner). The film has intelligent character studio , showing on the various main-support roles and stunningly playing the tale . Thus , Charles Bronson is magnificent as the obstinate and brutal captain who's really obsessed to track down his brother . One of the few times Charles Bronson performed a villainous person since he became a top international star in the early 70's , at the time he generally played vigilantes in Michael Winner and J. L. Thompson films . Christopher Reeve (recently deceased) as his contender with too much wishes to escape is splendid . Catherine Mary Stewart is enjoyable and enticing . Special mention for secondary cast, Len Cariou as the kind boozy doctor is excellent and Clive Revell as the nasty cook who mistreats to Reeve is outstanding. The black and white classic version novel is the greatest and was directed by Michael Curtiz in 1941 with Edward G. Robinson (Larsen), Alexander Knox (Reeve's role), Ida Lupino (Catherine Stewart's role) and John Garfield (Singer's role). The flick will appeal to seafaring adventure genre enthusiasts and of course Bronson and Reeve fans. Rating : 6.5/10 . Well worthwhile seeing.

Coming in during the later years, this was another one to tick off from actor Charles Bronson's long-winding filmography. "The Sea Wolf" (which is based on the novel by Jack London and has quite a few film adaptations before it) is a very good made for television ocean adventure enterprise, which relies on the strong performances of Bronson and Christopher Reeve. It's their characters and a battle of wills between them not to give in that makes it quite interesting, but at the same time gripping with their chats on philosophy. There's admiration, but also detest. Reeve is credibly tuned in as wealthy gentleman Humphrey Van Weydan who finds himself at the mercy of the cold-blooded, madman captain Wolf Larsen, a hardy but complicated portrayal by Bronson. For Wolf its amusing watching Humps (his ship nickname) trying to adapt to the conditions… because he's out of his comfort zone… being civilised doesn't work and what it comes down to is primal instinct. The sea has no laws. Learn or die. Which Wolf believes Humps would soon turn to, because he likes to say I told so… but Humps remains determined not to give in too easily. Wolf is a tyrant as he seems to use everybody on board as pieces for his own enjoyment, which leads to treachery and his own demise.

Aristocrat Humphrey Van Weydan and Flaxen Brewster are survivors of a ferry shipwreck, which are plucked out of the ocean by Wolf Larsen, a skipper of a seal-hunting ship. Wolf won't turn back for land, despite the lady Flaxen not being in good shape. Humphrey learns that his stuck on a ship with a psychotic skipper, but tries his best to keep a level-head throughout the voyage.

Director Michael Anderson's ("Around the world in 80 days", "Logan's Run" and "Orca") compact handing suit's the film's low scale, where obvious set-pieces are constructed around its simple, but assured narrative. At times it looks cheap and stagy, but it's competently pulled off with moments of taut suspense and stinging acts of brutality. Andrew J. Fenady's teleplay adaptation bestows an enthralling literate script with well drawn up characters, fascinating viewpoints and psychological banter. Sometimes it got a little bogged down, during the growing affection between the characters Humphrey and Flaxen and the waterlogged conclusion is not as strong as it could've been. Still its well judge, and liked how it keeps a dark undertone to it… namely that of Bronson's tough, intimidating performance. The cast also features Catherine Mary Stewart, Marc Singer, Len Cariou and a perfectly weasel-turn by Clive Revill.

Two evergreen actors Charles Bronson and Christopher Reeve.

I caught this version of The Sea Wolf when it was originally broadcast and was very pleasantly surprised. Christopher Reeve did his usual excellent job, playing the, literally, wet-behind-the-ears socialite quite out of his element and who must toughen up or die. Although I was at first skeptical of the performance Bronson would turn in, he made the role his own. No one plays stone-faced determination like Bronson and he seems well-suited for this role. It is a rare, noted performance in the classic movie star's latter years. The clash of these two characters, and actors, drives the movie from a slow-burn to a fever-pitch intensity. Although I had read the book, I was on the edge of my seat, waiting to see how Bronson and Reeve would interpret their parts in the next scene.

For those who saw the black and white version of 1941 starred by E.G. Robinson, John Garfield and Ida Lupino, this remake is far away to be of the same quality as this one. Bronson is never at the altitude of Robinson, he is a kind of soft Wolf while Robinson played a real tough one. Reeve tried to be at the same level of Garfield, but again unsuccessfully. This remake is only better in its photography and colors, but the cast of 1941 version acted simply masterfully.