Middlemarch
- Miniserie de TV
- 1994
- 54min
Un grupo de personas se esfuerzan por dar sentido y valor a sus vidas durante la Revolución Industrial.Un grupo de personas se esfuerzan por dar sentido y valor a sus vidas durante la Revolución Industrial.Un grupo de personas se esfuerzan por dar sentido y valor a sus vidas durante la Revolución Industrial.
- Ganó 3premios BAFTA
- 6 premios ganados y 5 nominaciones en total
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- TriviaTwo days before filming the Rome museum scene, the production team learned that permission to film in a historic palazzo was rescinded for political reasons. The team scrambled to find an alternate location in time to keep the shoot on schedule, and found such a place in the Palazzo Doria-Pamphili. They later learned that this was the place where George Eliot met the man on whom she based the character of Will Ladislaw, the man she eventually married.
- Citas
Dr. Tertius Lydgate: The reason doctors prescribe so much medicine, Mr. Mawmsey, is because it's the only way they can make their money. If they could charge for their consultation then they wouldn't have to overdose the King's legion. And that's the worst kind of treason, eh?
- ConexionesFeatured in George Eliot: A Scandalous Life (2002)
Opinión destacada
Of all of George Eliot's novels, all of which are at least worth reading, Middlemarch gets my vote for personal favourite. It's an incredibly rich story in detail and emotion and the characters are human and complex, though some like Casaubon are purposefully not very likable. And what a brilliant adaptation this is, even better than 2002's Daniel Deronda and that was fabulous as well. Both share the same virtues but 1994's Middlemarch for me is superior because the ending is far more satisfying(if not as bleak as the source material). Middlemarch from a visual stand-point is of very high quality to look, the locations are just splendid, the costumes and period detail very authentic with an eye for detail and the series is wonderfully shot as well, simple but not simplistic and expressive but not overly-elaborate. The music is sensitively orchestrated and understated, not sounding out of place whatsoever. The writing is as rich and human as that in the book, the social commentary strongly emphasised without falling into the trap of swamping things. It also is delivered naturally, has a sense of structure and flow and is adapted intelligently. The adaptation is very faithful(apart from the omission of one plot-point), and the constantly riveting storytelling is layered without trying too hard or feeling bloated. It is easy for a faithful adaptation to be bogged down from being too faithful or trying to do too much, Middlemarch doesn't do that. The pacing is relatively slow and deliberate but the adaptation benefits from that. As anybody who's a fan of the book would argue for a book as detailed as Middlemarch is that that kind of pacing is needed so that it all makes sense and has time to breathe and resonate. The same can also be said for the long(around the 6-hour mark)length. The direction is controlled and subtle, doing nothing to undermine the drama within the story, and the acting is excellent from all. Robert Hardy in particular is a joy to watch, and Michael Hordern also seems to be having a ball. Juliet Aubrey plays Dorothea with strength and passion though the wild streak may take some getting used to, Douglas Hodge is appropriately dashing and idealistic and Rufus Sewell full of brooding charisma. Patrick Malahide makes for a creepy Casaubon, and Judi Dench's voice over is wonderfully sincere and makes the story comprehensible for those unfamiliar and manages to do that without feeling too obvious. To conclude, in every way this adaptation of Middlemarch is brilliant and does justice to a literary masterpiece. 10/10 Bethany Cox
- TheLittleSongbird
- 25 dic 2013
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By what name was Middlemarch (1994) officially released in India in English?
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