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Cuatro bodas y un funeral

Título original: Four Weddings and a Funeral
  • 1994
  • B
  • 1h 57min
CALIFICACIÓN DE IMDb
7.1/10
176 k
TU CALIFICACIÓN
POPULARIDAD
2,052
179
Rowan Atkinson, Kristin Scott Thomas, Hugh Grant, Andie MacDowell, Simon Callow, John Hannah, and Charlotte Coleman in Cuatro bodas y un funeral (1994)
Home Video Trailer from Gramercy Pictures
Reproducir trailer0:31
1 video
99+ fotos
Comedia oscuraComedia románticaSátiraComediaDramaRomance

En el transcurso de cinco actos sociales, un soltero comprometido debe considerar la idea de que puede haber descubierto el amor.En el transcurso de cinco actos sociales, un soltero comprometido debe considerar la idea de que puede haber descubierto el amor.En el transcurso de cinco actos sociales, un soltero comprometido debe considerar la idea de que puede haber descubierto el amor.

  • Dirección
    • Mike Newell
  • Guionista
    • Richard Curtis
  • Elenco
    • Hugh Grant
    • Andie MacDowell
    • James Fleet
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.1/10
    176 k
    TU CALIFICACIÓN
    POPULARIDAD
    2,052
    179
    • Dirección
      • Mike Newell
    • Guionista
      • Richard Curtis
    • Elenco
      • Hugh Grant
      • Andie MacDowell
      • James Fleet
    • 320Opiniones de los usuarios
    • 80Opiniones de los críticos
    • 81Metascore
  • Ver la información de producción en IMDbPro
    • Nominado a 2 premios Óscar
      • 24 premios ganados y 27 nominaciones en total

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    Trailer 0:31
    Four Weddings and a Funeral

    Fotos428

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    Elenco principal67

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    Hugh Grant
    Hugh Grant
    • Charles - Wedding One
    Andie MacDowell
    Andie MacDowell
    • Carrie - Wedding One
    • (as Andie Macdowell)
    James Fleet
    James Fleet
    • Tom - Wedding One
    Simon Callow
    Simon Callow
    • Gareth - Wedding One
    John Hannah
    John Hannah
    • Matthew - Wedding One
    Kristin Scott Thomas
    Kristin Scott Thomas
    • Fiona - Wedding One
    David Bower
    David Bower
    • David - Wedding One
    Charlotte Coleman
    Charlotte Coleman
    • Scarlett - Wedding One
    Timothy Walker
    • Angus the Groom - Wedding One
    Sara Crowe
    Sara Crowe
    • Laura the Bride - Wedding One
    Ronald Herdman
    • Vicar - Wedding One
    Elspet Gray
    Elspet Gray
    • Laura's Mother - Wedding One
    Philip Voss
    Philip Voss
    • Laura's Father - Wedding One
    Rupert Vansittart
    Rupert Vansittart
    • George the Boor at The Boatman - Wedding One
    Nicola Walker
    Nicola Walker
    • Frightful Folk Duo - Wedding One
    Paul Stacey
    • Frightful Folk Duo - Wedding One
    Simon Kunz
    Simon Kunz
    • John with the Unfaithful Wife - Wedding One
    Rowan Atkinson
    Rowan Atkinson
    • Father Gerald - Wedding Two
    • Dirección
      • Mike Newell
    • Guionista
      • Richard Curtis
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios320

    7.1175.8K
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    Opiniones destacadas

    7rooprect

    Hated it when I saw it in '94, loved it last night

    When I saw this film in '94, I was expecting something a little snappier & edgier like the rom-coms of the time (such as "Singles" or "When Harry Met Sally"). Instead, its low-key, subtle, British presentation caught me off guard and left me a little bit unfulfilled.

    I now realize that's because I was an idiot at the time. Subtlety is this film's strength, and Hugh Grant's performance is impeccable in that regard. There aren't a lot of wisecracking zingers or situational craziness, but Hugh's portrayal of a cute, clueless, British playboy is something he does par excellence. Andie McDowell's portrayal of a disconnected, almost soulless enigma is equally compelling, although on first viewing I didn't understand the character.

    The comedy comes through Hugh's strained reactions to the insane situations he finds himself in. Things happen that would reduce a normal human to hysterics, but Hugh is forced to ride it out with proper British decorum. For example, there's one scene where finds himself stuck at a table with EVERY ONE of his ex-girlfriends, trying to play it off as politely as possible while they take turns freaking out at him.

