Voci dal profondo

Lucio Fulci's penultimate movie is par for the course for the Italian godfather of gore in that it is a largely incoherent effort, an offbeat horror mystery enlivened by some bloody effects to keep the director's die-hard fans happy. There are also several surreal dream sequences (including one involving rotting zombies) and a reasonable helping of sweaty nudity for those who prefer their Euro-horror on the sleazy side.

The story starts with a wealthy man, Georgio Mainardi (Duilio Del Prete), dying from sudden internal haemorrhaging. As an autopsy is carried out (in graphic detail, naturally), Georgio's spirit questions what has happened to him. Determined to find out the truth, he contacts his daughter Rosy (Karina Huff) from beyond the grave; however, with the majority of Georgio's family and acquaintances having good reason to want the man dead, and with the guilty party covering their tracks, Rosy won't find it easy to solve the mystery.

While a long way from the director's best work, there are still a few scenes that make this one watchable: the aforementioned autopsy will appeal to gorehounds (also worth a mention are the frequent cuts to Georgio's interred body, each time the corpse a little more decomposed); those who enjoy the bizarre will love the freaky dream sequence set in a restaurant patronised by weird creatures with tentacles, where a serving of fried eggs turns into a plate of eyeballs; and those who like naked ladies will appreciate the T&A from pretty blonde Huff and brunette Bettina Giovannini as Georgio's wife Lucia.

A morbid little TV movie in the style of "Hammer House of Mystery and Suspense" or "Tails of the Unexpected". Viewers expecting fulci's ultra violent horror may be disappointed. Even so, given the limited budget and TV format he added a realistic autopsy scene together with repeated shots of a corpse in various stages of maggot ridden decay. The only thing that works against this film is that every scene is shot in soft-focus and very brightly lit, which spoils the overall effect. Also it has a happy ending a rarity for a Fulci movie.

Not an essential film by any means but certainly one for fulci's fans. Wait for the end titles though as it includes an odd dedication to Clive Barker from Fulci.

The spirit of a dead businessman enlists the help of his daughter to help find out who murdered him. Made for TV this is one of notorious Italian film director Lucio Fulci's last movies, a far cry from his classics such as The Beyond and Zombie Flesh Eaters, but at least slightly better than the awful The Sweet House of Horrors. Despite having an obvious TV movie look we do thankfully get some Fulci trademarks such as a maggot infested corpse, gore, female nudity (topless) and even a short zombie sequence. But really this movie is recommendable to Fulci fans only, the story is silly, the English language dubbing is appalling, a mother and daughter are played by actresses who were only a couple of years apart in age, some slow motion flashbacks look crap and I was getting a bit bored towards the end. Highlight is Fulci's cameo carrying out a gory autopsy. I love many of Lucio's movies but I won't be watching this one again.

More of a mystery movie with some gratuitous horror elements thrown in; mediocre overall.

It starts with a woman having a nightmare in which her sex partner gets out of bed, goes into the room of her crying child, and kills it. She wakes up. Then, that man is dying in a hospital, spitting up blood. His estranged daughter arrives, and he manages to contact her through her dreams (I think), and he wants her to find out who killed him before his body entirely decomposes in its grave.

There's not too much mystery about who did it, or even how; most viewers will have figured that out long before it is revealed. I'm not sure the way he was killed would really have worked.

Anyway, the horror elements get in through: a gory autopsy, the recurring dream of the man killing the boy, a nightmare in which a plate of eggs turn into eyes which are then cut, and several shots of the decomposing man both in nightmares and actually in his grave.

I was a little surprised to see a dedication in the end by Fulci to Clive Barker! Interesting.

This is one of the last films Fulci directed and you can tell. As this is a decent film it is not a horror movie. It's more of a mystery with very little of what made Fulci a great horror/gore director. It really does stray from the norm for Fulci as this story is more on the story and characters than it is on gore.

Basically, a very wealthy man dies an unnatural death (spewing up blood). His family are all a bunch of money grubbers except his daughter (who is the star of the movie). She has a dream one night that her father comes to her and tells her that he was murdered and that she needs to find the person that killed him before it's too late.

Now, the story is kind of interesting but things just don't click together. You can tell with many of the scenes that Fulci was trying to incorporate his psychedelic horror style but the story wasn't right for that style. There were though many scenes that were good and very eye catching. The music in the movie was very hypnotic and enjoyable. The big problem with this movie is the gore. There is very little gore. The gore that is in the movie doesn't even go on par with his work in the late 70's and early 80's. Though, there was one funny scene at the beginning of the movie involving a crying child and his crazed father threatening to stab him with a knife.

Over all, for Fulci fans I have to rate this a 3/10. For a regular movie, I have to rate this a 5/10. It's not bad but it's not good.