Shadowlands

Anthony Hopkins and Debra Winger are perfectly cast in this beautiful film that contains what maybe the best and most haunting scenes in the history of motion pictures.

I didn't realize that there was almost no music until the third time I watched it. Hopkins delivers a career-best performance and Joseph Mazzello (as Winger's son) is terribly underbilled (his performance is superb), and I have no idea why Shadowlands didn't even land a Best Picture Academy Award nomination, it's certainly worth the price of the rental.

+ (GOOD THINGS) 1.) Death scene 2.) Chemistry between Hopkins and Winger 3.) Richard Attenborough's direction 4.) Hopkin's performance 5.) William Nicholson's script 6.) Winger's performance 7.) Joseph Mazzello's performance

• (BAD THINGS) 1.) Winger's accent

Total: 9.5/10

Many people seeing this film who are familiar with CS Lewis' writings will be tempted to be disappointed.

They should not be. In defense of this film and the method used to get the results, I have two things to say.

The first, and by far the most important, is that spiritual films are very difficult to make -- especially if one is speaking about something above one's head. That's why the life of Jesus is such a difficult subject and has met with so little success, at least from an artistic point of view.

Even Mel Gibson's Passion suffers from this to some extent. I would say his representation of the Passion reflect more of our times and what we consider to be important than on the ministry of Jesus. I may be wrong; I am not a believer so my opinion may not matter. But what is true is that no matter what your belief, spiritual man (Jesus, Mohammed, Buddha and others) are very hard to make biographies of. In my opinion what they represented survived not because we have understanding, but because our instincts tell us they are what we should be. It is not a mind thing at all. AND FILMS REQUIRE OUR MINDS, at least to make them. It would take a soul equal to that of Christ to make a film about Christ.

To a far lesser extent, that is true of CS Lewis. His was a very complex theology dressed in wonderful parables. He had a great understanding of the parables and used the same technique. It does little good to discuss his theology in a film that is about 2 hours long. In fact, the viewer is sort of expected to know something about his writings and theology.

Which brings me to my second point. Perhaps it is because I am over 60 and not been brought up on Romances that I find this one so appealing. Here was a man that had lived his entire life one way, mostly in his mind, when he was confronted with feelings that demanded he reinterpret everything he believed. How many of us at his age could do what CS Lewis did?

Here was a man that thought one way and was forced to live another. What the mind is a very poor substitute for what our emotions understand. CS Lewis was very quick, I think, to recognize this and embraced it completely once he found it out.

Douglas Davidman Gresham (Joy Gresham's son), has said that the film is perhaps not completely factually correct, but the emotion representation is "spot on".

For me, no truer words could be spoken. What does it matter what details are missing, or changed because we have only 2 hours to tell a story? What matters is that we see the humanity of the man and his wonderful ability to embrace openly his new found emotions are what matters. And to put this into his spiritual structure was even more remarkable.

It's a good film. Enjoy it and pay attention. It requires an open heart and an open mind. Give it both.

The true story of British writer C. S. Lewis who, despite his comfortable bachelor life, falls in love with a lively, spirited American poet played extremely well by Debra Winger. Excellent script, and direction along with outstanding performances by the supporting cast.

A few years ago, I had the pleasure to correspond with Douglas Gresham. (FYI, Douglas is Joy's son -- thus C.S. Lewis step-son -- played by Joseph Mazzello in this film.) I had recently seen Shadowlands, and so I asked Douglas how "true to life" the picture was. He told me that some details (dates, places) had been changed slightly for obvious dramatic/story-telling reasons, but that the "spirit" and "feeling" of all the emotions portrayed in the movie were perfectly accurate. That's exactly what it all felt like, he said.

I own the movie (and the soundtrack), and have seen it a dozen times... and I still get teary-eyed at the scene where Douglas and Jack cry in each other's arms... this movie rates a perfect 10 from me; I can't find any fault with it at all.

I watched this film as I'm a sucker for weepies. I didn't know that it was about CS Lewis, a little naive, you may say, but I just saw that it had a good rating in the TV guide and so I set the video to record it. I have told my family that I will kill them if they ever record over this film! It is beautiful. No background knowledge of the life of CS Lewis is needed- just sit back and enjoy. Some people may criticise such things as Debra Winger's accent and the fact that Douglas (Joseph Mazzello) should have had a brother in the film, but ignore them and let yourself be submerged in the sheer excellence of the film. The best line, for me, is when Hopkins, as Lewis, is teaching his class and tells them that "The most intense joy lies not in the having, but in the desire. The delight that never fades, the bliss that is eternal, is only yours when what you most desire is just out of reach". It will leave you crying yet contented. Watch this film, but do so with a box of tissues. If you leave the room to get something, you will without fail miss something. Not a moment of this movie must be missed!