    Something to note: Unlike films like "Harry Met Sally" and "Singles" which focus equally on the characters, this movie is essentially from Hugh's viewpoint, and Andie's character is almost peripheral. With that in mind, it's not a standard love story between two people. Instead it's about one man stumbling through the concept of romance.

    If you like rom-coms that take a different approach, this is a good one for you to check out. I also recommend "Forget Paris" (about what happens to a couple AFTER 'happily ever after') and "Object of Beauty" (starring Andie McDowell & John Malkovich as a pair of dysfunctional, small-time con artists in love).

    If you're a Hugh Grant fan, you'll love this film, period.
    Lolly53

    Wonderful Movie...except for that insipid Andie MacDowell

    This movie is brilliant, funny, charming, witty, touching. It has two problems, both of them related to the lead female character, Carrie (played by Andie MacDowell).

    The first is that the character is not written to be at all likeable. She is engaged to a rich older man she clearly doesn't really love (I think we're supposed to infer that she's a golddigger) and cheats on him with someone she doesn't really care about either (Hugh Grant). Later we learn that she's a slut and a homewrecker (see her appearance at wedding #4--don't tell me it wasn't conniving!). What would make us want this woman to win our beloved Charlie (Hugh Grant) (who is also something of a cad, but a loveable one)?

    Carrie might not have been so unpalatable if they'd found an actress who could actually ACT to play her, but instead, they hired Andie MacDowell, who may be pretty, but is as stiff and lifeless as the scenery. Maybe she thinks that's what's called for in a British movie. I wonder that the people casting movies haven't realized that Andie MacDowell simply plays the same character in every movie she's in. By the end of this film, you're incredibly frustrated. You want to adore this movie, because everything about it is so perfect, except for the fact that you hate Andie MacDowell' s character with a passion and wish that she would die so that Charlie could find happiness with a woman who can act.
    TxMike

    Typical British comedy with a bit of tragedy mixed in.

    I had watched this movie years ago, enjoyed it, and just now watched it again on Amazon streaming. It has a lot of similarities to another British movie I like, "Notting Hill" in that Hugh Grant is the bumbling but charming man who seems will never get the right girl.

    Hugh Grant is Charles, and while there are quite a number of good established actors, he is the main focus of the entire story. At wedding number one he meets American sophisticate Andie MacDowell as Carrie, he is smitten with her, and that evening they even end up at a lodge together.

    But Charles's fate is to keep missing his opportunities as Carrie jets back and forth across the pond, and in fact marries an older Scot, Hamish.

    With all the character we never see any glimpse, or have any idea, what any of them do for a living. The whole focus is how they each long to find that perfect person for them. And of course one funeral in the middle of it all.

    I like this movie, it is not a moral play, many of the characters have very questionable morals, but the wedding has a way of ending up in the church. It probably mirrors real life very accurately.
    9jckruize

    Droll romantic comedy showcases Hugh Grant in his best role.

    Richard Curtis, author of Rowan Atkinson's sublime Blackadder TV series, here contributes a romantic comedy screenplay which is actually romantic AND actually funny. American hacks should take note: it's possible to write comedy based on the battle of the sexes that doesn't rely on misogyny and gross-out humor.

    Hugh Grant at his most charming leads a talented ensemble cast in this warm-hearted tale of unrequited and requited love that so impressed stodgy Academy voters it actually got a Best Picture nomination. I won't quibble with those who say it was undeserving -- although some of the other user comments are ridiculously hostile to such a lightweight romp -- but I will defend its makers for crafting a genuine crowd-pleaser that relies on story, character and witty dialogue for its appeal.

    The essence of good romantic comedy is what Curtis and director Mike Newell capture particularly well in this film (more effectively than Curtis' other Grant hit, NOTTING HILL) and it's this: love makes us do stupid things. We err in choice, we blunder in execution, we make utter fools of ourselves, and yet we don't give up. We still strive. We still search for that perfect someone. And the glory is -- sometimes we get lucky.

    Going along on this quest with Grant and friends is as enjoyable an entertainment as you're lucky to find in your local DVD section.
    tfrizzell

    A Nice Little Film That Charmed Its Way to a Best Picture Nod in 1994

    "Four Weddings and a Funeral" is a nice little film from 1994. It did fair at the box office and did fair with critics. The Academy was charmed enough to award the film with a Best Picture nomination. The film deals with a British bachelor (Hugh Grant) who continues to run into a beautiful young American (Andie McDowell) at various weddings in England. As the film progresses their lust for each other turns into love and the finale is a real triumph. This film is a comedy for the most part, but its elements of drama put it above most films that go primarily for laughs. The screenplay is smart and the supporting cast is excellent. Kristin Scott Thomas and Rowan Atkinson (albeit in a very small role) are memorable. 4 out of 5 stars.

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    Argumento

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    • Trivia
      For several years after its release, this movie was the highest-grossing British movie in history, with worldwide box office in excess of $260 million.
    • Errores
      The image of King Charles III is reversed. His medals are shown on his right side; however, personal medals are always worn on the left near the heart.

      Those worn in someone else's honor are worn on the right.
    • Citas

      [at Gareth's funeral]

      Matthew: Gareth used to prefer funerals to weddings. He said it was easier to get enthusiastic about a ceremony one had an outside chance of eventually being involved in. In order to prepare this speech, I rang a few people, to get a general picture of how Gareth was regarded by those who met him: 'Fat' seems to have been a word people most connected with him. 'Terribly rude' also rang a lot of bells. So very 'fat' and very 'rude' seems to have been a stranger's viewpoint. On the other hand, some of you have been kind enough to ring me and let me know that you loved him, which I know he would have been thrilled to hear. You remember his fabulous hospitality, his strange experimental cooking: the recipe for "Duck à la Banana" fortunately goes with him to his grave. Most of all, you tell me of his enormous capacity for joy. When joyful, when joyful for highly vocal drunkenness. But I hope joyful is how you will remember him, not stuck in a box in a church. Pick your favourite of his waistcoats and remember him that way. The most splendid, replete, big-hearted, weak-hearted as it turned out, and jolly bugger most of us ever met. As for me, you may ask how I will remember him, what I thought of him. Unfortunately, there I run out of words. Perhaps you will forgive me if I turn from my own feelings to the words of another splendid bugger: W.H. Auden. This is actually what I want to say: "Stop all the clocks, cut off the telephone, Prevent the dog from barking with a juicy bone. Silence the pianos and with muffled drum, Bring out the coffin, let the mourners come. Let the aeroplanes circle, moaning overhead, Scribbling on the sky the message 'He is Dead'. Put crepe bows 'round the white necks of the public doves, Let traffic policemen wear black cotton gloves. He was my North, my South, my East and West, My working week and my Sunday rest; My noon, my midnight, my talk, my song. I thought that love would last forever; I was wrong. The stars are not wanted now; put out every one, Pack up the moon and dismantle the sun; Pour away the ocean and sweep up the wood, For nothing now can ever come to any good."

    • Créditos curiosos
      The list of credits is presented as "Cast (almost in order of appearance)".
    • Versiones alternativas
      Charles curses heavily each time he is late for a wedding. In the italian TV version he uses milder words for the first wedding, and switches to harsh language for the others.
    • Conexiones
      Featured in Four Weddings and a Funeral: Production Featurette (1993)
    • Bandas sonoras
      But Not for Me
      (1930)

      Written by George Gershwin and Ira Gershwin

      Performed by Elton John

      Produced by Steve Lindsey

      Published by Warner Chappell Music Ltd.

      © 1993 William A. Bong Ltd.

      Elton John appears courtesy of Photogram Ltd. and MCA Records, Inc.

      Recorded at Ocean Way Recording Studios, Los Angeles and Metropolis, London

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    Preguntas Frecuentes24

    • How long is Four Weddings and a Funeral?Con tecnología de Alexa
    • What is Charles' relationship to the couples?
    • What is the poem that is read at Gareth's funeral?
    • How does the Partridge Family song go?

    Detalles

    Editar
    • Fecha de lanzamiento
      • 13 de mayo de 1994 (Reino Unido)
    • País de origen
      • Reino Unido
    • Idiomas
      • Inglés
      • Lenguaje de signos británico
    • También se conoce como
      • Four Weddings and a Funeral
    • Locaciones de filmación
      • St Clement's, West Thurrock, Essex, Inglaterra, Reino Unido(Funeral)
    • Productoras
      • Polygram Filmed Entertainment
      • Channel Four Films
      • Working Title Films
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • USD 4,400,000 (estimado)
    • Total en EE. UU. y Canadá
      • USD 52,700,832
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 138,486
      • 13 mar 1994
    • Total a nivel mundial
      • USD 245,700,832
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      • 1h 57min(117 min)
    • Mezcla de sonido
      • Dolby Stereo
    • Relación de aspecto
      • 1.85 : 1

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